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Zimbabwean hip hop | |
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Stylistic origins | Hip hop |
Cultural origins | Early 1980s, Zimbabwe |
Fusion genres | |
Mbira Dze hip hop | |
Regional scenes | |
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Local scenes | |
Emganwini | |
Other topics | |
Roil Bulawayo Arts Awards |
Zimbabwean hip hop is a variety of hip hop music that is popular in Zimbabwe. It emerged in the early 1990s. Prominent artists include Young Gemini, [1] Noluntu J, [2] Voltz JT ,Br3eze, [3] Ti Gonzi, Junior Brown, Calvin, Saintfloew, Holy Ten, Trey Heart, Asaph , Kriss Newtone, [4] Suhn, Denim Woods, Hanna, Tanto Wavie, Tehn Diamond, Synik, Maskiri, T3rry Tempo, [5] TreyXL, Munetsi, Bling4, Tha Bees, Bagga We Ragga, Yadish Da Chronic, Raykaz, Dough Major, Dingo Duke and Dilly1Buck.
10 years after independence, hip hop hit the Streets of Zimbabwe. The youth of Zimbabwe embraced it. The earliest recordings were mostly on vinyl and tapes.The Low income earners could not afford High Quality Equipment. The mainstream acts of the time were Piece of Ebony, Fortune Muparutsa [with rap verses on songs like "Rumors" (1991)], and Midnight Magic with songs like "Blackness" featuring Mau Mau. Since most vinyl records and cassette tapes are no longer playable, Zimbabwe lost much of its earlier catalog, from which later generations could have drawn inspiration.
This also limits the opportunities to sample from predecessors. During the 3rd and 4th quarter of this period,initiative and leadership influence of Innocent Tshuma (then known as the Millennium Man), saw the youths developing the genre. The Lifestyle and Culture began to adopt American Hip hop trends, leaning less on the stagnant local Mbira Hip hop - exported globally by groups like Zimbabwe Legit, hip hop remained Universal to other genres such as Museve, Reggae, Kwaito, Jazz, Choral, Sungura, Maskandi and South African House Music. In 2016, Rappers like Takura gathered a following. Becoming one of the first to be recognized during stiff competition with Zimdancehall.
Since 2001 Rappers and Project Managers have branched out to form their own brands, record labels, and radio stations. The need for the Voice drove their grip on the industry and diluted their power in distribution, influence, airplay, and the ability to predict the next big Rapper. Rappers began selling CDs in the streets, the value of a Rapper in Zimbabwe was the same as a good laugh joke. Events Witnessed Projects such as Mashoko and the Circle in Harare uplifting and popularizing Hip hop Rappers and emcees like Osama, Outspoken, Synik, Upmost, Godobori, Aura, Blackbird (now known as Temple), among others. Other Rappers implemented politics into their music design and started movements such as House of Hunger.
Mashoko became a success to a once-a-month festival known as Shoko Fest, which included international acts like Hired Gun and Akala, among others who have staged in Zimbabwe. Many Zimbabwean emcees perform at these Events, ongoing since 2010. The same year, Zim Hip Hop Awards began.
With Developments to the Havard Project Manager, Rappers have used online platforms to adopt digital distribution channels such as Distrokid and Amazon Music. Music videos and promotional Content are now used to secure Commissions. Prolific artists are now hiring or being approached by Private Sector to handle their affairs in a more professional manner.
In 2018 female Rapper Tashamiswa gained popularity. She became one of the most important female participants. Currently, Rappers like Akim Denzil and Boy Nino are dominating the genre but are still being led by the legendary Murphy Cubic. In 2020, during the lockdown period, new era Rappers with English bars in a united the genre and the whole Country—including Suhn, Cyprian, Denim Woods, Kriss Newtone, Br3eze, Masimba, Hanna, Lucretius, and Raykaz. Kyla Blac is also an important figure in the genre with this subgenre "RnB" which is basically trap and RnB, New voices such as Dough Major and Dingo Duke emerged with a subgenre later called Shebeen rap, influenced by 90's Kwaito, Future Bass, Afrobeats and 1980's funk. Another voice has been constantly raising and creating a new Zim hip hop wave subgenred as Jecha trap influenced by a mixture of Zimbabwean hip hop culture mixed with other cultures from parts of Africa with fusioned with other styles like afro-swing, Maskandi rap, Melodical trap, Psychedelic rap and Conscious rap. The subgenre was created by Cyprian, an SA-based Zimbabwean rapper and his fellow friend and collaborator Mfundo Dyanose a.k.a. Killo Di King, a xhosa rapper from South Africa.
Another creative emerging is Dilly1Buck a producer and rapper making waves with music that resonates deeply with street culture. He's produced songs for notable artists like Dough Major, Dingo, Boy Tricky, and 9Gotti (Sony Ent.). His artistic reach extends globally also creating artworks for international artists such as Emerson Windy (USA), Keko (Uganda), YB, Jrock (under Young Chop's label ChopSquad), Joe Gator, and Calico Jones (signed by Big Meech's BMF). Among his celebrated local projects is the artwork for Dingo & Dough Major’s "From Shebeenia, with Love".
Hip hop's use of high Tech equipment, kept it fresh and relevant, re-birthed with each technological advancement like the Harvard Project Manager. America continued to exert the greatest influence. Many local acts use the same flow and drum kits used by their favorite United States Rappers and Hip hopProducers.
A few acts are now moving away from the influence of American hip hop, branding themselves as kings, queens and faces of the generation. Some have resorted to remakes and remixes of old hit tracks, whereas others emphasize sampling traditional or folk songs and collaborating with each other Rappers and more established names from other genres. New Acts have seen a wide use of traditional languages Like (Shona and Ndebele), among 16 more Spoken Languages in Zimbabwe and incorporate Native instruments such as Mbira, Marimba, traditional drums or Hosho (shaker) which makes the new era sound named Amapiano,with leading Acts like Shumayela. [6] from the Amapiano Capital Movement in Bulawayo to Celebrate Local Music, While RnB Star Kyla Blac [7] and Boy Nino [8] proved that influencing, inspiring, or impressing International musicians is possible as their tracks were sampled or Recognized by South African Rapper Emtee, supporting the argument to establish distinct identities.
Radio has boosted the genre, in part by broadcasting and implementing podcasts and shows to promote local content. Radio catalogs and podcasts are now a vital source of Entertainment for the generation Z who connect with the genre. Apart from airplay, some radio stations have segments dedicated to the genre.
A few shows dedicated to hip hop on Zimbabwe's local broadcaster.
Blogs are predominantly the drivers of Zim hip hop. One of the most influential writers was the late Donald "Dodger" Marindire whose work documented the culture for the past decade, inspiring many artists. Other media personalities that continue to document the culture include Thorne le roq, Mukudzeyi Mlambo, Specktrum, Khekhe, Takudzwa Chiwanza and Takudzwa "Manando" Kudzura.
Major platforms include:
Gangsta rap or gangster rap, initially called reality rap, is a subgenre of rap music that conveys the culture and values typical of urban gangs, reality of the world and street hustlers. Emerging in the late 1980s, gangsta rap's pioneers include Schoolly D of Philadelphia and Ice-T of Los Angeles, later expanding in California with artists such as N.W.A and Tupac Shakur. In 1992, via record producer and rapper Dr. Dre, rapper Snoop Dogg, and their G-funk sound, gangster rap broadened to mainstream popularity.
Jazz rap is a fusion of jazz and hip hop music, as well as an alternative hip hop subgenre, that developed in the late 1980s and early 1990s. AllMusic writes that the genre "was an attempt to fuse African-American music of the past with a newly dominant form of the present, paying tribute to and reinvigorating the former while expanding the horizons of the latter." The rhythm was rooted in hip hop over which were placed repetitive phrases of jazz instrumentation: trumpet, double bass, etc. Groups involved in the formation of jazz rap included A Tribe Called Quest, Digable Planets, De La Soul, Gang Starr, and Jungle Brothers.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
Nerdcore is a genre of hip hop music characterized by subject matter considered of interest to nerds and geeks. Self-described nerdcore musician MC Frontalot has the earliest known recorded use of the term in the 2000 song "Nerdcore Hiphop". Frontalot, like most nerdcore artists, self-publishes his work and has released much of it for free online. As a niche genre, nerdcore generally holds to the DIY ethic, and has a history of self-publishing and self-production.
UK rap, also known as British hip hop or UK hip hop, is a music genre and culture that covers a variety of styles of hip hop music made in the United Kingdom. It is generally classified as one of a number of styles of R&B/hip-hop. British hip hop can also be referred to as Brit-hop, a term coined and popularised mainly by British Vogue magazine and the BBC. British hip hop was originally influenced by the dub/toasting introduced to the United Kingdom by Jamaican migrants in the 1950s–70s, who eventually developed uniquely influenced rapping in order to match the rhythm of the ever-increasing pace and aggression of Jamaican-influenced dub in the UK. Toasting and soundsystem cultures were also influential in genres outside of hip hop that still included rapping – such as grime, jungle, and UK garage.
Hip hop soul is a subgenre of contemporary R&B music, most popular during the early and mid 1990s, which fuses R&B or soul singing with hip hop musical production. The subgenre had evolved from a previous R&B subgenre, new jack swing, which had incorporated hip-hop influences into R&B music. By contrast, hip hop soul is, as described in The Encyclopedia of African American Music, "quite literally soul singing over hip hop grooves".
Bounce music is a style of New Orleans hip hop music that is said to have originated as early as the late 1980s in the city's housing projects. Popular bounce artists have included DJ Jubilee, Partners-N-Crime, Magnolia Shorty and Big Freedia.
Egyptian hip hop is a form of hip hop music in Egypt that draws its inspiration from local, regional and global events. Since the early 2000s, Egyptian Hip Hop has gained significant popularity and is listened to by a global audience prompted by the internet as the latest medium of technology and music streaming services such as Spotify and Anghami.
Popular music of the United Kingdom in the 1990s continued to develop and diversify. While the singles charts were dominated by boy bands and girl groups, British soul and Indian-based music also enjoyed their greatest level of mainstream success to date, and the rise of World music helped revitalise the popularity of folk music. Electronic rock bands like The Prodigy and Chemical Brothers began to achieve a high profile. Alternative rock reached the mainstream, emerging from the Madchester scene to produce dream pop, shoegazing, post rock and indie pop, which led to the commercial success of Britpop bands like Blur and Oasis; followed by a stream of post-Britpop bands like Radiohead and The Verve.
Political hip hop is a subgenre of hip hop music that emerged in the 1980s as a form of political expression and activism. It typically addresses sociopolitical issues through lyrics, aiming to inspire action, promote social change, or convey specific political viewpoints. The genre draws inspiration from earlier politically conscious artists, such as The Last Poets and Gil Scott-Heron, as well as movements like the Black Power movement and the Black Panther Party from the 1960s and 1970s.
Asian hip hop is a heterogeneous musical genre that covers all hip hop music as recorded and produced by artists of Asian origin.
Pakistani hip hop is a music genre in Pakistan, influenced heavily from merging American hip hop style beats with Pakistani poetry. The genre was initially dominated in English and Punjabi, but in recent years has expanded to Urdu, Sindhi, Pashto, and Balochi.
Motswako is a subgenre of hip hop originating from South Africa additionally prominently popularized in Botswana. Mafikeng, the genre's origin point, is located close to the border of Botswana, where Setswana (Tswana) is predominantly spoken similar to Mafikeng. Motswako blends rap lyrics in local languages like Setswana with English over a steady beat. It also incorporates languages such as Sesotho, Zulu and Afrikaans depending on the artist's background. Popularized by South African acts like HHP and Baphixile in the late nineties, it gained a significant following among local audiences. Many emerging artists in South Africa use motswako as a foundation for their music careers due to its accessible principles, emphasizing creative writing skills crucial for mastering the genre. South Africa and Botswana boast a substantial pool of motswako artists, although female representation remains limited.
Hip hop or hip-hop, formerly known as disco rap, is a genre of popular music that originated in the early 1970s from the African American community. Hip-hop music originated as an anti-drug and anti-violence genre consisting of stylized rhythmic music that often accompanies rapping, a rhythmic delivery of poetic speech. In the early 1990s, a professor of African American studies at Temple University said, "Hip-hop is something that blacks can unequivocally claim as their own." By the 21st century, the field of rappers had diversified by both race and gender. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art. While often used to refer solely to rapping and rap music, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of the culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.
Alternative hip hop is a subgenre of hip hop music that encompasses a wide range of styles that are not typically identified as mainstream. AllMusic defines it as comprising "hip hop groups that refuse to conform to any of the traditional stereotypes of rap, such as gangsta, bass, hardcore, and party rap. Instead, they blur genres drawing equally from funk and pop/rock, as well as jazz, soul, reggae, and even folk."
This article is an overview of the major events and trends in popular music in the 2010s.
Drill is a subgenre of hip hop music that originated in Chicago in the early 2010s. It is sonically similar to the trap music subgenre and lyrically similar to the gangsta rap subgenre. Early drill artists are noted for their explicit, confrontational style of lyricism and association with crime in Chicago, especially the Black Disciples and Gangster Disciples. The genre progressed into the American mainstream in 2012 following the success of pioneering rappers like Chief Keef, Lil Reese, Lil Durk, Fredo Santana, G Herbo, Lil Bibby and King Louie, who had many local fans and a significant internet presence alongside producer Young Chop. Other rappers, such as Lil JoJo, FBG Duck, S. Dot, Edai, L'A Capone, RondoNumbaNine, SD and producer Leek-E-Leek also contributed to the early drill scene. The growing fanbase sparked major label interest, leading to deal negotiations and signings.
Progressive rap is a broad subgenre of hip hop music that aims to progress the genre thematically with socially transformative ideas and musically with stylistic experimentation. Developing through the works of innovative US hip hop acts during the 1980s and 1990s, it has also been known at various points as conscious, underground, and alternative hip hop.