A carpet is a textile floor covering typically consisting of an upper layer of pile attached to a backing. The pile was traditionally made from wool, but since the 20th century synthetic fibers such as polypropylene, nylon, or polyester have often been used, as these fibers are less expensive than wool. The pile usually consists of twisted tufts that are typically heat-treated to maintain their structure. The term carpet is often used in a similar context to the term rug, but rugs are typically considered to be smaller than a room and not attached to the floor.
A Persian carpet or Persian rug, also known as Iranian carpet, is a heavy textile made for a wide variety of utilitarian and symbolic purposes and produced in Iran, for home use, local sale, and export. Carpet weaving is an essential part of Persian culture and Iranian art. Within the group of Oriental rugs produced by the countries of the "rug belt", the Persian carpet stands out by the variety and elaborateness of its manifold designs.
A kilim is a flat tapestry-woven carpet or rug traditionally produced in countries of the former Persian Empire, including Iran, the Balkans and the Turkic countries. Kilims can be purely decorative or can function as prayer rugs. Modern kilims are popular floor coverings in Western households.
Gabbeh or gabba carpets are a traditional variety of Persian carpet. Gabbeh is known as gava in Kurdish and Luri and is also called khersak (خرسک) in Bakhtiari, literally meaning a "bear's cub". Traditionally a sleeping rug, a gabbeh is a hand-woven pile rug of coarse quality and medium size characterized by an abstract design that relies upon open fields of color and a playfulness with geometry. This type of rug is popular among the populations of the Zagros Mountains of Iran, including Kurdish, Luri and Qashqai people. The gabbeh is usually crafted by women.
A prayer rug or prayer mat is a piece of fabric, sometimes a pile carpet, used by Muslims, some Christians and some Baha'i during prayer.
Uşak carpets, Ushak carpets or Oushak Carpets are Turkish carpets that use a particular family of designs, called by convention after the city of Uşak, Turkey – one of the larger towns in Western Anatolia, which was a major center of rug production from the early days of the Ottoman Empire, into the early 20th century.
An oriental rug is a heavy textile made for a wide variety of utilitarian and symbolic purposes and produced in "Oriental countries" for home use, local sale, and export.
Bergama Carpet refers to handwoven Turkish carpets, made in the Bergama district in the Izmir Province of northwest Turkey. As a market place for the surrounding villages, the name of Bergama is used as a trade name to define the provenience.
Anatolian rug is a term of convenience, commonly used today to denote rugs and carpets woven in Anatolia and its adjacent regions. Geographically, its area of production can be compared to the territories which were historically dominated by the Ottoman Empire. It denotes a knotted, pile-woven floor or wall covering which is produced for home use, local sale, and export. Together with the flat-woven kilim, Anatolian rugs represent an essential part of the regional culture, which is officially understood as the Culture of Turkey today, and derives from the ethnic, religious and cultural pluralism of one of the most ancient centres of human civilisation.
A rya or rye is a traditional Scandinavian wool rug with a long pile of about 1 to 3 inches. They are made using a form of the Ghiordes knot to make the double-sided pile fabric. Though rya means "rug" in English, the original meaning in Sweden of rya was a bed cover with a knotted pile. The first ryas originated in the early fifteenth century as coarse, long-piled, heavy covers used by mariners instead of furs. As time progressed, the rugs have evolved to be lighter and more colorful. The insulation that ryas provide protects against the cold Scandinavian climate. Ryas are a knotted pile carpet, with each knot composed of three strands of wool, which enables the rug to exhibit rich texture from all the different shades of color. The name originates from a village in southwest Sweden. The term rya may also refer to a breed of sheep whose wool is used to make rya carpets.
Hereke carpets are Turkish handmade carpets produced and sold in Hereke, a coastal town in Turkey. For a long time, they used to be produced only in Hereke, 60 km from Istanbul. The materials used are silk, a combination of wool and cotton, and sometimes gold or silver threads.
A knotted-pile carpet is a carpet containing raised surfaces, or piles, from the cut off ends of knots woven between the warp and weft. The Ghiordes/Turkish knot and the Senneh/Persian knot, typical of Anatolian carpets and Persian carpets, are the two primary knots. A flat or tapestry woven carpet, without pile, is a kilim. A pile carpet is influenced by width and number of warp and weft, pile height, knots used, and knot density.
Ardabil rugs originate from Ardabil located in the province of Ardabil Province in northwestern Iran, 639 kilometers from Tehran. Ardabil has a long and illustrious history of Persian carpet weaving.
A Pakistani rug, also known as Pakistani carpet, is a type of handmade floor-covering heavy textile traditionally made in Pakistan and is used for a wide variety of utilitarian and symbolic purposes. Rug/carpet weaving is an essential part of Pakistani culture and Pakistani art.
Quba rugs and carpets are named for a town that is located in Azerbaijan Republic not far from the Caspian Sea; therefore, making Kubas a sub-division of Caucasian carpets. 1 Kuba is at once a city and an area that was formerly a Khanate of Azerbaijan.2 Within the Kuba genre itself, there exist many subdivisions including: Alpan-Kuba, Karagashli, Konaghend, Chi Chi, Perepedil, Seychour and Zejwa.3
Varamin carpets and rugs or Veramin carpets and rugs are carpets and rugs woven in city of Varamin and its surrounding area, southeast of Tehran. Many rug and carpet experts see Varamins as being among those Persian carpets most authentic in terms of traditional style and motif.
The Bakhtiari rug, along with other weavings, is a major artform of the Bakhtiari tribe, located in Chahar Mahaal and Bakhtiari, Iran. Since the early 19th century, Bakhtiari rugs have been exported around the world.
Scandinavia has a long and proud tradition of rug-making on par with many of the regions of the world that are perhaps more immediately associated with the craft—regions such as China and Persia. Rugs have been handmade by craftspeople in the Scandinavian countries of Denmark, Finland, Norway, and Sweden for centuries, and have often played important cultural roles in each of these countries. Contemporary Scandinavian rugs—most especially Swedish rugs—are among the most sought after rugs in the world today, largely due to the contributions of designers like Marta Maas-Fjetterstrom. The story of Scandinavian rugs is a vital chapter in the cultural study of Scandinavia, as it reveals a great deal about the aesthetic and social conventions of that region.
Anatolian animal carpets represent a special type of pile-woven carpet, woven in the geographical region of Anatolia during the Seljuq and early Ottoman period, corresponding to the 14th–16th century. Very few animal-style carpets still exist today, and most of them are in a fragmentary state. Animal carpets were frequently depicted by Western European painters of the 14th–16th century. By comparison of the few surviving carpets with their painted counterparts, these paintings helped to establish a timeline of their production, and support our knowledge about the early Turkish carpet.
The Oriental Carpet Manufacturers (OCM) was a London-based company involved in the production of, and trade with, Oriental carpets. Established in 1907/8 in Istanbul, the company set up and controlled their own carpet manufactures in the central Anatolian region around the town of Konya, and from 1911 onwards, in the Hamadan Province in northwestern Iran. In 1968 it was sold, and merged with one of its former affiliates, the Eastern Kayyam Company. From 1924 until 1948, OCM was led by Arthur Cecil Edwards, who, after retiring, wrote a text book on Persian Carpets, which is still in print today.
