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| Yves Rodier | |
|---|---|
| Born | June 5, 1967 Farnham, Quebec |
| Nationality | French-Canadian |
| Area(s) | Cartoonist |
Notable works | Pastiches of The Adventures of Tintin Pignouf et Hamlet |
| https://www.webcitation.org/5knwNr5nJ?url=http://www.geocities.com/yves_rodier | |
Yves Rodier (born June 5, 1967) is a Québécois comic strip creator known for his many pastiches of The Adventures of Tintin . [1]
Rodier always loved comics, but first set out to become a musician or cinematographer. He soon returned to comics. He started out by imitating the work of his favorite author, Hergé, creating pastiches of The Adventures of Tintin . These copies were illegal and did not earn him much money, although they allowed him to meet many other cartoonists, such as Bob de Moor, Jacques Martin and Michel "Greg" Regnier. In 1995, he met Daniel and Richard Houde and in their magazine Pignouf, he started his comic series Pignouf et Hamlet, about a boy and his pig. The magazine only lasted for five issues, though the series continued.
Rodier always had a passion for The Adventures of Tintin by Hergé and so he embarked on writing some Tintin stories of his own. As Tintin pastiches, they imitated the style of Hergé. They are illegal, as they breach the Tintin copyright owned by the Hergé Foundation (Moulinsart), but some have been published, and they are all found circulating on the Internet. Today he is one of the largest (unofficial) Tintin draughtsmen, along with Harry Edwood.
The unfinished Tintin book Tintin and Alph-Art was unofficially completed by Rodier in black-and-white. Several groups have coloured it, such as 'Alph-junis', and have translated it into English. It was published in Autumn 1986 and then presented to Moulinsart. Rodier asked that it become an official book but Moulinsart refused. In September 1991, Rodier met Bob de Moor, and together they asked for permission to re-draw the book. Moulinsart still disagreed and De Moor died in 1992. Rodier later re-drew certain parts of it to make them more akin to the style of Hergé. It was only released on CD-ROM, as opposed to being printed like the other edition.
Hergé once suggested that a good idea for his next Tintin story would be to set it in an airport. However, he chose to set it in the art world instead and partially produced Tintin and Alph-art. Rodier started out a new book called A Day at the Airport though it was abandoned, with the first page leaking onto the web. The plot involves a character from the Tintin stories, General Alcazar, being shot, apparently by Dr. Müller, a villain from the Tintin series.
Rodier also did an extra page for Hergé's Tintin in Tibet which Hergé deleted from his comic.
The origin of the story lies in a scenario for a drawing contest in the Journal de Spirou number 1027, from December 19, 1957. Twenty years later, Yves Rodier used the story for another drawing contest, converted it as a Tintin plot and drew 6 half-pages of a story that takes place right before "Tintin and The soviets". Those pages explains how Tintin gets the job as a reporter. For the story Rodier didn't win the contest as he was disqualified for using already existing characters.
This seven-page story was entirely thought up by Rodier and is sometimes called The Sorcerers Lake. It is about a monster in the local lake and is set before Tintin in Tibet. Rodier drew them (with interruptions) from 1996 to 2003.
Yves Rodier's version of Le Thermozéro is an inking from page 4 of sketches made from Hergé.
Unfinished story intended as a continuation of Tintin au Tibet.
For the publication of the Tintin animated film 2011, Rodier and Philippe Antoine drew a two-page short story for the magazine Safair, in which Steven Spielberg, the director of the film himself, has a short appearance.
In January 2020, it was announced that Rodier was working on a new pastiche with Tintin. The drawings are similar to Hergé's style in "Tintin in America".
In 2003, Rodier drew some drawings for an adventure with the young Capitaine Haddock as the main character. There is now a cover and some designs, including half a page.
The stories of a boy and his pig. Neither have been translated into English. They were published by David.
This series is published by François Corteggiani.
Rodier's Tintin books often seem as if they had been drawn by Hergé himself. Over the years, his style improved a lot. While in his version of Tintin and Alph-Art some panels were simply copied from Hergé's albums (especially from "Coke en Stock"), Rodier, encouraged by Bob de Moor, tried to make his own drawings. By around 1996, his Tintin style was fully mature. In his series Simon Nian, Rodier uses the style of the illustrator Maurice Tillieux.
Yves Rodier recounted his first meeting with Bob de Moor in an interview in 2014: "... Bob and me met at the 'Festival BD' in Brossard, near Montréal, in September 1991. We had already corresponded a few times before, regarding my version of "Alph-Art" which I was drawing at the time. More specifically, I had asked him a few technical precisions, the type of pens that he used, etc..." De Moor was enthusiastic about Rodier's drawings (he called Alph-Art "utopian"). After both were not allowed to complete Alph-Art, De Moor said that Rodier could become his assistant for his new Barelli story. But it did not happen as De Moor died in August 1992. Rodier had a good relationship with De Moor. His death made him very sad, as he reported in the above-mentioned interview.
The Adventures of Tintin is a series of 24 comic albums created by Belgian cartoonist Georges Remi, who wrote under the pen name Hergé. The series was one of the most popular European comics of the 20th century. By 2007, a century after Hergé's birth in 1907, Tintin had been published in more than 70 languages with sales of more than 200 million copies, and had been adapted for radio, television, theatre, and film.

Tintin and Alph-Art is the unfinished twenty-fourth and final volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Left incomplete on Hergé's death, the manuscript was posthumously published in 1986. The story revolves around Brussels' modern art scene, where the young reporter Tintin discovers that a local art dealer has been murdered. Investigating further, he encounters a conspiracy of art forgery, masterminded by a religious teacher named Endaddine Akass.
Ligne claire is a style of drawing created and pioneered by Hergé, the Belgian cartoonist and creator of The Adventures of Tintin. It uses clear strong lines sometimes of varied width and no hatching, while contrast is downplayed as well. Cast shadows are often illuminated, and the style often features strong colours and a combination of cartoonish characters against a realistic background. The name was coined by Joost Swarte in 1977.

The Castafiore Emerald is the twenty-first volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from July 1961 to September 1962 in Tintin magazine. In contrast to the previous Tintin books, Hergé deliberately broke the adventure formula he had created: it is the only book in the series where the characters remain at Marlinspike Hall, Captain Haddock's family estate, and neither travel abroad nor confront dangerous criminals. The plot concerns the visit of the opera singer Bianca Castafiore and the subsequent theft of her emerald.

Tintin in Tibet is the twentieth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1958 to November 1959 in Tintin magazine and published as a book in 1960. Hergé considered it his favourite Tintin adventure and an emotional effort, as he created it while suffering from traumatic nightmares and a personal conflict while deciding to leave his wife of three decades for a younger woman. The story tells of the young reporter Tintin in search of his friend Chang Chong-Chen, who the authorities claim has died in a plane crash in the Himalayas. Convinced that Chang has survived and accompanied only by Snowy, Captain Haddock and the Sherpa guide Tharkey, Tintin crosses the Himalayas to the plateau of Tibet, along the way encountering the mysterious Yeti.

The Secret of the Unicorn is the eleventh volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised daily in Le Soir, Belgium's leading francophone newspaper, from June 1942 to January 1943 amidst the Nazi German occupation of Belgium during World War II. The story revolves around young reporter Tintin, his dog Snowy, and his friend Captain Haddock, who discover a riddle left by Haddock's ancestor, the 17th century Sir Francis Haddock, which can lead them to the hidden treasure of the pirate Red Rackham. To unravel the riddle, Tintin and Haddock must obtain three identical models of Sir Francis's ship, the Unicorn, but they discover that criminals are also after three model ships and are willing to kill in order to obtain them.
Jacques Martin was a French comics artist and comic book creator. He was one of the classic artists of Tintin magazine, alongside Edgar P. Jacobs and Hergé, of whom he was a longtime collaborator. He is best known for his series Alix. He was born in Strasbourg.

Edgard Félix Pierre Jacobs, better known under his pen name Edgar P. Jacobs, was a Belgian comic book creator, born in Brussels, Belgium. He was one of the founding fathers of the Franco-Belgian comics movement, through his collaborations with Hergé and the graphic novel series that made him famous, Blake and Mortimer.

Tintin is the titular protagonist of The Adventures of Tintin, the comic series by Belgian cartoonist Hergé. The character was created in 1929 and introduced in Le Petit Vingtième, a weekly youth supplement to the Belgian newspaper Le Vingtième Siècle. Appearing as a young man with a round face and quiff hairstyle, Tintin is depicted as a precocious, multitalented reporter who travels the world with his dog Snowy.
Belgian comics are a distinct subgroup in the comics history, and played a major role in the development of European comics, alongside France with whom they share a long common history. While the comics in the two major language groups and regions of Belgium each have clearly distinct characteristics, they are constantly influencing one another, and meeting each other in Brussels and in the bilingual publication tradition of the major editors. As one of the few arts where Belgium has had an international and enduring impact in the 20th century, comics are known to be "an integral part of Belgian culture".

Tintin was a weekly Belgian comics magazine of the second half of the 20th century. Subtitled "The Magazine for the Youth from 7 to 77", it was one of the major publications of the Franco-Belgian comics scene and published such notable series as Blake and Mortimer, Alix, and the principal title The Adventures of Tintin. Originally published by Le Lombard, the first issue was released in 1946, and it ceased publication in 1993.
Le Thermozéro is an abandoned comics project at one point considered for Hergé's The Adventures of Tintin series, and then, later, for his Jo, Zette and Jocko series.
Robert Frans Marie De Moor, better known under his pen name Bob de Moor, was a Belgian comics creator. Chiefly noted as an artist, he is considered an early master of the Ligne claire style. He wrote and drew several comics series on his own, but also collaborated with Hergé on several volumes of The Adventures of Tintin. He completed the unfinished story Professor Sató's Three Formulae, Volume 2: Mortimer vs. Mortimer of the Blake and Mortimer series, after the death of the author Edgar P. Jacobs.
The Studios Hergé were, between 1950 and 1986, a SARL company consisting of Belgian cartoonist Hergé and his collaborators, who assisted him with the creation of The Adventures of Tintin and derived products. Over the years, the studios had between 12 and 50 employees, including some prestigious artists like Jacques Martin, Bob de Moor and Roger Leloup.
The Belgian Comic Strip Center is a museum in central Brussels, Belgium, dedicated to Belgian comics. It is located at 20, rue des Sables/Zandstraat, in an Art Nouveau building designed by Victor Horta, and can be accessed from Brussels-Congress railway station and Brussels-Central railway station.

Snowy is a fictional character in The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Snowy is a white Wire Fox Terrier who is a companion to Tintin, the series' protagonist. Snowy made his debut on 10 January 1929 in the first installment of Tintin in the Land of the Soviets, which was serialised in Le Petit Vingtième until May 1930.
Michael Farr is a British expert on the comic series The Adventures of Tintin and its creator, Hergé. He has written several books on the subject as well as translating several others into English. A former reporter, he has also written about other subjects.

Roberto Rastapopoulos is a fictional character who is the main antagonist of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. He first appears in the album Cigars of the Pharaoh (1934) and is a criminal mastermind with multiple identities, whose activities frequently bring him in conflict with his archenemy Tintin.
The Adventures of Tintin, a comic book series created by Belgian cartoonist Hergé, has a publication history of 24 albums, including one unfinished adventure. Each story, except the last, was pre-published in a newspaper or magazine before being published as an album. The first adventure in the series, Tintin in the Land of the Soviets, was launched on January 10, 1929, in Le Petit Vingtième, the weekly youth supplement of the Catholic, nationalist, and conservative Belgian daily Le Vingtième Siècle. It was in this same periodical that all stories written before the Second World War were published, until Tintin in the Land of Black Gold was discontinued after the invasion of Belgium in May 1940.