William Friedkin | |
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![]() Friedkin in 2017 | |
Born | William David Friedkin August 25, 1935 Chicago, Illinois, U.S. |
Died | August 7, 2023 87) Los Angeles, California, U.S. | (aged
Education | Senn High School |
Occupations |
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Years active | 1962–2023 |
Spouses | |
Children | 2 |
Signature | |
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William David Friedkin (August 25, 1935 – August 7, 2023) was an American film and television director, producer, and screenwriter who was closely identified with the "New Hollywood" movement of the 1970s. [1] [2] Beginning his career in documentaries in the early 1960s, he directed the crime thriller film The French Connection (1971), which won five Academy Awards, including Best Picture, Best Actor, Best Adapted Screenplay, and Best Director. He then directed the horror film The Exorcist (1973), which earned him another Academy Award nomination for Best Director.
His other films included the drama The Boys in the Band (1970), the thriller Sorcerer (1977), the crime comedy drama The Brink's Job (1978), the crime thriller Cruising (1980), [3] [4] the neo-noir thriller To Live and Die in L.A. (1985), the psychological horror film Bug (2006), and the black comedy Killer Joe (2011).
Friedkin was born in Chicago, Illinois, on August 29, 1935, the son of Rachael (née Green) and Louis Friedkin. His father was a semi-professional softball player, merchant seaman, and men's clothing salesman. His mother, whom Friedkin called "a saint," was a nurse. [5] [6] His parents were Jewish emigrants from Ukraine. [7] His grandparents, parents, and other relatives fled Ukraine during a particularly violent anti-Jewish pogrom in 1903. [8] Friedkin's father was somewhat uninterested in making money, and the family was generally lower middle class while he was growing up. According to film historian Peter Biskind, "Friedkin viewed his father with a mixture of affection and contempt for not making more of himself." [5]
After attending public schools in Chicago, Friedkin enrolled at Senn High School, where he played basketball well enough to consider turning professional. [9] He was not a serious student and barely received grades good enough to graduate, [10] which he did at the age of 16. [11] He said this was because of social promotion and not because he was bright. [12]
Friedkin began going to movies as a teenager, [9] and cited Citizen Kane as one of his key influences. Several sources claim that Friedkin saw this motion picture as a teenager, [13] but Friedkin himself said that he did not see the film until 1960, when he was 25 years old. Only then, Friedkin said, did he become a true cineaste. [14] Among the movies that he also saw as a teenager and young adult were Les Diaboliques , The Wages of Fear (which many consider he remade as Sorcerer ), and Psycho (which he viewed repeatedly, like Citizen Kane). Televised documentaries such as 1960's Harvest of Shame were also important to his developing sense of cinema. [9]
Friedkin began working in the mail room at WGN-TV immediately after high school. [15] Within two years (at the age of 18), [16] he started his directorial career doing live television shows and documentaries. [17] His efforts included The People vs. Paul Crump (1962), which won an award at the San Francisco International Film Festival and contributed to the commutation of Crump's death sentence. [16] [18] Its success helped Friedkin get a job with producer David L. Wolper. [16] He also made the football-themed documentary Mayhem on a Sunday Afternoon (1965). [19]
As mentioned in his voice-over commentary on the DVD re-release of Alfred Hitchcock's Vertigo , Friedkin directed one of the last episodes of The Alfred Hitchcock Hour in 1965, called "Off Season". Hitchcock admonished Friedkin for not wearing a tie while directing. [20]
In 1965, Friedkin moved to Hollywood and two years later released his first feature film, Good Times starring Sonny and Cher. He has referred to the film as "unwatchable". [21] Several other films followed: The Birthday Party , based on an unpublished screenplay by Harold Pinter, which he adapted from his own play; the musical comedy The Night They Raided Minsky's , starring Jason Robards and Britt Ekland; and the adaptation of Mart Crowley's play The Boys in the Band . [22]
His next film, The French Connection , was released to wide critical acclaim in 1971. Shot in a gritty style more suited for documentaries than Hollywood features, the film won five Academy Awards, including Best Picture and Best Director. [23] Friedkin's next film was 1973's The Exorcist , based on William Peter Blatty's best-selling novel, which revolutionized the horror genre and is considered by some critics to be one of the greatest horror movies of all time. The Exorcist was nominated for 10 Academy Awards, including Best Picture and Best Director. It won for Best Screenplay and Best Sound. Following these two pictures, Friedkin, along with Francis Ford Coppola and Peter Bogdanovich, was deemed one of the premier directors of New Hollywood. In 1973, the trio announced the formation of an independent production company at Paramount Pictures, The Directors Company. Whereas Coppola directed The Conversation and Bogdanovich, the Henry James adaptation, Daisy Miller , Friedkin abruptly left the company, which was soon closed by Paramount. [24]
Friedkin's later movies did not achieve the same success. Sorcerer (1977), a $22 million American remake of the French classic The Wages of Fear , co-produced by both Universal and Paramount, starring Roy Scheider, was overshadowed by the blockbuster box-office success of Star Wars , which had been released exactly one week prior. [23] Friedkin considered it his finest film, and was personally devastated by its financial and critical failure (as mentioned by Friedkin himself in the 1999 documentary series The Directors). Sorcerer was shortly followed by the crime-comedy The Brink's Job (1978), based on the real-life Great Brink's Robbery in Boston, Massachusetts, which was also unsuccessful at the box-office. [25]
In 1980, Friedkin directed an adaptation of the Gerald Walker crime thriller Cruising , starring Al Pacino, which was protested during production and remains the subject of heated debate. It was a critically assailed financial disappointment. [26]
Friedkin had a heart attack on March 6, 1981, due to a genetic defect in his circumflex left coronary artery, and nearly died. He spent months in rehabilitation. [27] His next picture was 1983's Deal of the Century , a satire about arms dealing starring Chevy Chase, Gregory Hines, and Sigourney Weaver.
In 1985, Friedkin directed the music video for Barbra Streisand's rendition of the West Side Story song "Somewhere", [28] which she recorded for her twenty-fourth studio LP, The Broadway Album . He later appears as Streisand's interviewer (uncredited) on the television special, "Putting It Together: The Making of the Broadway Album". [29]
The action/crime movie To Live and Die in L.A. (1985), starring William Petersen and Willem Dafoe, was a critical favorite and drew comparisons to Friedkin's own The French Connection (particularly for its car chase sequence), while his courtroom drama/thriller Rampage (1987) received a fairly positive review from Roger Ebert. [30] He next directed the cult classic horror film The Guardian (1990) and the thriller Jade (1995), starring Linda Fiorentino. Though the latter received an unfavorable response from critics and audiences, he said it was one of the favorite films he directed. [31]
In 2000, The Exorcist was re-released in theaters with extra footage and grossed $40 million in the U.S. alone. Friedkin directed the 2007 film Bug due to a positive experience watching the stage version in 2004. He was surprised to find that he was, metaphorically, on the same page as the playwright and felt that he could relate well to the story. [32] The film won the FIPRESCI prize at the Cannes Film Festival. Later, Friedkin directed an episode of the TV series CSI: Crime Scene Investigation titled "Cockroaches", which re-teamed him with To Live and Die in L.A. star William Petersen. [33] He directed again for CSI's 200th episode, "Mascara". [34]
In 2011, Friedkin directed Killer Joe , a black comedy written by Tracy Letts based on Letts' play, and starring Matthew McConaughey, Emile Hirsch, Juno Temple, Gina Gershon, and Thomas Haden Church. Killer Joe premiered at the 68th Venice International Film Festival, prior to its North American debut at the 2011 Toronto International Film Festival. It opened in U.S. theaters in July 2012, to some favorable reviews from critics but did poorly at the box office, possibly because of its restrictive NC-17 rating. In April 2013, Friedkin published a memoir, The Friedkin Connection. [35] He was presented with a lifetime achievement award at the 70th Venice International Film Festival in September. [36] In 2017, Friedkin directed the documentary The Devil and Father Amorth about the ninth exorcism of a woman in the Italian village of Alatri. [37] In August 2022, it was announced officially that Friedkin would be returning to film directing to helm an adaptation of the two-act play The Caine Mutiny Court-Martial with Kiefer Sutherland starring as Lt. Commander Queeg. [38] The film was completed before Friedkin's death, and debuted in September 2023 in the out-of-competition category at the Venice Film Festival. [39]
Friedkin cited Jean-Luc Godard, Federico Fellini, François Truffaut, and Akira Kurosawa as influences. [40] Friedkin named Woody Allen as "the greatest living filmmaker". [41]
In regards to influences of specific films on his films, Friedkin noted that The French Connection['s] documentary-like realism was the direct result of the influence of having seen Z , a French film by Costa-Gavras:
After I saw Z, I realized how I could shoot The French Connection. Because he shot Z like a documentary. It was a fiction film but it was made like it was actually happening. Like the camera didn't know what was gonna happen next. And that is an induced technique. It looks like he happened upon the scene and captured what was going on as you do in a documentary. My first films were documentaries too. So I understood what he was doing but I never thought you could do that in a feature at that time until I saw Z. [42]
Friedkin was married four times:
While filming The Boys in the Band in 1970, Friedkin began a relationship with Kitty Hawks, daughter of director Howard Hawks. It lasted two years, during which the couple announced their engagement, but the relationship ended about 1972. [51] Friedkin began a four-year relationship with Australian dancer and choreographer Jennifer Nairn-Smith in 1972. Although they announced an engagement twice, they never married. They had a son, Cedric, on November 27, 1976. [52] [53] Friedkin and his second wife, Lesley-Anne Down, also had a son, Jack, born in 1982. [46] Friedkin was raised Jewish, but called himself an agnostic later in life, although he said that he strongly believed in the teachings of Jesus Christ. [54] [55]
Friedkin died from heart failure and pneumonia at his home in the Bel Air neighborhood of Los Angeles on August 7, 2023. [6] [56] He was 87 years old. [57]
Narrative films
Year | Title | Director | Writer | Producer | Ref(s) |
---|---|---|---|---|---|
1967 | Good Times | Yes | Uncredited | No | [58] |
1968 | The Birthday Party | Yes | No | No | [59] |
The Night They Raided Minsky's | Yes | No | No | [58] | |
1970 | The Boys in the Band | Yes | No | No | [58] |
1971 | The French Connection | Yes | Uncredited | No | [58] |
1973 | The Exorcist | Yes | No | No | [58] |
1977 | Sorcerer | Yes | Uncredited | Yes | [58] |
1978 | The Brink's Job | Yes | No | No | [58] |
1980 | Cruising | Yes | Yes | No | [58] |
1983 | Deal of the Century | Yes | No | No | [58] |
1985 | To Live and Die in L.A. | Yes | Yes | No | [58] |
1987 | Rampage | Yes | Yes | Yes | [58] |
1990 | The Guardian | Yes | Yes | No | [58] |
1994 | Blue Chips | Yes | No | No | [58] |
1995 | Jade | Yes | Uncredited | No | [58] |
2000 | Rules of Engagement | Yes | No | No | [58] |
2003 | The Hunted | Yes | No | No | [58] |
2006 | Bug | Yes | No | No | [58] |
2011 | Killer Joe | Yes | No | No | [58] |
2023 | The Caine Mutiny Court-Martial | Yes | Yes | No | [59] |
Documentary films
Year | Title | Director | Writer | Producer | Ref(s) |
---|---|---|---|---|---|
1962 | The People vs. Paul Crump | Yes | No | Yes | [58] |
1965 | The Bold Men | Yes | No | No | [58] |
Mayhem on a Sunday Afternoon | Yes | No | Yes | [60] | |
1966 | The Thin Blue Line | Yes | Story | Yes | [58] |
1975 | Fritz Lang Interviewed by William Friedkin | Yes | No | No | [58] |
1986 | Putting It Together: The Making of the Broadway Album | Uncredited | No | No | [58] |
2007 | The Painter's Voice | Yes | No | No | [61] |
2017 | The Devil and Father Amorth | Yes | Yes | No | [59] |
TV series
Year | Title | Episode | Ref(s) |
---|---|---|---|
1965 | The Alfred Hitchcock Hour | "Off Season" (S3 E29) | [59] |
1967 | The Pickle Bros. | TV pilot (S1 E1) | [58] |
1985 | The Twilight Zone | "Nightcrawlers" (S1 E4c) | [62] |
1992 | Tales from the Crypt | "On a Deadman's Chest" (S4 E3) | [59] |
2007 | CSI: Crime Scene Investigation | "Cockroaches" (S8 E9) | [59] |
2009 | "Mascara" (S9 E18) | [59] |
TV movies
Year | Title | Director | Writer | Executive producer | Ref(s) |
---|---|---|---|---|---|
1986 | C.A.T. Squad | Yes | No | Yes | [58] |
1988 | C.A.T. Squad: Python Wolf | Yes | Yes | Yes | [58] |
1994 | Jailbreakers | Yes | No | No | [58] |
1997 | 12 Angry Men | Yes | No | No | [59] |
Operas
Year | Title and Composer | Country / Opera House | Ref(s) |
---|---|---|---|
1998 | Wozzeck , Alban Berg | Maggio Musicale Fiorentino Theatre | [63] |
2002 | Duke Bluebeard's Castle , Béla Bartók | Los Angeles Opera | [64] [65] |
Gianni Schicchi , Giacomo Puccini | [64] [65] | ||
2003 | La damnation de Faust , Hector Berlioz | [66] | |
2004 | Ariadne auf Naxos , Richard Strauss | [67] [65] | |
2005 | Samson and Delilah , Camille Saint-Saëns | June, New Israeli Opera October, Los Angeles Opera | [65] |
Aida , Giuseppe Verdi | Teatro Regio Torino | [68] | |
2006 | Salome , Richard Strauss | Bavarian State Opera | [69] |
2008 | Il tabarro , Giacomo Puccini | Los Angeles Opera | [70] |
Suor Angelica , Giacomo Puccini | [70] | ||
2011 | The Makropulos Case , Leoš Janáček | Maggio Musicale Fiorentino Theatre | [71] |
2012 | The Tales of Hoffmann , Jacques Offenbach | Theater an der Wien | [69] |
2015 | Aida, Giuseppe Verdi | Teatro Regio Torino | [68] |
Rigoletto , Giuseppe Verdi | Maggio Musicale Fiorentino Theatre | [72] | |
2023 | Aida, Giuseppe Verdi | Teatro Regio Torino | [73] |
Plays
Year | Title | Theatre | Principal Cast | Ref(s) |
---|---|---|---|---|
1981 | Duet for One | Royale Theatre | Max von Sydow, Anne Bancroft | [74] [75] |
Year | Title and description | Ref(s) |
---|---|---|
1970s | The Bunker Hill Boys, a film for The Directors Company | [76] |
Untitled sci-fi film with Peter Gabriel | [77] [78] | |
The Devil's Triangle, a UFO thriller starring Marlon Brando, Steve McQueen and Charlton Heston | [79] [80] | |
A Safe Darkness, a documentary about horror cinema featuring interviews with Fritz Lang and Roman Polanski | [81] [80] | |
A 10-hour television adaptation of Thomas Thompson's novel Blood and Money | [82] [83] | |
A film adaptation of Ron Hansen's novel Desperadoes written by Walon Green | [84] | |
1980s | A film adaptation of Robin Cook's novel Brain | [85] |
That Championship Season | [86] | |
A film adaptation of William Peter Blatty's novel Legion | [87] | |
A film adaptation of Frank De Felitta's novel Sea Trial starring Laura Branigan and Michael Nouri | [88] [89] | |
A film adaptation of Don Pendleton's The Executioner series written by Hilary Henkin starring Sylvester Stallone and Cynthia Rothrock | [90] [91] | |
The Gambler, a film written by Edward Neumeier and Michael Miner starring Sylvester Stallone | [91] | |
Desperate Hours | [92] | |
Untitled biopic about 1950s songwriting duo Jerry Leiber and Mike Stoller | [93] [94] | |
1990s | Elsewhere, a ghost story with William Peter Blatty | [95] [96] |
The Diary of Jack the Ripper, a biopic about James Maybrick written by Chris DeVore starring Anthony Hopkins | [97] [98] | |
A film adaptation of John Flood's novel Bag Men starring Michael Keaton | [99] | |
A remake of the 1996 made-for-television film Truth or Dare written by William Davies | [100] | |
Night Train, a biopic about boxer Sonny Liston written by Shane Salerno and Tyger Williams starring Ving Rhames | [101] [102] [103] | |
Battle Grease, a film about the account of the Florence Maybrick murder trial | [104] | |
2000s | A film adaptation of Larry Collins' novel O Jerusalem! written by James Dearden | [105] |
Shooter starring Tommy Lee Jones | [102] | |
Untitled biopic about Howard Hughes adapted from Richard Hack's novel Hughes: The Private Diaries | [106] | |
A film adaptation of Thomas Thompson's novel Serpentine | [107] [108] [109] | |
A film adaptation of Robert Silverberg's novel The Book of Skulls written by Jeff Davis and Terry Hayes | [110] [109] [111] | |
The Man Who Kept Secrets, a biopic about Hollywood lawyer Sidney Korshak | [112] | |
A film adaptation of Chris Greenhalgh's novel Coco and Igor starring Mads Mikkelsen and Marina Hands | [113] [114] | |
2010s | A film adaptation of William Peter Blatty's novel Dimiter | [115] |
Trapped, an indie thriller set in Europe starring Demián Bichir | [116] [117] [lower-alpha 1] | |
I Am Wrath starring Nicolas Cage | [119] | |
Mae, a biopic about actress Mae West starring Natasha Lyonne and Bette Midler | [120] [121] [122] | |
A TV pilot based on his film To Live and Die in L.A. written by Robert Moresco | [123] [124] [125] | |
Untitled Killer Joe spinoff TV series | [123] [126] | |
A film adaptation of Don Winslow's novel The Winter of Frankie Machine | [127] [128] |
An LA Opera production of Wagner's Tannhäuser was announced by Friedkin, but a spokesperson revealed it had been delayed indefinitely. [65] Friedkin had also been set to direct the premiere of an opera titled An Inconvenient Truth to debut in 2011, [129] but he later departed from it when creative differences arose between him and the librettist. [130] In 2013, it was reported that he would helm a stage production of Harold Pinter's The Birthday Party (which he had already directed as a feature film in 1968), for Geffen Playhouse. [131] A cast including Katie Amess, Frances Barber, Steven Berkoff, Tim Roth and Nick Ullett was assembled, but the production was soon postponed for an unknown reason, and never revived. [132]
Year | Award | Category | Title | Result | Ref(s) |
---|---|---|---|---|---|
1972 | Academy Award | Best Director | The French Connection | Won | [133] |
Directors Guild of America | Outstanding Directorial Achievement in Motion Pictures | Won | [134] | ||
Golden Globes | Best Director | Won | [135] | ||
1973 | BAFTA Award | Nominated | [136] | ||
1974 | Academy Award | The Exorcist | Nominated | [137] | |
Directors Guild of America | Outstanding Directorial Achievement in Motion Pictures | Nominated | [138] | ||
Golden Globes | Best Director | Won | [139] | ||
1981 | Razzie Awards | Worst Director | Cruising | Nominated | [140] |
Worst Screenplay | Nominated | [140] | |||
1986 | Cognac Festival du Film Policier | Audience Award | To Live and Die in L.A. | Won | [ citation needed ] |
1988 | Deauville Film Festival | Critics Award | Rampage | Nominated | [ citation needed ] |
1991 | Saturn Award | George Pal Memorial Award | Won | [ citation needed ] | |
1993 | Best Director | Rampage | Nominated | [141] | |
1998 | Directors Guild of America | Outstanding Directorial Achievement in Dramatic Specials | 12 Angry Men | Nominated | [142] |
Primetime Emmy Awards | Best Director | Nominated | [143] | ||
1999 | Saturn Award | President's Award | Won | [144] | |
Empire Awards | Movie Masterpiece Award | The Exorcist | Won | [145] | |
2000 | Palm Beach International Film Festival | Lifetime Achievement Award | Won | [146] | |
2006 | Cannes Film Festival | FIPRESCI | Bug | Won | [147] |
2007 | Munich Film Festival | CineMerit Award | Won | [148] | |
Sitges - Catalan International Film Festival | Time-Machine Honorary Award | Won | [149] | ||
2009 | Locarno International Film Festival | Leopard of Honor | Won | [150] | |
2011 | Venice Film Festival | Golden Lion | Killer Joe | Nominated | [151] |
Golden Mouse | Won | [152] | |||
2013 | Belgian Film Critics Association | Grand Prix | Nominated | [153] | |
Saturn Award | Best Director | Nominated | [154] [155] | ||
Lifetime Award | Won | [156] | |||
Venice Film Festival | Special Lion for Lifetime Achievement | Won | [157] |
Peter Bogdanovich was an American director, writer, actor, producer, critic, and film historian. He started his career as a film critic for Film Culture and Esquire before becoming a prominent filmmaker as part of the New Hollywood movement. He received accolades including a BAFTA Award and Grammy Award, as well as nominations for two Academy Awards and two Golden Globe Awards.
The French Connection is a 1971 American neo-noir action thriller film starring Gene Hackman, Roy Scheider, and Fernando Rey, and directed by William Friedkin. The screenplay, written by Ernest Tidyman, is based on Robin Moore's 1969 non-fiction book of the same name. It tells the story of fictional NYPD detectives Jimmy "Popeye" Doyle and Buddy "Cloudy" Russo, whose real-life counterparts were narcotics detectives Eddie Egan and Sonny Grosso, in pursuit of wealthy French heroin smuggler Alain Charnier.
Roy Richard Scheider was an American actor and amateur boxer. Described by AllMovie as "one of the most unique and distinguished of all Hollywood actors", he gained fame for his leading and supporting roles in celebrated films from the 1970s through to the early to mid-1980s. He was nominated for two Academy Awards, a Golden Globe Award, and a BAFTA Award.
Sorcerer is a 1977 American thriller film directed and produced by William Friedkin and starring Roy Scheider, Bruno Cremer, Francisco Rabal, and Amidou. The second adaptation of Georges Arnaud's 1950 French novel Le Salaire de la peur, it has been widely considered a remake of the 1953 film The Wages of Fear, although Friedkin disagreed with this assessment. The plot depicts four outcasts from varied backgrounds meeting in a South American village, where they are assigned to transport cargoes of aged, poorly kept dynamite that is so unstable that it is 'sweating' its dangerous basic ingredient, nitroglycerin.
Sir John Boorman is a British filmmaker. He is best known for directing feature films such as Point Blank (1967), Hell in the Pacific (1968), Deliverance (1972), Zardoz (1974), Exorcist II: The Heretic (1977), Excalibur (1981), The Emerald Forest (1985), Hope and Glory (1987), The General (1998), The Tailor of Panama (2001) and Queen and Country (2014).
Exorcist II: The Heretic is a 1977 American horror film directed by John Boorman and written by William Goodhart. It is the second installment in The Exorcist film series and the sequel to The Exorcist (1973). The film stars Linda Blair, Richard Burton, Louise Fletcher, Max von Sydow, Kitty Winn, Paul Henreid, and James Earl Jones. The plot is set four years after the previous film and centers on the now 16-year-old Regan MacNeil, who is still recovering from her previous demonic possession.
The Exorcist is a 1973 American supernatural horror film directed by William Friedkin from a screenplay by William Peter Blatty, based on his 1971 novel of the same name. The film stars Ellen Burstyn, Max von Sydow, Jason Miller, and Linda Blair. The story follows the demonic possession of a young girl and her mother's attempt to rescue her through an exorcism by two Catholic priests.
To Live and Die in L.A. is a 1985 American neo-noir action crime thriller film directed and co-written by William Friedkin and based on the 1984 novel by former United States Secret Service agent Gerald Petievich, who co-wrote the screenplay with Friedkin. The film features William Petersen, Willem Dafoe and John Pankow among others. Wang Chung composed and performed the original music soundtrack. The film tells the story of the lengths to which two Secret Service agents go to arrest a counterfeiter.
Harvey Weinstein is an American former film producer and convicted sex offender. He and his brother, Bob Weinstein, co-founded the entertainment company Miramax, which produced several successful independent films including Sex, Lies, and Videotape (1989); The Crying Game (1992); Pulp Fiction (1994); Heavenly Creatures (1994); Flirting with Disaster (1996); and Shakespeare in Love (1998). Weinstein won an Academy Award for producing Shakespeare in Love and also won seven Tony Awards for plays and musicals including The Producers, Billy Elliot the Musical, and August: Osage County. After leaving Miramax, Weinstein and his brother Bob founded The Weinstein Company (TWC), a mini-major film studio. He was co-chairman, alongside Bob, from 2005 to 2017.
Peter Biskind is an American cultural critic, film historian, journalist and former executive editor of Premiere magazine from 1986 to 1996.
Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N Roll Generation Saved Hollywood is a book by Peter Biskind, published by Simon & Schuster in 1998. Easy Riders, Raging Bulls is about the 1960s and 1970s Hollywood, a period of American film known for the production of such films such as The Godfather,The Godfather Part II,The French Connection,Chinatown,Taxi Driver,Jaws,Star Wars,The Exorcist, and The Last Picture Show. The title is taken from films which bookend the era: Easy Rider (1969) and Raging Bull (1980). The book follows Hollywood on the brink of the Vietnam War, when a group of young Hollywood film directors known as the "movie brats" are making their names. It begins in the 1960s and ends in the 1980s.
Good Times is a 1967 American comedy musical western film starring Sonny & Cher. The film also co-stars George Sanders, Norman Alden, Larry Duran, Kelly Thordsen and Lennie Weinrib. The film marks the feature directorial debut of William Friedkin, who later directed The French Connection and The Exorcist.
Owen Roizman was an American cinematographer. He received five Academy Award nominations for Best Cinematography, for the films The French Connection (1971), The Exorcist (1973), Network (1976), Tootsie (1982), and Wyatt Earp (1994). He served on the Board of Governors of the Academy of Motion Picture Arts and Sciences and was president of the American Society of Cinematographers.
The Exorcist III is a 1990 American psychological horror film written for the screen and directed by William Peter Blatty, based on his 1983 novel Legion. It is the third installment in the The Exorcist film series. The film stars George C. Scott, Ed Flanders, Jason Miller, Scott Wilson, Nicol Williamson, and Brad Dourif.
Bud S. Smith is an American film editor, producer, and director. He shared the 1984 BAFTA Award for Best Editing for Flashdance and also shared the 2008 American Cinema Editors Career Achievement Award. He is a regular collaborator of director William Friedkin, serving as editor on six of his films. He was nominated for Academy Awards for Flashdance (1983) and The Exorcist (1973). He is married to dialogue editor Lucy Coldsnow-Smith.
The Exorcist is an American media franchise that originated with William Peter Blatty's 1971 horror novel of the same name and most prominently featured in a 1973 film adaptation of the novel, and many subsequent prequels and sequels. All of these installments focus on fictional accounts of people possessed by Pazuzu, the main antagonist of the series, and the efforts of religious authorities to counter this possession.
Alexandre O. Philippe is a Swiss film director whose films include the documentaries Doc of the Dead, The People vs. George Lucas, and 78/52. Philippe is Creative Director and co-owner of Denver-based Cinema Vertige and his most recent commissioned work for the City of Denver garnered four Heartland Emmy Awards.
Friedkin Uncut is a 2018 Italian documentary film written and directed by Francesco Zippel. It tells the life and career of the film director William Friedkin. The film had its world premiere at the 75th Venice International Film Festival on 31 August 2018. It was released in Italy on 5 November 2018.
Jay Sebring....Cutting to the Truth is a 2020 American documentary film that studies Jay Sebring's life as the first international pioneer in the industry of men's style and hair. Cited as the inspiration for Warren Beatty's character in the 1975 film Shampoo, Jay Sebring's life ended at age 35 when he and four others were killed by the Manson family in what would become known as the Tate murders.
The Caine Mutiny Court-Martial is a 2023 American legal drama film adapted and directed by William Friedkin from Herman Wouk's 1953 play of the same name, itself based on the 1952 novel The Caine Mutiny, also by Wouk. It stars Kiefer Sutherland, Jason Clarke, Jake Lacy, Monica Raymund and Lance Reddick. The film marks a posthumous release for both Reddick and Friedkin, who died on March 17 and August 7, respectively.
Friedkin: ".... But none of us in the 70s thought we were operating in a golden age; we all had been influenced by Godard, Fellini, Truffaut, Kurosawa."
My personal beliefs are defined as agnostic. I'm someone who believes that the power of God and the soul are unknowable, but that anybody who says there is no God is not being honest about the mystery of fate. I was raised in the Jewish faith, but I strongly believe in the teachings of Jesus.
I had written a short story on [the sleeve of] Genesis Live – one of the stories I used to tell onstage – and William Friedkin, who was the king of Hollywood because of The Exorcist , wanted me to work with him. Not as a musician, but as a screenwriter and ideas man. That was very exciting to me. In the end, unfortunately, nothing happened; it was one of many Hollywood projects that bit the dust.
Ms. Burke handed over the dais to producer Richard Zanuck (Jaws, Driving Miss Daisy), who would present the evening's first Lifetime Achievement Award to director William Friedkin.
Was in competition at Venice, where it won the Golden Mouse (online critics' best film).
Cinq films étaient en lice pour cette récompense: "Beasts of the Southern Wild", de Benh Zeitlin, "Take Shelter", de Jeff Nichols, "Shame", de Steve McQueen, "Ernest et Célestine", de Benjamin Renner, Vincent Patar et Stéphane Aubier, et "Killer Joe", de William Friedkin.