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| Editors-in-chief | Yakov Gordin and Andrei Aryev |
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| Categories | Literary magazine |
| Frequency | Monthly |
| Founded | 1924 |
| Country | Soviet Union, Russia |
| Language | Russian |
| Website | zvezdaspb |
| ISSN | 0321-1878 |
| OCLC | 243460261 |
Zvezda (Russian: Звезда, lit. 'star') is a Russian literary magazine published in Saint Petersburg since 1924. It began as a bimonthly, but has been monthly since 1927.
The first issue of Zvezda appeared in January 1924, with Ivan Maisky as editor-in-chief. Katerina Clark writes, in a discussion of the new journals founded at this time:
Unlike Moscow, Petrograd was given only one "thick" journal, the Star (Zvezda), which was less important and had a smaller circulation than its Moscow counterparts, which were thus able to lure away the more successful or acceptable Petrograd writers.... [Zvezda] functioned as a medium through which fringe figures on the left (proletarian extremists) and the right (such as Pilnyak, Pasternak, and Mandelshtam) could publish. While this situation afforded Petrograd the role of the more honorable, less compromised city, to some it seemed the town of the has-beens. [1]
Aside from the authors mentioned by Clark, in its early years Zvezda published Maxim Gorky, Nikolay Zabolotsky, Mikhail Zoshchenko, Veniamin Kaverin, Nikolai Klyuev, Boris Lavrenyov, Konstantin Fedin, Vladislav Khodasevich, and Yury Tynyanov, among others. It survived the difficult circumstances of the Siege of Leningrad, and after the war published works by such writers as Vera Panova, Daniil Granin, Vsevolod Kochetov, and Yury German. However, it was severely criticized during the Zhdanovschina cultural attacks of 1946 for publishing Zoshchenko and Anna Akhmatova.
Today it is collectively owned by its editorial staff. Its regular sections are "Russia and the Caucasus", "Philosophical commentary", "Memoirs of the 20th century", "People and fate", and "Prose and verse". Once a year it publishes a special issue dedicated to a prominent author or phenomenon.
Novodevichy Cemetery is a cemetery in Moscow. It lies next to the southern wall of the 16th-century Novodevichy Convent, which is the city's third most popular tourist site.
Andrei Aleksandrovich Zhdanov was a Soviet politician. He was the Soviet Union's "propagandist-in-chief" after the Second World War, and was responsible for developing the Soviet cultural policy, the Zhdanov Doctrine, which remained in effect until the death of Joseph Stalin. Zhdanov was considered Stalin's most likely successor but died before him.
Saint Petersburg State University is a public research university in Saint Petersburg, Russia, and one of the oldest and most prestigious universities in Russia. Founded in 1724 by a decree of Peter the Great, the university from the beginning has had a focus on fundamental research in science, engineering and humanities.
Mikhail Mikhailovich Zoshchenko was a Soviet and Russian writer and satirist.
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Grigori Mikhailovich Kozintsev was a Soviet theatre and film director, screenwriter and pedagogue. He was named People's Artist of the USSR in 1964. In 1965 he was a member of the jury at the 4th Moscow International Film Festival. Two years later he was a member of the jury of the 5th Moscow International Film Festival. In 1971 he was the president of the jury at the 7th Moscow International Film Festival.
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Yuri Karlovich Arnold, also Jury, Georgy, Yourij, and Arnol't, Arnol'd, was a Russian composer, musicologist, music critic, choral conductor, theorist and music educator. There is some speculation that he was employed by the tsarist police and that some of the writings attributed to him were actually written by Peshenin, who was paid to keep it a secret. Also that some of his theories on the history of Russian church music are now seen as false. Among his students were Allemanov and Yu Mel’gunov.

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The fine art of Leningrad is an important component of Russian Soviet art—in the opinion of the art historians Vladimir Gusev and Vladimir Leniashin, "one of its most powerful currents". This widely used term embraces the creative lives and the achievements of several generations of Leningrad painters, sculptors, graphic artists and creators of decorative and applied art from 1917 to the early 1990s.