ZKM Center for Art and Media Karlsruhe

Last updated
ZKM | Center for Art and Media Karlsruhe
Panorama view of the ZKM – here with fog sculpture CLOUD WALK @ZKM by Fujiko Nakaya
ZKM Center for Art and Media Karlsruhe
Location Karlsruhe, Germany
Director Peter Weibel, Christiane Riedel  [ de ]
Website zkm.de/en

The ZKM | Center for Art and Media Karlsruhe [1] (until March 2016: ZKM Center for Art and Media Technology) is a cultural institution, which was founded in 1989 and since 1997 is located in a listed industrial building in Karlsruhe, Germany, a former munitions factory. The ZKM (German: Zentrum für Kunst und Medien) organizes special exhibitions and thematic events, conducts research and produces works on the effects of media, digitization, and globalization, and offers public as well as individualized communications and educational programs.


The ZKM houses under one roof exhibition spaces, the research platform Hertz Lab, [2] a library and a media library, thus combining research and production, exhibitions and events, archive and collection. The ZKM operates at the interface of art and science, and addresses new knowledge in the area of new technologies to develop it further. Since the death of founding director Heinrich Klotz  [ de ] (1935–1999), the ZKM has been directed by Peter Weibel, later together with Christiane Riedel  [ de ]. Besides the ZKM, the former munitions factory also houses the associated Karlsruhe University of Arts and Design, and the Städtische Galerie Karlsruhe  [ de ] [Municipal Art Gallery of Karlsruhe].


"The mission of the ZKM is to explore the creative possibilities of connecting the traditional arts and media technologies to achieve innovative results. The goal is to enrich the arts, not to amputate them by technical means. This is why traditional art and media art must compete with one another. The ZKM is a place which supports both – each for itself and together. The Bauhaus, founded in Weimar in 1919, can be regarded as its model." – Heinrich Klotz [3]

The ZKM's mission as formulated by founding director Heinrich Klotz in 1992 was implemented and developed further in the years that followed. Today, four guiding ideas mainly inform the work of the ZKM:


Founding & History: Topping-out ceremony of the ZKM in September 1995 ZKM-Richtfest-Foto-Dirk Altenkirch.jpg
Founding & History: Topping-out ceremony of the ZKM in September 1995

The founding of the Center for Art and Media goes back to the early 1980s. In the context of an ever-expanding media landscape and a changing art world, representatives from local government, the University of Karlsruhe, the University of Music Karlsruhe, the Kernforschungszentrum Karlsruhe [Center for Nuclear Research Karlsruhe] and other institutions, as well as organizations and representatives of the Karlsruhe art scene formed the ZKM Project Group in 1986. In February 1988 the ZKM Project Group presented the results of their work, titled Concept ‘88, which described the initiative to bring the arts and the new media together in both theory and practice. [5]

With the founding of a board of trustees in 1989 and the appointment of Heinrich Klotz as founding director, the ZKM became a concrete reality. Three dates mark the ZKM's foundation: the local council's resolution dated May 9, 1989; the decision by the Council of Ministers of the State of Baden-Württemberg dated 3 June 1989; and the entry into force of its statutes on 12 August 1989. To begin with, the ZKM occupied various buildings around the city. Prior to moving to its present location, the ZKM's media art festival MultiMediale (MultiMediale 1–5, 1989–1997) was held at changing locations. [6]

For a considerable time, the ZKM's future permanent location was envisaged in an area to the south of Karlsruhe Central Station. An international architecture competition for a new building on the site was announced in March 1989, from which a visionary design by Dutch architect Rem Koolhaas resulted. [7] [8] However, construction of the so-called Koolhaas-Cube was abandoned in 1992 for reasons of costs and space and instead, a disused factory building would be converted. [9] Karlsruhe Council opted for repurposing Hallenbau A [Hall A], built 1914–1918 by architect Philipp Jakob Manz as a weapons and munitions factory, which was then an industrial ruin. The building, 312 meters long and divided into ten atria, was on the former factory site of the Industriewerke Karlsruhe-Augsburg (IWKA), which had been an industrial wasteland since the 1970s in the south-west of Karlsruhethat separated the city center from the surrounding urban areas. The conversion, based on plans drawn up by the Hamburg office of Schweger Architects, [10] and the construction of the blue Cube annex inspired by Koolhaas's original design, commenced in 1993. When the ZKM moved to its new premises in 1997 it had studios and institutes for research and production (Institute for Visual Media, Institute for Music and Acoustics), a media theater, spaces for concerts and events, a media center, a Mediathek, and a Media Museum. [11] In the second construction phase, the rooms housing the Museum of Contemporary Art (moved in 1999) and the associated Karlsruhe University of Arts and Design (moved in 2001) were completed. From 2004 to 2005 the formerly independent Museum of Contemporary Art was reintegrated into the ZKM. [12] In March 2016 the ZKM Center for Art and Media Technology changed its name to ZKM Center for Art and Media. [13]

ZKM | Media Museum

The central concerns of the Media Museum [14] turn on the history and critique of the new media, which have been transforming the forms of everyday life for the past 50 years. Computer, telephone and Internet intervene in social and individual lives in that technical components become increasingly important. A further focus of the Media Museum is the interaction between observer and work of art: only through the actions and reactions of every single visitor do works actually emerge – the visitor itself becomes an element in the installation and, in this way, is able to explore the treatment with new technologies. [15] With works of media art and interactive installations artists and scientists question media-technological developments and visions. Temporary exhibitions, such as "net_condition. Art/Politics in the Online Universe" [16] (September 1999 to February 2000), "Iconoclash. Beyond Image Wars in Science, Religion and Art" [17] (from May to September, 2002) or "bit international" [18] (February 2008 to January 2009) were highly respected both nationally and abroad.

ZKM | Museum of Contemporary Art

Since December 1999, the Museum of Contemporary Art has been located in the atrium 1 and 2 of the former munitions factory. Across 7.000 sqm exhibition space, the museum displays works from private collections, namely the FER COLLECTION, the Sammlung Grässlin [Grässlin Collection], the Sammlung Siegfried Weishaupt [Weishaupt Collection], the collection of the Landesbank Baden-Württemberg, VAF-Stiftung / Museo di arte moderna e contemporanea di Trento e Rovereto [VAF Foundation / Museum of Modern and Contemporary Art of Trento and Rovereto] (MART), as well as the Boros Collection, together with exponents drawn from the ZKM Collection and further collaborating collections. Temporary exhibitions, above all from the second half of the twentieth centuries through to contemporary approaches in contemporary art are presented. Among others monographic exhibitions, on Bruce Nauman, Bill Viola, Sigmar Polke, Franz West, Sylvie Fleury, Martin Kippenberger and Tobias Rehberger have been taking place since 1999. [19] Special, thematic exhibitions were, inter alia "Making Things Public. Atmospheres of Democracy" [20] [21] [22] [23] (March to October, 2005), "Light Art from Artificial Light" [24] [25] (November 2005 to August 2006), "Medium Religion" [26] [27] (November 2008 till April 2009) or "The Global Contemporary. Art Worlds after 1989" [28] [29] (September 2011 to February 2012). Furthermore, smaller scale exhibitions are held in the museum project spaces.


The form and content of events vary: from opera with multimedial stages to scientific symposia and popular concerts through to performances, dance or film-screenings. Here, the ZKM functions both as an organizer and cooperation partner, but also leases out its facilities. The events take place in various spaces, among others, the Lecture Hall, the Media Theater, the Foyer and the ZKM_Cube.


The ZKM | Karlsruhe has a total area of 15,000 m2 with exhibition spaces, research laboratories, a media library, event spaces, and workshop spaces.


Research and production

Event spaces

Workshop rooms

The exhibition spaces are open to the public as well as the library and the Media Lounge. Further, in the foyer of the ZKM visitors will find the Info Point, the Museum Shop, [30] and the Mint Café/Bistro. [31]


The basic funding of the ZKM is provided in equal parts by the City of Karlsruhe and the State of Baden-Württemberg.

Exhibitions and events

In exhibitions and events, the ZKM shows approaches and themes of contemporary art, but also presents artists and art movements that are almost forgotten, as well as artworks in various media and genres – from Artificial Intelligence installations to oil paintings.

Every year, on the 6th of January, the ZKM and the Städtische Galerie hold an Open Day where admission is free of charge.

View into the exhibition "Open Codes. The World as a Field of Data" at ZKM ZKM-OpenCodes-II-Ausstellungsansicht.jpg
View into the exhibition "Open Codes. The World as a Field of Data" at ZKM


Since 1989 the ZKM | Karlsruhe has been mounting exhibitions – interactive, participatory, and performative – as well as producing the accompanying publications. In changing thematic and monographic exhibitions organized in the ZKM's 15,000 m2 exhibition spaces, contemporary developments in art and society are presented in all types of media and using all kinds of methods.

Together with the research facilities, the labs and departments of the ZKM, as well as partner institutions and research facilities from all over the world, the curatorial department develops the ZKM's diverse exhibition program in close collaboration with the Board of Directors and an international network of guest artists, scholars, scientists, and curators.

The ZKM is involved in a large number of international collaborative projects, which enables the ZKM's exhibitions and their content to be made available to a global audience. The own exhibitions curated by the ZKM are regularly presented internationally. In 2018, 20 ZKM exhibitions were on show at locations around the world, including in Poland, Lithuania, Latvia, Hungary, the Philippines, India, South Korea, and China.

Impression of the 19th GPN (Gulaschprogrammiernacht) at ZKM ZKM-Gulaschprogrammiernacht.jpg
Impression of the 19th GPN (Gulaschprogrammiernacht) at ZKM


Alongside the exhibitions, events take place as platforms for exchanging opinions and information with visitors and figures from various spheres of social life such as politics, the economy, and philosophy. The form and content of the events vary: from opera with a multimedia stage, scientific symposia, and popular concerts to performances, dance, and film screenings. Here, the ZKM functions both as an organizer and collaboration partner, and also as a contact for leasing out its facilities. The events take place in various spaces, for example, the Lecture Hall, the Media Theater, the Foyer, and the ZKM Cube.

Since 2014 [33] the Gulash Programming Night has been held at the ZKM and the HfG. This four-day conference of the German and international hacker scene is organized by the Karlsruhe branch of the Chaos Computer Club. The ZKM contributes lectures [34] to Gulash Programming Night event and organizes special tours.

From 2011 to 2017 the ZKM conferred the AppArtAward annually together with Cyberforum e.V., CAS Software AG, and other partners. The AppArtAward was conferred on apps that are artworks and combine creative aspects and use of technological possibilities. [35] The competition had various categories, each with a prize of €10,000. Categories included Prize for Artistic Innovation, Special Prize for Crowd Art, and Special Prize for Art and Science.

Research and production

The ZKM's research institutes develop transdisciplinary projects. Research is partly conducted by the ZKM, and partly in collaboration with other education and research institutions. The goal is to analyze and trial the latest technologies to determine their applicability and relevance for art and the information society, which is increasingly connected on a global scale and communicates online.

Hertz Lab

The Hertz Lab was established in 2017. It combines the Institute for Visual Media and the Institute for Music and Acoustics.

The main activities of the Hertz Lab are art production and research on media technology. Contemporary concepts – for example, artificial intelligence (AI), augmented reality (AR) in virtual reality (VR) and AR applications, immersive or sensor-based environments, and investigating the artistic potential of electromagnetic fields – are considered across genres and media, examined in terms of their artistic applicability, and realized in productions.

The name Hertz Lab obviously refers to the German physicist Heinrich Hertz.

Archives and collections

A Modern Noah's Ark for Media Art, The Laboratory for Antiquated Video Systems of the ZKM ZKM-Labor-Archiv.jpg
A Modern Noah's Ark for Media Art, The Laboratory for Antiquated Video Systems of the ZKM

The ZKM Collection was founded by the ZKM's first director, Heinrich Klotz, in the early 1990s and has been added to ever since. The collection is based on a specific approach to the different art genres and media: whereas painting and sculpture were hermetically sealed off from the new influences of video art and photography which were gradually establishing themselves, the ZKM's collecting activity is distinguished by transcending such traditional genre divisions. [37] While the Museum of Contemporary Art's collection contained artworks of all genres from the very beginning, the Media Museum's collection initially only contained works of interactive media art most of which were produced in-house. Over 500 international guest artists [38] produced a vast number of works at the ZKM, which entered the ZKM Collection after their initial presentation in Karlsruhe. Consequently, the ZKM has one of the largest collections of media art in the world, extending back to the beginning of video art, electronic installations, and holography. In addition to these there is the collection of approximately 1,200 art videos and 13,800 audio tracks, which are not stored in the museum, but can be accessed via the ZKM | Media Library. [39]

The Video Collection was one of the first of its kind in Germany, and helped to raise public awareness of video as an independent art form. The collection contains works of video art from the 1960s, 1970s, and 1980s, and other works, such as the video magazine Infermental. Through the work of the Laboratory for Antiquated Video Systems, which is connected to the Media Library, it has been possible to rescue extensive video collections in Europe and the USA from degenerating, and make them accessible to the public.

The Audio Collection contains contemporary music with an emphasis on electroacoustic music. In addition to audio recordings, the collection includes scores, specialist publications, historic photographs, and posters. Of especial importance is the International Digital Electro-acoustic Music Archive (IDEAMA), which includes pieces of electro-acoustic music from its beginnings through to the present.

In addition to works of video art and electronic music, the ZKM acquires archives and documents on the electronic arts, that is, on video art, electroacoustic music, computer art, and inter-media art forms. [40]

The joint library of the ZKM and the Karlsruhe University of Arts and Design (HfG) has holdings of approximately 60,000 books, journals, and digital storage media. Thematically, it concentrates on twentieth and twenty-first century art and, first and foremost, on media art, architecture, design, media theory, film, photography, and electroacoustic music. The library's entire holdings [41] can be researched via the Internet.


In collaboration with publishers, the ZKM publishes exhibition catalogs and specialist works on the monographic and thematic exhibitions.

ZKM Publications (a selection):

Publications about the ZKM (a selection):


Related Research Articles

Hubertus von Amelunxen is a philosopher, art historian, editor, curator, photography critic, and professor for philosophy of photography and cultural studies. Amelunxen has authored and published several books focusing on the history and theory of photography and has curated several international exhibitions. He served as president and provost at the European Graduate School, based in Saas-Fee, Switzerland, and Valletta, Malta from October 2013 until June 2018.

Peter Weibel

Peter Weibel is an internationally known Austrian post-conceptual artist, curator and new media theoretician. He started out in 1964 as a visual poet but soon jumped from the page to the screen within the sense of post-structuralist methodology. Thanks to this linguistic input into his visual media works, Weibel developed a critical impulse that turned against society and the media, while investigating virtual reality and other digital art forms. Since 1999 he has been director of the ZKM Center for Art and Media Karlsruhe.

The Karlsruhe University of Arts and Design (HfG) is a state art college founded in 1992 in Karlsruhe. It focuses on media art, communication design, product design, exhibition design and scenography, art research and media philosophy with a strong interdisciplinarity between the departments. The university has about 400 students.

Tamás Waliczky (born in 1959, in Budapest, Hungary), is a Hungarian artist and animator, known for his new media art.

Daniele Buetti

Daniele Buetti is a Swiss visual artist who works in several modes including installation and intervention. The media he works with includes photography, sculpture, drawing, sound, video and digital forms. He is professor at University of Fine Arts Munster where he has taught since 2004. He lives and works in Zurich, Switzerland and Münster, Germany.

Dennis Del Favero is an Australian artist and academic. He has been awarded numerous Artist-in-Residencies and Fellowships, including an Artist-in-Residence at Neue Galerie Graz and an Australian Research Council Australian Professorial Fellowship (2011–2015). He is a Scientia Professor and Chair Professor of Digital Innovation at the University of New South Wales and Executive Director of its iCinema Centre for Interactive Cinema Research and was co-Director of its Expanded Perception and Interaction Centre; Visiting Professorial Fellow at ZKM Center for Art and Media, Karlsruhe; Visiting Professor at IUAV, Venice; and Member of the editorial board of Studio Corpi’s Quodlibet, Rome; and former Executive Director of the Australian Research Council | Humanities and Creative Arts (2015–2016).

Jeffrey Shaw is a visual artist known for being a leading figure in new media art. In a prolific career of widely exhibited and critically acclaimed work, he has pioneered the creative use of digital media technologies in the fields of expanded cinema, interactive art, virtual, augmented and mixed reality, immersive visualization environments, navigable cinematic systems and interactive narrative. Shaw was co-designer of Algie the inflatable pig, which was photographed above Battersea Power Station for the 1977 Pink Floyd album, Animals.

Marc Lafia is an artist, filmmaker, photographer, curator, educator, essayist and information architect.

Dieter Jung (artist)

Dieter Jung is a German artist working in the field of holography, painting and installation art. He lives and works in Berlin.

Bazon Brock German art theorist and critic, multi-media generalist and artist

Bazon Brock is a German art theorist and critic, multi-media generalist and artist. He is considered a member of Fluxus. He was a professor of aesthetics at the Hochschule für bildende Künste Hamburg, the University of Applied Arts Vienna and the University of Wuppertal.

Jan van Munster Dutch sculptor and installation artist (born 1939)

Jan Nicolaas van Munster is a Dutch sculptor and installation artist whose work appears in many public places in the Netherlands and Germany.

Kumiko Omura is a Japanese composer in the field of contemporary instrumental and electronic music.

Asta Gröting

Asta Gröting is a contemporary artist. She works in a variety of media like sculpture, performance, and video. In her work, Gröting “is conceptually and emotionally asking questions of the social body by taking something away from it and allowing this absence to do the talking.”

Alba D'Urbano is a textile and video artist.

Karlheinz Bux German artist

Karlheinz Bux is a German artist concentrating on drawing and sculpture works.


aaajiao, is the online handle of Xu Wenkai, a Shanghai- and Berlin-based artist, avid blogger and free thinker.

Walter Adolf Giers was a German light, sound and media artist and a pioneer of electronic art.

Frantiček Klossner is a Swiss artist based in Bern, known for creating video art, installations, performance, drawings and visual poetry.

Michael Bielický

Michael Bielicky is a Czech-German media artist. He is professor at the department of digital media at the University of Arts and Design (HfG) / Center for Art and Media Karlsruhe (ZKM) in Karlsruhe. His work Menora/Inventur is the first ever acquired work by the Center for Art and Media Karlsruhe in its founding year of 1989 by its founder Heinrich Klotz. The Center for Art and Media Karlsruhe is the first museum worldwide to focus on media exhibitions since its founding year.

Michaela Kölmel was a German artist and university professor.


  1. "Imprint | ZKM". zkm.de. Retrieved 2019-08-19.
  2. "Hertz-Lab".
  3. Behr, Karl Georg (8 January 2009). Licht der Aufklärung, Zukunft der Künste. (culture page): Die Rheinpfalz.
  4. "Founding & History | ZKM".
  5. "ZKM-Gründungsphase". zkm.de. 28 March 2012.
  6. "ZKM-Gründungsphase". 5 February 2009.
  7. ""Koolhaas' Entwurf für den Umbau des ZKM"". archINFORM. 16 April 2012.
  8. Koolhaas, Rem (1990). Heinrich Klotz, ed., Zentrum für Kunst und Medientechnologie Karlsruhe: ein Architektur-Wettbewerb. Stuttgart/Munich: Oktogon Verlag. pp. 22–39. ISBN   3-927789-04-6.
  9. "Bericht zur Zehn-Jahres-Feier des ZKM". karlsruhe.de. 5 February 2009.
  10. "Umbauphase ZKM". zkm.de. 16 April 2012.
  11. Menges, Axel (1999). Architekten Schweger & Partner, Zentrum für Kunst und Medientechnologie, Karlsruhe. Stuttgart and London: Edition Axel Menges. ISBN   3-930698-34-X.
  12. Hannmann, Eckart (1998). "Umbau der ehemaligen Waffen- und Munitionsfabrik in Karlsruhe zu einem Kunst- und Medienzentrum". Denkmalpflege in Baden-Württemberg, 27, no. 2.
  13. "Änderung beim Namen des ZKM in Karlsruhe". schwarzwaldradio.com. 6 May 2016.
  14. Media Museum Archived October 6, 2012, at the Wayback Machine In: zkm.de
  15. Heck, Michael (1997). Kultur im Aufbruch. Von der Vision bis zur Realität eines Medienzentrums. Karlsruhe: G. Braun. pp. 34 f. ISBN   3-7650-8189-2.
  16. "net_condition". zkm.de. 8 May 2012.
  17. Iconoclash Archived February 13, 2012, at the Wayback Machine In: zkm.de
  18. bit international In: zkm.de
  19. "Exhibition Archive".
  20. Making Things Public. Atmospheres of Democracy In: zkm.de
  21. Making Things Public. Atmospheres of Democracy Archived August 9, 2012, at the Wayback Machine In: mitpress.mit.edu
  22. Rune Nydal: Making Things Public In: b-post.no
  23. Making Things Public In: weeklyincite.blogspot.de/
  24. Light Art from Artificial Light In: zkm.de
  25. Light Art from Artificial Light Exhibition Opens at ZKM In: http://artdaily.com/
  26. Medium Religion Archived July 7, 2012, at the Wayback Machine In: zkm.de
  27. Religion in the Media, Media as a Religion In: goethe.de/enindex.htm
  28. Global Contemporary. Art Worlds after 1989 In: zkm.de
  29. The Global Contemporary Archived March 5, 2012, at the Wayback Machine In: globalartmuseum.de
  30. "ZKM_MUSEUMSSHOP". shop.zkm.de. Retrieved 2019-08-19.
  31. "Restaurant". zkm.de. Retrieved 2019-08-19.
  32. "Open Codes | 20.10.2017 (All day) to 02.06.2019 (All day) | ZKM".
  33. "Gulaschprogrammiernacht (GPN) 2014". zkm.de.
  34. Weibel, Peter (March 11, 2018). "What to Hack GPN15".
  35. "AppArtAward". app-art-award.org. July 22, 2014.
  36. "Laboratory for Antiquated Video Systems | ZKM".
  37. Weibel, Riedel, Peter, Christiane (1989–2009). ZKM 1989–2009 : [Archive und Sammlungen, Ausstellungen und Veranstaltungen, Forschung und Produktion]. ZKM | Zentrum für Kunst und Medien Karlsruhe. pp. 72 ff. ISBN   978-3-928201-36-0.
  38. "Guest Artists & Guest Scholar".
  39. "Media Library".
  40. Klotz, Heinrich (1997). "Das Zentrum für Kunst und Medientechnologie Karlsruhe", in Kunstfabrik im Hallenbau A. Karlsruhe: G. Braun. pp. 54f. ISBN   3-7650-8189-2.
  41. "Library Catalogue".
  42. "Beuys Brock Vostell | Contemporary Art | Hatje Cantz". www.hatjecantz.de. Retrieved 2019-08-19.

Coordinates: 49°00′05″N8°23′01″E / 49.00139°N 8.38361°E / 49.00139; 8.38361