Why I Hate Women | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | September 19, 2006 | |||
Studio | Suma Recording Studio, Painesville Ohio | |||
Genre | Experimental rock | |||
Label | Smog Veil [1] Glitterhouse [2] | |||
Producer | David Thomas | |||
Pere Ubu chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Austin Chronicle | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | ![]() |
Why I Hate Women is the 13th studio album by Pere Ubu, released in 2006. [6] Keith Moliné stepped in for departed longtime guitarist Tom Herman, making this the first Pere Ubu studio album not to feature any of the group's founders (except for David Thomas) either as members or as guests. Explaining the title, Thomas claimed that Why I Hate Women is a tribute to an imaginary book that Jim Thompson could have written. [7]
The album's lyrics were inspired by Thomas's love of noir detective fiction. [8]
Why I Remix Women, a remix of the album, was made available via mail order and at the band's concerts. [9]
David Thomas remixed the album in 2021, retitled it Why I Luv Women (with the word "Luv" covering the word "Hate" in the style of a red, off-kilter sticker) and first reissued this version as part of the box set Nuke The Whales 2006-2014 in April 2022 through Fire Records.
AllMusic wrote that the album "opens with a powerful dose of staccato psychodrama, 'Two Girls (One Bar),' and closes with arguably the closest thing to a boogie the band has ever recorded, the playfully loping 'Texas Overture' which offers a joyous aural travelog (largely culinary) through 'the land of the free.'" Exclaim! wrote that with Thomas's voice "contorting over tense, treble-loaded guitars, drums and squealing electronic devices, there's a lot of chaos here; however, it's controlled chaos, where melodies and harmonies do in fact exist." [10] The Dallas Observer wrote that it "fits comfortably alongside the band's '90s releases, proving that even post-punkers can age gracefully and persevere, while still making music of a rare humor, depth and significance." [11] The Cleveland Scene wrote that the album "spews 11 tunes of arcane lyrics and dense music." [12]
All tracks composed by Pere Ubu
with:
David Lynn Thomas is an American singer, songwriter and musician based in Great Britain.
Rocket from the Tombs is an American rock band originally active from mid-1974 to mid-1975 in Cleveland, Ohio, United States. The band was reconstituted several times with various line-ups starting in 2003.
Pere Ubu is an American rock group formed in Cleveland, Ohio, in 1975. The band had a variety of long-term and recurring band members, with singer David Thomas being the only member staying throughout the band's lifetime. They released their debut album The Modern Dance in 1978 and followed with several more LPs before disbanding in 1982. Thomas reformed the group in 1987, continuing to record and tour.
The Modern Dance is the debut album by American rock band Pere Ubu. It was released in January 1978 by record label Blank.
Dub Housing is the second album by American rock band Pere Ubu. Released in 1978 by Chrysalis Records, the album is now regarded as one of their best, described by Trouser Press as "simply one of the most important post-punk recordings."
New Picnic Time is the third album by American rock band Pere Ubu. It was released in September 1979 by Chrysalis Records. Reportedly the album sessions were stressful and contentious, and after touring, the group disbanded. They would reform a matter of months later, with Mayo Thompson replacing founding guitarist Tom Herman. The lyrics for the song "The Voice of the Sand" are based upon the poetry of Vachel Lindsay.
The Art of Walking is the fourth full-length album by Pere Ubu. Mayo Thompson of The Red Krayola joined as guitarist for this album and slanted the proceedings further towards deconstruction and abstraction, and away from the primal rock that former guitarist Tom Herman had facilitated. The group would record one more album with Thompson, Song of the Bailing Man, before disbanding.
Song of the Bailing Man is the fifth Pere Ubu album, released in 1982. It was the final Pere Ubu album until 1988's The Tenement Year.
390° of Simulated Stereo is a live album featuring recordings from Pere Ubu's first few years of existence. In general, the recordings featured are lo-fi in nature. The album was out of print for decades, but was reissued for Record Store Day 2021.
Terminal Tower: An Archival Collection is a compilation album by American rock band Pere Ubu. Released in 1985, the album compiles several of the band's early singles and B-sides, including the Hearthan singles recorded with founder Peter Laughner that were initially compiled on the Datapanik in Year Zero EP, and continuing through later sides recorded with Mayo Thompson.
Pennsylvania is an album by the American band Pere Ubu, released in 1998. The album marked Tom Herman's return to Pere Ubu's studio work after a twenty-year absence. It is a loose concept album about geography, travel, and road trips.
Apocalypse Now is Pere Ubu's third live album, and their first to document a single performance. The show in question, recorded on December 7, 1991, at Schubas Tavern in Chicago, was performed semi-acoustically, with synth-man Eric Drew Feldman instead handling an upright piano, and Jim Jones playing an amplified acoustic guitar.
St. Arkansas is the 12th studio album by Pere Ubu, released in 2002.
Erewhon is David Thomas and Two Pale Boys' debut album, as well as Thomas' first record outside the Pere Ubu banner since that group's reformation in 1987. The Two Pale Boys are a duo consisting of Keith Moliné on guitar and Andy Diagram on trumpet and other instruments.
Surf's Up is the second album by David Thomas and Two Pale Boys, released in 2001. The album is named after the Beach Boys' track, which the band covers.
Lady from Shanghai is the fourteenth studio album by American band Pere Ubu. It was produced by Pere Ubu's front-man David Thomas and it was released on January 7, 2013, on Fire Records label.
Splashh were an Anglo-Australian indie rock band, formed in 2012 in Hackney, East London. The band was composed of frontman and guitarist Sasha Frantz Carlson, guitarist/synth player Taddeo "Toto" Vivian MacDonald, bassist Thomas Beal, and synth player Jaie Gonzalez.
Long Live Père Ubu! is an album by the American band Pere Ubu, released in 2009. It is a soundtrack to a musical adaptation of the play from which the band took its name. The band performed its adaptation at (Le) Poisson Rouge. David Thomas referred to Long Live Père Ubu! as the first "true" punk album to be released in 30 years.
20 Years in a Montana Missile Solo is the sixteenth studio album by American band Pere Ubu. It was released on September 29, 2017, through Cherry Red Records. The album was dedicated to Paul Hamann, the engineer owner of Suma Recording Studio, who died on September 14, 2017.
"30 Seconds Over Tokyo" is the debut single by American post-punk band Pere Ubu. It was written by David Thomas, Peter Laughner and Gene O'Connor, during their stint as members of Rocket from the Tombs in 1974. Released on Thomas' independent Hearthan Records in 1975, the song received very little airplay but has earned high praise in the years since.