Night Shift is a 1944 French-Italian comedy film directed by Jean Faurez and starring Gaby Morlay, Jacques Dumesnil and Vivi Gioi. The film's sets were designed by the art director René Moulaert.
Victor Francen was a Belgian-born actor with a long career in French cinema and in Hollywood.
Entente cordiale is a 1939 French drama film directed by Marcel L'Herbier and starring Gaby Morlay, Victor Francen and Pierre Richard-Willm. The film depicts events between the Fashoda crisis in 1898 and the 1904 signing of the Entente Cordiale creating an alliance between Britain and France and ending their historic rivalry. It was based on the book King Edward VII and His Times by André Maurois. It was made with an eye to its propaganda value, following the Munich Agreement of September 1938 and in anticipation of the outbreak of a Second World War which would test the bonds between Britain and France in a conflict with Nazi Germany.
Nights of Fire is a French drama film from 1937, directed by Marcel L'Herbier, written by Marcel L'Herbier, starring Gaby Morlay.
The Blue Veil is a 1942 French drama film directed by Jean Stelli and starring Gaby Morlay, Elvire Popesco and André Alerme. The film was remade in 1951.
Hercule is a 1938 French comedy film directed by Alexander Esway and starring Fernandel, Gaby Morlay and Pierre Brasseur. The film's sets were designed by Pierre Schild. Jean Grémillon was the film's original director, but he left shortly after production had begun. A simple fisherman from Provence inherits a Parisian newspaper, but finds some of his new staff are dishonest.
Behind the Facade is a 1939 French drama film directed by Georges Lacombe and Yves Mirande and starring Lucien Baroux, Jules Berry and André Lefaur. The film's sets were designed by the art director Lucien Aguettand. It was shot at the Epinay Studios in Paris.
Sacred Woods is a 1939 French comedy film directed by Léon Mathot and starring Elvire Popesco, Gaby Morlay and Victor Boucher. It was based on a play by Robert de Flers and Gaston Arman de Caillavet which had previously been made into a 1915 Italian film by Carmine Gallone. The film's sets were designed by the art director Robert Gys.
The King is a 1936 French comedy film directed by Pierre Colombier and starring Victor Francen, Raimu and Gaby Morlay. King Jean IV of Cerdagne visits Paris to sign an important treaty where he becomes involved with an actress and a dishonest Senator.
The Red Head is a 1932 French drama film directed by Julien Duvivier and starring Harry Baur, Robert Lynen and Louis Gauthier. It is a remake of Duvivier's 1925 silent film The Red Head.
The Agony of the Eagles is a 1922 French silent historical film directed by Dominique Bernard-Deschamps and Julien Duvivier and starring Gaby Morlay, Gilbert Dalleu and Séverin-Mars. It was remade in 1933.
The Messenger is a 1937 French drama film directed by Raymond Rouleau and starring Gaby Morlay, Jean Gabin and Mona Goya. It was based on a play by Henri Bernstein. Morlay reprised her role while Victor Francen, who had played the male lead on stage, was replaced by Gabin.
Quadrille is a 1938 French comedy film directed by Sacha Guitry and starring Guitry, Gaby Morlay and Jacqueline Delubac.
Once Upon a Time is a 1933 French drama film directed by Léonce Perret and starring Gaby Morlay, André Luguet and Andrée Ducret.
Dance Hall is a 1931 French drama film directed by Maurice Tourneur and starring Gaby Morlay, Charles Vanel and Madame Ahnar.
The Black Diamond is a 1941 French drama film directed by Jean Delannoy and starring Charles Vanel, Louise Carletti and Gaby Morlay. It is a remake of the 1922 silent film of the same title.
Eve and the Serpent is a 1949 French comedy film directed by Charles-Félix Tavano and starring Gaby Morlay, Félix Oudart and Jacqueline Gauthier.
Mammy is a 1951 French drama film directed by Jean Stelli and starring Gaby Morlay, Pierre Larquey and Françoise Arnoul.
Mademoiselle Béatrice is a 1943 French comedy film directed by Max de Vaucorbeil and starring Gaby Morlay, André Luguet and Louise Carletti. The film's sets were designed by the art director Raymond Druart.
