|Born||11 August 1899|
|Died||17 July 1973 73) (aged|
|Years active||1927–1965 (film)|
Willy Schiller (11 August 1899 – 17 July 1973) was a German art director.  In the later part of his career he worked for DEFA, the East German state-controlled film studio.
Joseph Henry Kolker was an American stage and film actor and director.
Irving Caminsky was an American movie actor and director.
Theodore von Eltz was an American film actor, appearing in more than 200 films between 1915 and 1957. He was the father of actress Lori March.
Richard Tucker was an American actor. Tucker was born in Brooklyn, New York. Appearing in more than 260 films between 1911 and 1940, he was the first official member of the Screen Actors Guild (SAG) and a founding member of SAG's Board of Directors. Tucker died in Woodland Hills, Los Angeles from a heart attack. He is interred at Forest Lawn Memorial Park, in an unmarked niche in Great Mausoleum, Columbarium of Faith.
John Wray was an American character actor of stage and screen.
Arthur L. Todd was an American cinematographer whose work included Hot Saturday (1932), I've Got Your Number (1934) and You're in the Army Now (1941).
Conrad Albinus Nervig was an American film editor with 81 film credits.
Victor Arthur Eduard Janson was a German stage and film actor and film director of Latvian ethnicity.
Hans Ferdinand Junkermann was a German actor. He was married to the Austrian actress Julia Serda.
Bruno Mondi was a German cameraman and director of photography.
Georg Alexander was a German film actor who was a prolific presence in German cinema. He also directed a number of films during the silent era.
Anton Pointner was an Austrian stage and film actor. Pointner's career began on the stages of Austria and performed in both silent and sound films in his native Austria, as well as in Germany and the United States.
Margarete Kupfer was a German actress.
Curt Courant was a German cinematographer who worked on over a hundred films during the silent and early sound eras. Courant worked in several European countries, collaborating with figures such as Alfred Hitchcock and Fritz Lang. As he was of Jewish ancestry, Courant was forced to leave Germany in 1933 and go into exile following the Nazi takeover of power. Courant worked at several of the leading British studios during the mid-1930s. He is the uncle of Willy Kurant who also became a cinematographer.
Georg C. Klaren (1900–1962) was an Austrian screenwriter and film director. He worked on a number of screenplays with Herbert Juttke during the silent and early sound eras including Alfred Hitchcock's 1931 film Mary. After the Second World War, Klaren became the head dramaturge at the East German state-owned studio DEFA.
Gustav A. Knauer (1886–1950) was a German art director. He designed the sets of more than a hundred films during his career.
Robert Herlth was a German art director. He was one of the leading designers of German film sets during the 1920s and 1930s.
Oliver T. Marsh was a prolific Hollywood cinematographer. He worked on over eighty films just for Metro-Goldwyn-Mayer alone.
Harry Fischbeck (1879–1968) was a German-born cinematographer who emigrated to the United States where he worked in the American film industry. He was employed by a variety of different studios during his career including Universal, United Artists and Warner Brothers, but primarily for Paramount Pictures. One of his first credits was for the historical The Lincoln Cycle films directed by John M. Stahl.