Zeiss Batis Sonnar T* 2.8/135mm

Last updated
Zeiss Batis Sonnar T* 2.8/135mm
Maker Zeiss
Lens mount(s) Sony E-mount
Technical data
Type Prime
Focus drive Linear motor
Focal length 135mm
Image format 35mm full-frame
Aperture (max/min) f/2.8 - f/22.0
Close focus distance 0.87 metres (2.9 ft)
Max. magnification 0.19x
Diaphragm blades 9
Construction 14 elements in 11 groups
Features
Manual focus override Yes check.svg Yes
Weather-sealing Yes check.svg Yes
Lens-based stabilization Yes check.svg Yes
Aperture ringX mark.svg No
Unique features Digital focus distance scale, 8 anomalous partial dispersion glass elements
Application Portrait
Physical
Max. length 120 millimetres (4.7 in)
Diameter 81 millimetres (3.2 in)
Weight 614 grams (1.354 lb)
History
Introduction 2017
Retail info
MSRP $1999 USD

The Zeiss Batis Sonnar T* 2.8/135mm is a full-frame (FE) wide-angle prime lens for the Sony E-mount, announced by Zeiss on April 24, 2017. [1]

Prime lens

In film and photography, a prime lens is a fixed focal length photographic lens, typically with a maximum aperture from f2.8 to f1.2. The term can also mean the primary lens in a combination lens system. Confusion between these two meanings can occur if context doesn't make the interpretation clear. People sometimes use alternate terms—primary focal length, fixed focal length, or FFL to avoid ambiguity.

Sony E-mount lens mount designed by Sony

The E-mount is a lens mount designed by Sony for their NEX and ILCE series of camcorders and mirrorless cameras. The E-mount supplements Sony's A-mount, allowing the company to develop more compact imaging devices while maintaining compatibility with 35mm sensors. E-mount achieves this by:

Carl Zeiss AG German manufacturer of optical systems

Carl Zeiss , branded as ZEISS, is a German manufacturer of optical systems, and industrial measurement and medical devices, founded in Jena, Germany in 1846 by optician Carl Zeiss. Together with Ernst Abbe and Otto Schott they built a base for modern optics and manufacturing. There are currently two parts of the company, Carl Zeiss AG located in Oberkochen with important subsidiaries in Aalen, Göttingen and Munich, and Carl Zeiss GmbH located in Jena.

Contents

Though designed for Sony's full frame E-mount cameras, the lens can be used on Sony's APS-C E-mount camera bodies, with an equivalent full-frame field-of-view of 202.5mm.

In cinematography, full frame refers to the use of the full film gate at maximum width and height for 35 mm film cameras. It is sometimes also referred to as silent aperture, full gate, or a number of other similar word combinations. It is the original gate size pioneered by William Dickson and Thomas Edison in 1892 and first used in the short film Blacksmithing Scene. Full frame is generally used by all 4-perf films, whether silent, standard 35, or Super 35. The introduction of Academy ratio in 1932 required that the lens mount needed to be shifted slightly horizontally to re-center the lens at the new center of frame; however, the gate size did not change as the extra negative information would be cropped out by lab processes in post-production. 4-perf Super 35 is nearly identical to the original full frame standard, although the lens mount requires vertical re-centering when common topline extraction is used. Hard mattes for all common ratios exist and either replace the film gate itself or are inserted within it. However, these are usually not used in the event that any reframing needs to be done.

APS-C image sensor format

Advanced Photo System type-C (APS-C) is an image sensor format approximately equivalent in size to the Advanced Photo System film negative in its C ("Classic") format, of 25.1×16.7 mm, an aspect ratio of 3:2.

Build quality

The lens features a minimalist weather resistant plastic construction with a matte black finish and a rubber focus ring. On the top of the lens is the OLED display that highlights the focus distance and depth of field range of the lens, which can be set to display at all times, never, or only when focusing manually.

Optical quality

The Batis 135mm is sharp wide open, with consistent results across the frame. [2] Chromatic aberration is "very low" at less than half a pixel wide open at the image edge. [2] The lens has its sweet spot at around f/4. [3] Vignetting is "far from severe", but there is some noticeable pincushion distortion [3] that can be eliminated with in-camera correction or raw processing. [3]

Reception

Portrait photographer Bing Putney, writing an opinion for SLR Lounge ahead of having tested the lens, suggested that the Zeiss Batis Sonnar T* 2.8/135mm, given its introductory price, should be a stop faster to realistically compete with the Sony 70-200mm f/2.8 G Master or Sigma 135mm f/1.8 DG HSM Art, while also admitting that the Sigma lacks image stabilisation, which the Zeiss has, and requires an adapter to be used on Sony cameras. [4]

See also

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Zeiss Sonnar trademark

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References

  1. "Zeiss Batis 135mm F2.8: Digital Photography Review". Imaging Resource. Retrieved 2017-06-29.
  2. 1 2 John Riley (2017-05-02). "Zeiss Batis 135mm f/2.8 Apo Sonnar T* Review". Ephotozine.com. Retrieved 2017-07-12.
  3. 1 2 3 Zeiss Batis 135mm f/2.8 (2017-04-05). "Zeiss Batis 135mm f/2.8 review - Page 5 of 7". Amateur Photographer. Retrieved 2017-07-12.
  4. 7:30 AM. "Opinion: Why the New Zeiss Batis 135mm Misses the Mark". SLR Lounge. Retrieved 2017-07-12.