Zuirokusan Engaku Kōshō Zenji (瑞鹿山円覚興聖禅寺), or Engaku-ji (円覚寺), is one of the most important Zen Buddhist temple complexes in Japan and is ranked second among Kamakura's Five Mountains. It is situated in the city of Kamakura, in Kanagawa Prefecture to the south of Tokyo.
Takaoka is a city in the northwestern portion of Toyama Prefecture, Japan. Takaoka has the second largest population after Toyama City.
Nishi Hongan-ji (西本願寺) is a Jōdo Shinshū Buddhist temple in the Shimogyō ward of Kyoto, Japan. It serves as the head temple of the sub-sect Honganji-ha.
Karahafu (唐破風) is a type of curved gable found in Japanese architecture. It is used on Japanese castles, Buddhist temples, and Shinto shrines. Roofing materials such as tile and bark may be used as coverings. The face beneath the gable may be flush with the wall below, or it may terminate on a lower roof.
Shinto architecture is the architecture of Japanese Shinto shrines.
This is the glossary of Japanese Buddhism, including major terms the casual reader might find useful in understanding articles on the subject. Words followed by an asterisk (*) are illustrated by an image in one of the photo galleries. Within definitions, words set in boldface are defined elsewhere in the glossary.
Shichidō garan is a Japanese Buddhist term indicating the seven halls composing the ideal Buddhist temple compound. This compound word is composed of shichidō (七堂), literally meaning "seven halls", and garan (伽藍), meaning "temple". The term is often shortened to just garan. Which seven halls the term refers to varies, and 七堂 may be a misinterpretation of shitsudō (悉堂), meaning "complete temple". In practice, shichidō garan often simply means a large temple with many buildings.
The karamon or karakado (唐門) is a type of gate seen in Japanese architecture. It is characterized by the usage of karahafu, an undulating bargeboard peculiar to Japan. Karamon are often used at the entrances of Japanese castles, Buddhist temples and Shinto shrines, and have historically been a symbol of authority.
In Japanese architecture, the omoya (母屋) is the core of a building. Originally, the central part of a residential building was called omoya. After the introduction of Buddhism to Japan in the 6th century, moya has been used to denote the sacred central area of a temple building. It is generally surrounded by aisle like areas called hisashi. In temples constructed in the hip-and-gable style (irimoya-zukuri), the gabled part usually covers the moya while the hipped part covers the aisles.
In Japanese architecture the term hisashi (廂・庇) has two meanings:
- As more commonly used, the term indicates the eaves of a roof, that is, the part along the edge of a roof projecting beyond the side of the building to provide protection against the weather.
- The term is however also used in a more specialized sense to indicate the area surrounding the moya either completely or on one, two, or three sides.
In Japanese architecture mokoshi, literally "skirt storey" or "cuff storey", is a decorative pent roof surrounding a building below the true roof. Since it does not correspond to any internal division, the mokoshi gives the impression of there being more floors than there really are. It is usually a ken deep and is most commonly seen in Buddhist temples and pagodas. The mokoshi normally covers a hisashi, a walled aisle surrounding a building on one or more sides, but can be attached directly to the core of the structure, in which case there is no hisashi. The roofing material for the mokoshi can be the same or different as in the main roof.
Ōsaki Hachimangū (大崎八幡宮) is a Shinto shrine in Aoba-ku, Sendai, Miyagi, Japan. The main shrine building has been designated a National Treasure of Japan.
Japanese Buddhist architecture is the architecture of Buddhist temples in Japan, consisting of locally developed variants of architectural styles born in China. After Buddhism arrived from the continent via the Three Kingdoms of Korea in the 6th century, an effort was initially made to reproduce the original buildings as faithfully as possible, but gradually local versions of continental styles were developed both to meet Japanese tastes and to solve problems posed by local weather, which is more rainy and humid than in China. The first Buddhist sects were Nara's six Nanto Rokushū, followed during the Heian period by Kyoto's Shingon and Tendai. Later, during the Kamakura period, in Kamakura were born the Jōdo and the native Japanese sect Nichiren-shū. At roughly the same time, Zen Buddhism arrived from China, strongly influencing all other sects in many ways, including in architecture. The social composition of Buddhism's followers also changed radically with time. Beginning as an elite religion, it slowly spread from the nobility to warriors and merchants, and finally to the population at large. On the technical side, new woodworking tools like the framed pit saw and the plane allowed new architectural solutions.
Mon is a generic Japanese term for gate often used, either alone or as a suffix, in referring to the many gates used by Buddhist temples, Shinto shrines and traditional-style buildings and castles.
The shōrō, shurō or kanetsuki-dō is the bell tower of a Buddhist temple in Japan, housing the temple's bonshō (梵鐘). It can also be found at some Shinto shrines which used to function as temples, as for example Nikkō Tōshō-gū. Two main types exist, the older hakamagoshi (袴腰), which has walls, and the more recent fukihanachi (吹放ち) or fukinuki (吹貫・吹抜き), which does not.
Jōdo-ji (浄土寺) is a temple of Shingon Buddhism in Onomichi, Hiroshima Prefecture, Japan. As a site sacred to the boddhisattva Kannon, it is the 9th temple on the Chūgoku 33 Kannon Pilgrimage. The temple, built at the end of the Kamakura period, is noted for two national treasures: the temple's main hall (hondō) and the treasure pagoda (tahōtō). In addition it holds a number of Important Cultural Property structures and artworks.
Kongō-ji (金剛寺) is a Buddhist temple in Kawachinagano, Osaka, Japan. It is the head temple of the Shingon Omuro sect. and also known under its mountain-name as Amanosan Kongō-ji. It is the 7th temple on the Shin Saigoku 33 Kannon Pilgrimage (新西国三十三箇所) and is notable for the large number of designated cultural properties. The precincts of the temple were designated a National Historic Site of Japan in 1934 with the area under protection expanded in 2011.
