William Cowper

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William Cowper
William Cowper by Lemuel Francis Abbott.jpg
A 1792 portrait by Lemuel Francis Abbott [1]
Born(1731-11-26)26 November 1731
Berkhamsted, Hertfordshire, England
Died25 April 1800(1800-04-25) (aged 68)
East Dereham, United Kingdom
Education Westminster School

William Cowper ( /ˈkpər/ KOO-pər; 26 November 1731 – 25 April 1800) [lower-alpha 1] was an English poet and hymnodist. One of the most popular poets of his time, Cowper changed the direction of 18th century nature poetry by writing of everyday life and scenes of the English countryside. In many ways, he was one of the forerunners of Romantic poetry. Samuel Taylor Coleridge called him "the best modern poet", whilst William Wordsworth particularly admired his poem Yardley-Oak. [2]


After being institutionalised for insanity, Cowper found refuge in a fervent evangelical Christianity. He continued to suffer doubt and, after a dream in 1773, believed that he was doomed to eternal damnation. He recovered and wrote more religious hymns.

His religious sentiment and association with John Newton (who wrote the hymn "Amazing Grace") led to much of the poetry for which he is best remembered, and to the series of Olney Hymns. His poem "Light Shining out of Darkness" gave English the phrase: "God moves in a mysterious way/ His wonders to perform."

He also wrote a number of anti-slavery poems and his friendship with Newton, who was an avid anti-slavery campaigner, resulted in Cowper being asked to write in support of the Abolitionist campaign. [3] Cowper wrote a poem called "The Negro's Complaint" (1788) which rapidly became very famous, and was often quoted by Martin Luther King Jr. during the 20th century civil rights movement. [4] He also wrote several other less well known poems on slavery in the 1780s, many of which attacked the idea that slavery was economically viable. [5]


William Cowper Cowper w.jpg
William Cowper

Cowper was born in Berkhamsted, Hertfordshire, where his father John Cowper was rector of the Church of St Peter. [6] [7] His father's sister was the poet Judith Madan. His mother was Ann née Donne. He and his brother John were the only two of seven children to live past infancy. Ann died giving birth to John on 7 November 1737. His mother’s death at such an early age troubled William deeply and was the subject of his poem, "On the Receipt of My Mother's Picture", written more than fifty years later. He grew close to her family in his early years. He was particularly close with her brother Robert and his wife Harriot. They instilled in young William a love of reading and gave him some of his first books – John Bunyan’s Pilgrim’s Progress and John Gay’s Fables.

Cowper was first enrolled in Westminster School in April of 1742 after moving from school to school for a number of years. He had begun to study Latin from a young age, and was an eager scholar of Latin for the rest of his life. Older children bullied Cowper through many of his younger years. At Westminster School he studied under the headmaster John Nicoll. At the time, Westminster School was popular amongst families belonging to England’s Whig political party. Many intelligent boys from families of a lower social status also attended, however. Cowper made lifelong friends from Westminster. He read through the Iliad and the Odyssey , which ignited his lifelong scholarship and love for Homer’s epics. He grew skilled at the interpretation and translation of Latin, which he put to use for the rest of his life. He was skilled in the composition of Latin as well and wrote many verses of his own. [8]

After education at Westminster School, Cowper was articled to Mr Chapman, solicitor, of Ely Place, Holborn, to be trained for a career in law. During this time, he spent his leisure at the home of his uncle Bob Cowper, where he fell in love with his cousin Theodora, whom he wished to marry. But as James Croft, who in 1825 first published the poems Cowper addressed to Theodora, wrote, "her father, from an idea that the union of persons so nearly related was improper, refused to accede to the wishes of his daughter and nephew." This refusal left Cowper distraught.[ citation needed ] He suffered his first severe attack of depression/mental illness, referred to at the time as melancholy. [9]

In 1763 he was offered a Clerkship of Journals in the House of Lords, but broke under the strain of the approaching examination; he experienced a period of depression and insanity. At this time he tried three times to commit suicide and was sent to Nathaniel Cotton's asylum at St. Albans for recovery. His poem beginning "Hatred and vengeance, my eternal portions" (sometimes referred to as "Sapphics") was written in the aftermath of his suicide attempt.

After recovering, he settled at Huntingdon with a retired clergyman named Morley Unwin and his wife Mary. Cowper grew to be on such good terms with the Unwin family that he went to live in their house, and moved with them to Olney. There he met curate John Newton, a former captain of slave ships who had devoted his life to the gospel. Not long afterwards, Morley Unwin was killed in a fall from his horse; Cowper continued to live in the Unwin home and became greatly attached to the widow Mary Unwin.

At Olney, Newton invited Cowper to contribute to a hymnbook that he was compiling. The resulting volume, known as Olney Hymns, was not published until 1779 but includes hymns such as "Praise for the Fountain Opened" (beginning "There is a fountain fill'd with blood") [10] and "Light Shining out of Darkness" (beginning "God Moves in a Mysterious Way"), which remain some of Cowper's most familiar verses. Several of Cowper's hymns, as well as others originally published in the Olney Hymns, are today preserved in the Sacred Harp, which also collects shape note songs.

In 1773, Cowper experienced an attack of insanity, imagining not only that he was eternally condemned to hell, but that God was commanding him to make a sacrifice of his own life. Mary Unwin took care of him with great devotion, and after a year he began to recover. In 1779, after Newton had moved from Olney to London, Cowper started to write poetry again. Mary Unwin, wanting to keep Cowper's mind occupied, suggested that he write on the subject of The Progress of Error. After writing a satire of this name, he wrote seven others. These poems were collected and published in 1782 under the title Poems by William Cowper, of the Inner Temple, Esq.

Crazy Kate, illustration for Cowper's The Task by Henry Fuseli (1806-1807). Johann Heinrich Fussli 035.jpg
Crazy Kate, illustration for Cowper's The Task by Henry Fuseli (1806–1807).

In 1781 Cowper met a sophisticated and charming widow named Lady Austen who inspired new poetry. Cowper himself tells of the genesis of what some have considered his most substantial work, The Task, in his "Advertisement" to the original edition of 1785:

…a lady, fond of blank verse, demanded a poem of that kind from the author, and gave him the SOFA for a subject. He obeyed; and, having much leisure, connected another subject with it; and, pursuing the train of thought to which his situation and turn of mind led him, brought forth at length, instead of the trifle which he at first intended, a serious affair—a Volume!

In the same volume Cowper also printed "The Diverting History of John Gilpin", a notable piece of comic verse. Writing "John Gilpin" was later credited by G. K. Chesterton in Orthodoxy with saving Cowper from becoming completely insane. [11]

Harriett Hesketh by Francis Coates Harriett Hesketh born Cowper.jpg
Harriett Hesketh by Francis Coates

Cowper and Mary Unwin moved to Weston Underwood, Buckinghamshire, in 1786, having become close with his cousin Lady Harriett Hesketh (Theodora's sister). [12] During this period he started his translations of Homer's Iliad and Odyssey into blank verse. His versions (published in 1791) were the most significant English renderings of these epic poems since those of Alexander Pope earlier in the century. Later critics have faulted Cowper's Homer for being too much in the mould of John Milton. [13]

In 1789 Cowper befriended a cousin, Dr John Johnson, a Norfolk clergyman, and in 1795 Cowper and Mary moved to Norfolk to be near him and his sister Catharine. They originally stayed at North Tuddenham, then at Dunham Lodge near Swaffham and then Mundesley before finally settling in East Dereham, with the Johnsons, after Mary Unwin became paralysed. [14]

Mary Unwin died in 1796, plunging Cowper into a gloom from which he never fully recovered. He did continue to revise his Homer for a second edition of his translation. Aside from writing the powerful and bleak poem, "The Castaway", he penned some English translations of Greek verse and translated some of the Fables of John Gay into Latin.

Cowper was seized with dropsy in the spring of 1800 and died. He is buried in the chapel of St Thomas of Canterbury, St Nicholas's Church, East Dereham. [2] A window in Westminster Abbey honours him. [15]

In 1823, Cowper's correspondence was published from the original letters in the possession of his kinsman John Johnson. [16] [17]




Cowper is represented with fifteen hymns in American Presbyterian Edwin Hatfield's 1872 opus The Church Hymn Book for the Worship of God .

Familiar quotations

See also


  1. Date of birth is given in New Style (Gregorian calendar). Old Style date is 15 November 1879.Chisholm, Hugh, ed. (1911). "Calendar"  . Encyclopædia Britannica . 4 (11th ed.). Cambridge University Press.

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God Moves in a Mysterious Way song

"God Moves in a Mysterious Way" is a Christian hymn, written in 1773 by William Cowper from England. It was written by Cowper in 1773 as a poem entitled "Light Shining out of Darkness", The poem is the likely source for the phrase "God moves in mysterious ways", although the first line of the poem actually runs "God moves in a mysterious way." The poem, the last hymn text that Cowper wrote, was written following his attempted suicide while living at Olney. John Newton published the poem the next year in his Twenty-six Letters on Religious Subjects; to which are added Hymns (1774).

"On the Receipt of My Mother's Picture", also known as "On the Receipt of My Mother's Picture Out of Norfolk", is a 1798 poem by English poet William Cowper, which he wrote because of a love for his mother.

Glorious Things of Thee Are Spoken

"Glorious Things of Thee Are Spoken", also called "Zion, or the City of God", is an 18th-century English hymn written by John Newton, who also wrote the hymn "Amazing Grace". Shape note composer Alexander Johnson set it to his tune "Jefferson" in 1818, and as such it has remained in shape note collections such as the Sacred Harp ever since. However, the hymn is often set to the music of Joseph Haydn's "Gott erhalte Franz den Kaiser" or Arthur Sullivan's "Lux Eoi". In recent decades a third tune, "Abbot's Leigh", has risen to prominence. This was written for this text by The Reverend Cyril Vincent Taylor in 1942 while he was a producer of Religious Broadcasting at the BBC and stationed at the village of Abbots Leigh.

John Johnson was a Church of England clergyman, poet, and editor, a cousin and friend of William Cowper, who lived with Johnson in his declining years.


  1. Abbott, Lemuel Francis (1792), Cowper (portrait)
  2. 1 2 Cameron. "William CowperDereham Norfolk". www.poetsgraves.co.uk.
  3. "Abolitionist campaigners". www.bl.uk.
  4. King, Martin Luther Jr., Carson, Clayborne; Holloran, Peter; Luker, Ralph; et al. (eds.), The Papers of Martin Luther King, Jr: Threshold of a new decade.
  5. "Great campaigners", Abolition background, UK: BL.
  6. Alumni Oxonienses 1500–1714. Abannan-Kyte. 1891. pp. 338–65. Retrieved 16 December 2010.
  7. Taylor, Thomas (1835). The Life of William Cowper, Esq. Seeley.
  8. Rhodes, N., (ed.), William Cowper: Selected Poems, Psychology Press, 2003, p. 8.
  9. Price, Martin, 1920-2010 (1973). The restoration and the eighteenth century. New York: Oxford University Press. ISBN   0-19-501614-9. OCLC   2341106.CS1 maint: multiple names: authors list (link)
  10. Cowper, William (1772). "There Is a Fountain". Hymnary.org (hymn). Retrieved 1 February 2018.
  11. To be precise, Chesterton was making, in Chapter 2 of Orthodoxy , the point that contrary to some assumptions poetry does not make men mad, but if anything logic does. He then takes the example of Cowper: "only one great English poet went mad, Cowper. And he was definitely driven mad by logic, by the [...] logic of predestination. Poetry was not the disease, but the medicine; poetry partly kept him in health. [...] He was damned by John Calvin; he was almost saved by John Gilpin."
  12. James William Kelly, ‘Hesketh, Harriet, Lady Hesketh (bap. 1733, d. 1807)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 2008 accessed 24 Jan 2015
  13. Blackie, John Stuart (1866), Homer and the Iliad, Edinburgh: Edmonston and Douglas, p. 139, OCLC   4731357, [...] we have had great poets, like Cowper, who do not seem to have been able to distinguish between the tone of Milton and the tone of Homer.
  14. Catharine Bodham Johnson, Introduction to Letters of Lady Hesketh to the Rev. John Johnson LL.D. (1901), pp. 5–8
  15. Dunton, Larkin (1896). The World and Its People. Silver, Burdett. p.  35.
  16. Private correspondence of William Cowper, Esq., with several of his most intimate friends, now first published from the originals in the possession of his kinsman, John Johnson (2nd ed.). London: H. Colburn. 1824.
  17. "Review of Private Correspondence of William Cowper". The Quarterly Review. 30: 185–199. October 1823.


Further reading