|Woman With a Lute|
|Medium||Oil on canvas|
|Dimensions||51.4 cm× 45.7 cm(20.2 in× 18.0 in)|
|Location||Metropolitan Museum of Art, New York|
Woman with a Lute, also known as Woman with a Lute Near a Window, is a painting created about 1662–1663 by Dutch painter Johannes Vermeer and now at the Metropolitan Museum of Art in New York.
Johannes Vermeer was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. He was a moderately successful provincial genre painter in his lifetime but evidently was not wealthy, leaving his wife and children in debt at his death, perhaps because he produced relatively few paintings.
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the United States. With 6,953,927 visitors to its three locations in 2018, it was the third most visited art museum in the world. Its permanent collection contains over two million works, divided among seventeen curatorial departments. The main building, on the eastern edge of Central Park along Museum Mile in Manhattan's Upper East Side is by area one of the world's largest art galleries. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from Medieval Europe. On March 18, 2016, the museum opened the Met Breuer museum at Madison Avenue on the Upper East Side; it extends the museum's modern and contemporary art program.
The painting depicts a young woman wearing an ermine-trimmed jacket and enormous pearl earrings as she eagerly looks out a window, presumably expecting a male visitor. "A musical courtship is suggested by the viola da gamba on the floor in the foreground and by the flow of songbooks across the tabletop and onto the floor," according to a web page about the work at the Metropolitan Museum of Art website. The tuning of a lute was recognized by contemporary viewers as a symbol of the virtue of temperance. The oil on canvas work is 20¼ inches high and 18 inches wide (51.4 × 45.7 cm). The painting's canvas was almost certainly cut from the same bolt as that used for Lady Writing a Letter with her Maid .
Lady Writing a Letter with her Maid is a painting by the Dutch artist Johannes Vermeer, completed in 1670–1671 and held in the National Gallery of Ireland. The work shows a middle-class woman attended by a housemaid who is presumably acting as messenger and go-between for the lady and her lover. The work is seen as a bridge between the quiet restraint and self-containment of Vermeer's work of the 1660s and his relatively cooler work of the 1670s. It may have been partly inspired by Ter Borch's painting Woman Sealing a Letter. The painting's canvas was almost certainly cut from the same bolt used for Woman with a Lute.
The work likely was painted shortly after Young Woman with a Water Pitcher , and it shares with that painting its framing of the figure within rectangular motifs. But the painting has more muted tones, reflecting a shift in that direction by Vermeer in the mid- to late 1660s. At this time, Vermeer began using shadows and soft contours to further evoke an atmosphere of intimacy. "The impression of spatial recession and atmosphere is somewhat diminished by darkening with age of the objects in the foreground and by abrasion of the paint surface, mostly in the same area," according to the Metropolitan Museum of Art web page.
The painting was given to the museum in 1900 by a bequest of railroad industrialist Collis P. Huntington.
The Milkmaid, sometimes called The Kitchen Maid, is an oil-on-canvas painting of a "milkmaid", in fact, a domestic kitchen maid, by the Dutch artist Johannes Vermeer. It is now in the Rijksmuseum in Amsterdam, the Netherlands, which regards it as "unquestionably one of the museum's finest attractions".
Girl Interrupted at Her Music is a painting by the Dutch artist Johannes Vermeer. It was painted in the baroque style, probably between the years 1658 and 1659, using oil on canvas. Since 1901 it has been in the Frick Collection in New York City.
Woman with a Water Jug, also known as Young Woman with a Water Pitcher, is a painting finished between 1660–1662 by the Dutch painter Johannes Vermeer in the Baroque style. It is oil on canvas, 45.7cm x 40.6 cm, and is on display at the Metropolitan Museum of Art, New York.
The Love Letter is a 17th-century genre painting by Jan Vermeer. The painting shows a servant maid handing a letter to a young woman with a cittern. The painting is in the Rijksmuseum Amsterdam.
The Wine Glass is a 1660 painting by Johannes Vermeer now in the Gemäldegalerie, Berlin. It portrays a seated woman and a standing man drinking in an interior setting. The work contains the conventions of genre painting of the Delft School developed by Pieter de Hooch in the late 1650s. It contains figures situated in a brightly lit and spacious interior, while its architectural space is highly defined. The figures are set in the middle ground, rather than positioned in the foreground.
Christ in the House of Martha and Mary is a painting finished in 1655 by the Dutch painter Johannes Vermeer. It is housed in the National Gallery of Scotland in Edinburgh. It is the largest painting by Vermeer and one of the very few with an overt religious motive. The story of Christ visiting the household of the two sisters Mary and Martha goes back to the New Testament. The work has also been called Christ in the House of Mary and Martha.
Study of a Young Woman is a painting by the Dutch artist Johannes Vermeer, completed between 1665 and 1667, and now in the Metropolitan Museum of Art, New York.
The Lacemaker is a painting by the Dutch artist Johannes Vermeer (1632–1675), completed around 1669–1670 and held in the Louvre, Paris. The work shows a young woman dressed in a yellow shawl, holding up a pair of bobbins in her left hand as she carefully places a pin in the pillow on which she is making her bobbin lace. At 24.5 cm x 21 cm, the work is the smallest of Vermeer's paintings, but in many ways one of his most abstract and unusual. The canvas used was cut from the same bolt as that used for A Young Woman Seated at the Virginals, and both paintings seem to have had identical dimensions originally.
The Allegory of Faith, also known as Allegory of the Catholic Faith, is a painting created by Dutch artist Johannes Vermeer in about 1670–72. The painting is currently located at the Metropolitan Museum of Art in New York, and has been since 1931.
Lady Seated at a Virginal, also known as Young Woman Seated at a Virginal, is a genre painting created by Dutch artist Johannes Vermeer in about 1670–72 and now in the National Gallery, London.
Lady Standing at a Virginal is a genre painting created by the Dutch artist Johannes Vermeer in about 1670–1672, now in the National Gallery, London.
Officer and Laughing Girl, also known as Officer and a Laughing Girl, Officer With a Laughing Girl or De Soldaat en het Lachende Meisje, was painted by the Dutch artist Johannes Vermeer between 1655 and 1660. It was painted in oil on canvas, typical of most Dutch artists of the time, and is 50.5 by 46 cm. It now resides in The Frick Collection in New York.
A Girl Asleep, also known as A Woman Asleep, A Woman Asleep at Table, and A Maid Asleep, is a painting by the Dutch master Johannes Vermeer, 1657. It is housed at the Metropolitan Museum of Art in New York City and may not be lent elsewhere under the terms of the donor's bequest.
Girl Reading a Letter at an Open Window is an oil painting by Dutch Golden Age painter Johannes Vermeer. Completed in approximately 1657–59, the painting is on display at the Gemäldegalerie in Dresden. For many years, the attribution of the painting—which features a young Dutch woman reading a letter before an open window—was lost, with first Rembrandt and then Pieter de Hooch being credited for the work before it was properly identified in 1880. After World War II, the painting was briefly in possession of the Soviet Union. Apparently well-preserved, the painting may have been altered after the painter's death.
The Procuress is a 1656 oil-on-canvas painting by the 24-year-old Johannes Vermeer. It can be seen in the Gemäldegalerie Alte Meister in Dresden. It is his first genre painting and shows a scene of contemporary life, an image of mercenary love perhaps in a brothel. It differs from his earlier biblical and mythological scenes. It is one of only three paintings Vermeer signed and dated.
Woman with a Pearl Necklace by Johannes Vermeer is a seventeenth-century Northern European painting. Painted in oils on canvas, Johannes Vermeer portrayed a young Dutch woman, most likely of upper-class-descent, dressing herself with two yellow ribbons, pearl earrings, and a pearl necklace. As a very popular artist of the 17th century, the Dutch Golden Age, Vermeer depicted many women in similar circumstances within interior, domestic scenes. The same woman also appears in The Love Letter and A Lady Writing a Letter.
The Musician (1662) is an oil on canvas painting by the Dutch painter Bartholomeus van der Helst. It is an example of Dutch Golden Age painting and is part of the collection of the Metropolitan Museum of Art.
Walter Arthur Liedtke, Jr. was an American art historian, writer and Curator of Dutch and Flemish Paintings at the Metropolitan Museum of Art. He was known as one of the world's leading scholars of Dutch and Flemish paintings. He died in the 2015 Metro-North Valhalla train crash.
The International Standard Book Number (ISBN) is a numeric commercial book identifier which is intended to be unique. Publishers purchase ISBNs from an affiliate of the International ISBN Agency.