Related Research Articles
Oskar Sima was an Austrian actor who is best remembered for appearing in supporting roles in countless comedy films from the 1930s to the 1960s.
Theodore von Eltz was an American film actor, appearing in more than 200 films between 1915 and 1957. He was the father of actress Lori March.
Wade Boteler was an American film actor and writer. He appeared in more than 430 films between 1919 and 1943.
Paul Hermann Bildt was a German film actor. He appeared in more than 180 films between 1910 and 1956. He was born in Berlin and died in Zehlendorf, West Berlin.
Arthur L. Todd was an American cinematographer whose work included Hot Saturday (1932), I've Got Your Number (1934) and You're in the Army Now (1941).
Carl Theodor Auen was a German film actor of the silent era. He appeared in more than 110 films between 1914 and 1938. Auen was a member of the Militant League for German Culture and also a member of the Advisory Council (Präsidialrat) of the president of the Reichsfilmkammer.
Aribert Wäscher was a German film actor.
Hans Ferdinand Junkermann was a German actor. He was married to the Austrian actress Julia Serda.
Bruno Mondi was a German cameraman and director of photography.
Ernst Behmer was a prolific German stage and film actor who appeared in more than a hundred films during the silent and early sound eras.
Georg Alexander was a German film actor who was a prolific presence in German cinema. He also directed a number of films during the silent era.
Olga Limburg was a German theater and film actress. She began her artistic career in 1901 with a commitment at the Municipal Theatre of Poznan. Since 1902, she played at several of Berlin's leading theaters including the Tribune, the Metropol Theatre, Berlin Lustspielhaus, the comedy and the Theater am Kurfürstendamm. During the early part of her theater career, Limburg usually played supporting roles. Later she worked in the "comical oldies" plays.
Gerhard Dammann was a German film actor.
Margarete Kupfer was a German actress.
Friedl Behn-Grund was a German cinematographer.
Curt Courant was a German cinematographer who worked on over a hundred films during the silent and early sound eras. Courant worked in several European countries, collaborating with figures such as Alfred Hitchcock and Fritz Lang. As he was of Jewish ancestry, Courant was forced to leave Germany in 1933 and go into exile following the Nazi takeover of power. Courant worked at several of the leading British studios during the mid-1930s. He was the uncle of Willy Kurant who also became a cinematographer.
Georg C. Klaren (1900–1962) was an Austrian screenwriter and film director. He worked on a number of screenplays with Herbert Juttke during the silent and early sound eras including Alfred Hitchcock's 1931 film Mary. After the Second World War, Klaren became the head dramaturge at the East German state-owned studio DEFA.
Otto Hunte was a German production designer, art director and set decorator. Hunte is considered one of the most important artists in the history of early German cinema, mainly for his set designs on the early silent movies of Fritz Lang. A working relationship with fellow designers Karl Vollbrecht and Erich Kettelhut defined his early career. Hunte's architectural designs are found in many of the period's most important films including Dr. Mabuse the Gambler, Die Nibelungen (1924), Metropolis (1927) and Der blaue Engel. Hunte subsequently worked as one of the leading set designers during the Nazi era. After World War II, he was employed by the East German DEFA studios.
Harry Fischbeck (1879–1968) was a German-born cinematographer who emigrated to the United States where he worked in the American film industry. He was employed by a variety of different studios during his career including Universal, United Artists and Warner Brothers, but primarily for Paramount Pictures. One of his first credits was for the historical The Lincoln Cycle films directed by John M. Stahl.
References
- ↑ Allan & Sandford p.3
