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William Ratcliffe (6 October 1870 – January 1955) was one of the Camden Town Group of artists in early twentieth-century England. Although he never achieved the fame of other members of the Group, such as his friend and mentor Harold Gilman, he remained a full-time artist throughout his life, relying on the support of friends and family.
William Whitehead Ratcliffe was born on 6 October 1870 in the village of Clenchwarton, near Kings Lynn (Norfolk, UK), the youngest of four children. His father, Zachariah, was a draper's assistant. 
The family moved to Gorton, near Manchester, while Ratcliffe was still young. After leaving school and while working as a clerk for a cotton merchant, he attended evening classes at the Manchester School of Art, whose director of design at the time was Walter Crane, and learned wallpaper design. 
By 1901, Ratcliffe was working for the Wallpaper Manufacturers Combine. Shortly afterwards, his work took him to London, where he discovered the Garden City movement, which drew him to Letchworth Garden City, where he moved in 1906.
By 1907, Ratcliffe was living in Westholm, close to Stanley Parker, brother of the Garden City architect Richard Barry Parker. In 1908, they were joined by Harold Gilman and his wife Grace, forming a small artistic clique. Under Gilman's influence and encouragement, Ratcliffe turned his back on commercial art and illustration, devoting the rest of his life to fine art.
Ratcliffe died of heart failure and arteriosclerosis in January 1955. His body was cremated at Golders Green Crematorium and the ashes dispersed. 
Walter Richard Sickert was a German-born British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid- and late 20th century.
Sir Raymond Unwin was a prominent and influential English engineer, architect and town planner, with an emphasis on improvements in working class housing.
The Camden Town Group was a group of English Post-Impressionist artists founded in 1911 and active until 1913. They gathered frequently at the studio of painter Walter Sickert in the Camden Town area of London.
The London Group is a society based in London, England, created to offer additional exhibiting opportunities to artists besides the Royal Academy of Arts. Formed in 1913, it is one of the oldest artist-led organisations in the world. It was formed from the merger of the Camden Town Group, an all-male group, and the Fitzroy Street Group. It holds open submission exhibitions for members and guest artists.
Sir Alan Bowness CBE was a British art historian, art critic, and museum director. He was the director of the Tate Gallery between 1980 and 1988.
Charles Isaac Ginner was a British painter of landscape and urban subjects. Born in the south of France at Cannes, of British parents, in 1910 he settled in London, where he was an associate of Spencer Gore and Harold Gilman and a key member of the Camden Town Group.
Spencer Frederick Gore was a British painter of landscapes, music-hall scenes and interiors, usually with single figures. He was the first president of the Camden Town Group, and was influenced by the Post-Impressionists.
Edward Atkinson Hornel was a Scottish painter of landscapes, flowers, and foliage, with children. He was a cousin of James Hornell.
Lucien Pissarro was a landscape painter, printmaker, wood engraver and designer and printer of fine books. His landscape paintings employ techniques of Impressionism and Neo-Impressionism, but he also exhibited with Les XX. Apart from his landscapes he painted a few still lifes and family portraits. Until 1890 he worked in France, but thereafter was based in Britain.
Stanisława de Karłowska was a Polish-born artist, who was married to the Camden Town Group painter Robert Bevan.
James Bolivar Manson was an artist and worked at the Tate gallery for 25 years, including serving as its director from 1930 to 1938. In the Tate's own evaluation he was the "least successful" of their directors. His time there was frustrated by his stymied ambition as a painter and he declined into alcoholism, culminating in a drunken outburst at an official dinner in Paris. Although his art policies were more advanced than previously at the Tate and embraced Impressionism, he stopped short of accepting newer artistic movements like Surrealism and German Expressionism, thus earning the scorn of critics such as Douglas Cooper. He retired on the grounds of ill health and resumed his career as a flower painter until his death.
Harold John Wilde Gilman was a British painter of interiors, portraits and landscapes, and a founder-member of the Camden Town Group.
Malcolm Cyril Drummond was an English painter and printmaker, noted for his paintings of urban scenes and interiors. Influenced by the Post-Impressionists and Walter Sickert, he was a member of the Camden Town Group and the London Group.
Robert Polhill Bevan was a British painter, draughtsman and lithographer. He was a founding member of the Camden Town Group, the London Group, and the Cumberland Market Group.
Letchworth Garden City, commonly known as Letchworth, is a town in Hertfordshire, England, noted for being the first garden city. The population at the time of the 2011 census was 33,249. The town lies on the Bedfordshire border and is the administrative headquarters of North Hertfordshire.
Albert Daniel Rutherston was a British artist. He painted figures and landscape, illustrated books and designed posters and stage sets.
The Grafton Galleries, often referred to as the Grafton Gallery, was an art gallery in Mayfair, London. The French art dealer Paul Durand-Ruel showed the first major exhibition in Britain of Impressionist paintings there in 1905. Roger Fry's two famous exhibitions of Post-Impressionist works in 1910 and 1912 were both held at the gallery.
Maria Jane Balshaw CBE is director of the Tate art museums and galleries. The appointment was confirmed by the UK Prime Minister on 16 January 2017, making her the first female director of the Tate.
The Chenil Gallery was a British art gallery and sometime-music studio in Chelsea, London between 1905 and 1927, and later the location of various businesses referencing this early use.
Esther Bensusan Pissarro (1870–1951) was a British wood-engraver, designer, and printer.