White Rose | |
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Directed by | Alexander Korda |
Written by |
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Starring | |
Cinematography | Gusztáv Mihály Kovács |
Production company | |
Release date |
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Country | Hungary |
Languages |
White Rose (Hungarian : Fehér rózsa) is a 1919 Hungarian silent drama film directed by Alexander Korda and starring María Corda, Gyula Bartos, and Emil Fenyvessy. It was based on an 1853 novel by Mór Jókai. [1] It was released by the state-owned Hungarian film industry during the Hungarian Soviet Republic, although production had begun before the regime came to power. [2] Korda went on to make two further films for the Soviet government Yamata and Ave Caesar! which led to his eventual arrest once the regime had been overthrown and his ultimate decision to leave Hungary for Austria.
Sir Alexander Korda was a Hungarian-British film director, producer and screenwriter, who founded his own film production studios and film distribution company.
María Corda was a Hungarian actress and a star of the silent film era in Germany and Austria.
Masters of the Sea is a 1922 Austrian silent adventure film directed by Alexander Korda and starring Victor Varconi, María Corda and Tibor Lubinszky.
A Vanished World is a 1922 Austrian silent adventure film directed by Alexander Korda and starring Alberto Capozzi, Victor Varconi, María Corda and Olga Lewinsky. It was based on the novel Serpoletto by Lajos Bíró. A Habsburg archduke enlists as an ordinary seamen. The film won the Gold Medal for Best Dramatic Film at the Milan International Cinema Concourse.
The Unknown Tomorrow is a 1923 German silent drama film directed by Alexander Korda and starring Werner Krauss, María Corda, and Olga Limburg.
Everybody's Woman is a 1924 Austrian silent drama film directed by Alexander Korda and starring María Corda, May Hanbury, and Jeffrey Bernard. A Montmartre flower-seller is transformed into a society lady for a bet. It is also known as The Folly of Doubt.
Tragedy in the House of Habsburg is a 1924 German silent historical film directed by Alexander Korda and starring María Corda, Kálmán Zátony and Emil Fenyvessy. The film recounts the events of the 1889 Mayerling Incident in which the heir to the Austro-Hungarian Empire committed suicide. Studio filming was done in Berlin with location shooting in Vienna. The film cost $80,000 to make, but only earned back around half of this at the box office.
Emil Fenyvessy was a Hungarian actor.
Madame Wants No Children is a 1926 German silent drama film directed by Alexander Korda and starring María Corda, Harry Liedtke and Maria Paudler. It is based on the novel Madame ne veut pas d'enfants by the French writer Clément Vautel. The film was made for the American Fox Film Corporation's German subsidiary. The film was shot at Tempelhof Studios in late 1926. It was the last European film Korda made until 1930 as he left for the United States shortly after its production.
Gyula Bartos was a Hungarian stage and film actor. He performed for many years at the National Theatre in Budapest.
Faun is a 1918 Hungarian silent drama film directed by Alexander Korda and starring Gábor Rajnay, Dezsõ Gyárfás and Artúr Somlay. It was based on a play by Edward Knoblock.
Neither at Home or Abroad is a 1919 Hungarian silent drama film directed by Alexander Korda and starring Lajos Ujváry, Hermin Haraszti and María Corda. Its title is also often translated as Neither In Nor Out.
Number 111 is a 1919 Hungarian silent thriller film directed by Alexander Korda and starring Gábor Rajnay, María Corda and Gyula Bartos. The film was based on a novel by Jenő Heltai. It was Korda's final Hungarian film before he went into exile in Austria during the White Terror. The film was remade in 1938.
Yamata is a 1919 Hungarian silent drama film directed by Alexander Korda and starring Emil Fenyvessy, Ila Lóth and Gábor Rajnay. The film was made for the state-owned Hungarian film industry during the Hungarian Soviet Republic, and concerns a black slave's revolt against his master. The film's apparent political leftism, along with that of Ave Caesar! (1919), led to Korda's arrest once the Soviet Republic collapsed and he fled Hungary in 1919 during the White Terror.
The Stork Caliph is a 1917 Hungarian silent drama film directed by Alexander Korda and starring Gyula Bartos, Oscar Beregi Sr. and Judit Bánky. It was the second film made by Korda for his newly established Corvin Film company. He pulled off what was considered a literary coup by persuading the author Mihály Babits to allow him to film a version of his 1916 novel of the same name.
St. Peter's Umbrella is a 1917 Hungarian silent drama film directed by Alexander Korda and starring Károly Lajthay, Márton Rátkai and Victor Varconi. It was an adaptation of the 1895 novel St. Peter's Umbrella by Kálmán Mikszáth. Two adaptations were made later in 1935 and in 1958.
Love and the Devil is a 1929 American silent drama film directed by Alexander Korda and starring Milton Sills, María Corda and Ben Bard.
Ave Caesar! is a 1919 Hungarian drama film directed by Alexander Korda and starring Oscar Beregi Sr., María Corda and Gábor Rajnay. A debauched Habsburg Prince sends out one of his aide-de-camps to bring him back a gypsy girl. The film was considered as an attack on the aristocracy. It was made by Korda for the state-owned film industry during the Hungarian Soviet Republic. Once the regime fell later that year Korda was arrested and eventually compelled to leave Hungary as part of the White Terror.
The Corvin Film Studio established in 1916, was the largest film production company in Hungary, while the third-largest film company in Europe in the era of silent film. Their films were characterized by a high standard of literature and excellent artistic preparation.
Man of Gold is a 1919 Hungarian silent drama film directed by Alexander Korda and starring Oszkár Beregi, Gábor Rajnay and Margit Makay. The movie is based on the novel The Man with the Golden Touch by Mór Jókai.