Screwball comedy is a film subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1950s, that satirizes the traditional love story. It has secondary characteristics similar to film noir, distinguished by a female character who dominates the relationship with the male central character, whose masculinity is challenged, and the two engage in a humorous battle of the sexes.
Libeled Lady is a 1936 American screwball comedy film directed by Jack Conway and starring Jean Harlow, William Powell, Myrna Loy and Spencer Tracy. It was written by George Oppenheimer, Howard Emmett Rogers, Wallace Sullivan, and Maurine Dallas Watkins. This was the fifth of fourteen films in which Powell and Loy were teamed, inspired by their success in the Thin Man series.
My Man Godfrey is a 1936 American screwball comedy film directed by Gregory La Cava and starring William Powell and Carole Lombard, who had been briefly married years before appearing together in the film. The screenplay for My Man Godfrey was written by Morrie Ryskind and Eric S. Hatch, with uncredited contributions by La Cava, based on Hatch's 1935 novel, 1101 Park Avenue. The story concerns a socialite who hires a derelict to be her family's butler, and then falls in love with him.
Warner Leroy Baxter was an American film actor from the 1910s to the 1940s. Baxter is known for his role as the Cisco Kid in the 1928 film In Old Arizona, for which he won the Academy Award for Best Actor at the 2nd Academy Awards. He frequently played womanizing, charismatic Latin bandit types in Westerns, and played the Cisco Kid or a similar character throughout the 1930s, but had a range of other roles throughout his career.
Wallace Fitzgerald Beery was an American film and stage actor. He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as General Director Preysing in Grand Hotel (1932), as Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his title role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr.
Stanislaus Pascal Franchot Tone was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s. His acting crossed many genres including pre-Code romantic leads to noir layered roles and World War I films. He appeared as a guest star in episodes of several golden age television series, including The Twilight Zone and The Alfred Hitchcock Hour while continuing to act and produce in the theater and movies throughout the 1960s.
Paul Lukas was a Hungarian actor. He won the Academy Award for Best Actor, and the first Golden Globe Award for Best Actor – Motion Picture Drama, for his performance in the film Watch on the Rhine (1943), reprising the role he created on the Broadway stage.
Myrna Loy was an American film, television and stage actress. As a performer, she was known for her ability to adapt to her screen partner's acting style.
Luise Rainer was a German-born film actress. She was the first thespian to win multiple Academy Awards, and the first to win back-to-back; at the time of her death, thirteen days shy of her 105th birthday, she was the longest-lived Oscar recipient, a superlative that has not been exceeded, as of 2024.
Alice Brady was an American actress of stage and film. She began her career in the theatre in 1911, and her first important success came on Broadway in 1912 when she created the role of Meg March in the original production of Marian de Forest's Little Women. As a screen actress she first appeared in silent films and was one of the few actresses to survive the transition into talkies. She worked until six months before her death from cancer in 1939. Her films include My Man Godfrey (1936), in which she plays the flighty mother of Carole Lombard's character, and In Old Chicago (1937) for which she won the Academy Award for Best Supporting Actress.
Jean Harlow was an American actress. Known for her portrayal of "bad girl" characters, she was the leading sex symbol of the early 1930s and one of the defining figures of the pre-Code era of American cinema. Often nicknamed the "Blonde Bombshell" and the "Platinum Blonde", Harlow was popular for her "Laughing Vamp" screen persona. Harlow was in the film industry for only nine years, but she became one of Hollywood's biggest movie stars, whose image in the public eye has endured. In 1999, the American Film Institute ranked Harlow number 22 on its greatest female screen legends list.
Joseph Leo Mankiewicz was an American film director, screenwriter, and producer. Mankiewicz had a long Hollywood career, and won both the Academy Award for Best Director and the Academy Award for Best Adapted Screenplay in consecutive years for A Letter to Three Wives (1949) and All About Eve (1950), the latter of which was nominated for 14 Academy Awards and won six.
Walter Andrew Brennan was an American actor and singer. He won the Academy Award for Best Supporting Actor for his performances in Come and Get It (1936), Kentucky (1938) and The Westerner (1940), making him one of only three male actors to win three Academy Awards, and the only male or female actor to win three awards in the supporting actor category. Brennan was also nominated for his performance in Sergeant York (1941). Other noteworthy performances were in To Have and Have Not (1944), My Darling Clementine (1946), Red River (1948) and Rio Bravo (1959). On television, he starred in the sitcom The Real McCoys (1957-1963).
Ralph Rexford Bellamy was an American actor whose career spanned 65 years on stage, film, and television. During his career, he played leading roles as well as supporting roles, garnering acclaim and awards, including a Tony Award for Best Actor in a Play for Sunrise at Campobello as well as Academy Award for Best Supporting Actor nomination for The Awful Truth (1937).
Woodbridge Strong Van Dyke II was an American film director who made several successful early sound films, including Tarzan the Ape Man in 1932, The Thin Man in 1934, San Francisco in 1936, and six popular musicals with Nelson Eddy and Jeanette MacDonald. He received two Academy Award nominations for Best Director for The Thin Man and San Francisco, and directed four actors to Oscar nominations: William Powell, Spencer Tracy, Norma Shearer, and Robert Morley. Known as a reliable craftsman who made his films on schedule and under budget, he earned the name "One Take Woody" for his quick and efficient style of filming.
Charles Edward "Buddy" Rogers was an American film actor and musician. During the peak of his popularity in the late 1920s and early 1930s, he was publicized as "America's Boyfriend".
Hugh Ryan "Jack" Conway was an American film director and film producer, as well as an actor of many films in the first half of the 20th century.
Harold G. "Hal" Rosson, A.S.C. was an American cinematographer who worked during the early and classical Hollywood cinema, in a career spanning some 52 years, starting from the silent era in 1915. He is best known for his work on the fantasy film The Wizard of Oz (1939) and the musical Singin' in the Rain (1952), as well as his marriage to Jean Harlow.
Hunt Stromberg was a film producer during Hollywood's Golden Age. In a prolific 30-year career beginning in 1921, Stromberg produced, wrote, and directed some of Hollywood's most profitable and enduring films, including The Thin Man series, the Nelson Eddy/Jeanette MacDonald operettas, The Women, and The Great Ziegfeld, which won the Academy Award for Best Picture of 1936.
Franklin Bryant Washburn III was an American actor who appeared in more than 370 films between 1911 and 1947. Washburn's parents were Franklin Bryant Washburn II and Metha Catherine Johnson Washburn. He attended Lake View High School in Chicago.
