Indigo und die vierzig Räuber is an operetta composed by Johann Strauss II to a German libretto by Maximilian Steiner based on the tale "Ali Baba and the Forty Thieves" from The Book of One Thousand and One Nights.
Alessandro Severo is an opera by George Frideric Handel composed in 1738. It is one of Handel's three pasticcio works, made up of the music and arias of his previous operas Giustino, Berenice and Arminio. Only the overture and recitatives were new. The impresario Johann Jacob Heidegger probably selected the 1717 libretto by Apostolo Zeno, originally written for Antonio Lotti and re-used by many composers thereafter.
Der Jasager is an opera by Kurt Weill to a German libretto by Bertolt Brecht.
Der Widerspänstigen Zähmung is a German-language comic opera in four acts by the German composer Hermann Goetz. It was written between 1868 and 1872 and first performed at the National Theatre Mannheim on 11 October 1874 under the conductor Ernst Frank. The libretto, by Joseph Victor Widmann and the composer, is based on Shakespeare's The Taming of the Shrew. The style of the opera shows Goetz turning away from the musical ideas of Richard Wagner towards the classicism of Mozart. Der Widerspänstigen Zähmung was a huge success, not only in Germany but in the United States and in Great Britain, where it received high praise from George Bernard Shaw.
Der Templer und die Jüdin is an opera in three acts by Heinrich Marschner. The German libretto by Wilhelm August Wohlbrück was based on a number of intermediate works based in turn on Walter Scott's Ivanhoe.
Die Jagd is an opera by the German composer Johann Adam Hiller. It takes the form of a Singspiel in three acts. The libretto by Christian Felix Weiße is based on the plays La partie de chasse de Henri IV by Charles Collé, The King and the Miller of Mansfield by Robert Dodsley, and the opéra comique by Michel-Jean Sedaine. The opera was first performed at the Schlosstheater, Weimar on 29 January 1770. Die Jagd is considered one of the most important early Singspiele. It was admired by Goethe and Wagner.
Waldmeister (Woodruff) is an operetta written by Johann Strauss II. It was first performed on 4 December 1895 at the Theater an der Wien. Although not as popular as some of Strauss' other operettas, such as Der Zigeunerbaron and Die Fledermaus, it was given eighty-eight performances, and was much admired by Johannes Brahms, a friend of the composer.
Der lustige Krieg is a three-act operetta composed by Johann Strauss II. The work was first performed on 25 November 1881 at the Theater an der Wien. Its libretto was by F Zell and Richard Genée. The operetta was well received at its premiere, and was performed 69 times during its first run.
Das Spitzentuch der Königin is an operetta by Johann Strauss II. The libretto by Heinrich Bohrmann-Riegen and Richard Genée was based on the Spanish writer Cervantes.
Temistocle (Themistocles) is an opera seria in three acts by the German composer Johann Christian Bach. The Italian text is an extensive revision of the libretto by Metastasio first set by Antonio Caldara in 1736, by Mattia Verazi, court poet and private secretary to the Elector Palatine Carl Theodor. The opera was the first of two which J.C. Bach set for the Elector Palatine. Some of the music was reused from earlier works, including part of the overture from Carattaco.
Erwin und Elmire is a singspiel, described as a Schauspiel mit Gesang, in two acts by the German composer Johann André, with a libretto by Johann Wolfgang von Goethe, after Oliver Goldsmith's ballad of Angelica and Edwin, The Hermit, in chapter 8 of his sentimental novel The Vicar of Wakefield.
Ritter Pázmán is a three-act opera composed by Johann Strauss II, with the libretto by Ludwig Dóczi. It premiered at the Hofoper in Vienna on New Year's Day in 1892. It is based on a Hungarian narrative poem, Pázmán lovag, written by the Hungarian poet János Arany, and takes about three hours to play its course.
Demofoonte is a dramma per musica or opera in 3 acts by composer Christoph Willibald Gluck. The work uses an Italian language libretto by Pietro Metastasio. The opera premiered on 6 January 1743 at the Teatro Regio Ducal in Milan.
Lorenzo Filiasi was an Italian composer. His opera Manuel Menendez won the Sonzongo publisher's composition competition in 1904. This led to the work's premiere at the Teatro Lirico in Milan on 15 May 1904. Popularly received, the opera was mounted by opera houses throughout Italy, including the Teatro Costanzi in Rome and the Teatro di San Carlo in Naples in 1905. His opera Fior di Neve was given its premiere at La Scala on 1 April 1911 and his opera Mattutino d'Assisi premiered at the Teatro di San Carlo on 16 January 1941.
Il Pompeo is a dramma per musica in three acts by composer Alessandro Scarlatti. Written in 1682 when Scarlatti was 22 years old, it was his fourth opera and first dramatic work on a serious and grand subject. The opera uses an Italian language libretto by Nicolò Minato which had previously been used by Francesco Cavalli for his 1666 opera Pompeo Magno. The work premiered at the Teatro di Palazzo Colonna in Rome on 25 January 1683.
Una follia is a farsa in one act by composer Gaetano Donizetti. The work premiered on 15 December 1818 at the Teatro San Luca in Venice. The opera uses the same Italian-language libretto by Bartolomeo Merelli after August von Kotzebue's Der Graf von Burgund that Donizetti used for his Enrico di Borgogna a month earlier, but with different music. It was given one performance and "never performed again, and its score has never been found."
Der Roland von Berlin is an opera in four acts by composer Ruggero Leoncavallo. The work uses a German-language libretto by Leoncavallo which is based on Willibald Alexis's 1840 historical novel of the same name. The opera premiered at the Berlin State Opera on 13 December 1904. Its premiere in Italy was given at the Teatro di San Carlo in Naples the following month where it was sung in Italian with the title Rolando.
Ernelinde, princesse de Norvège is a three-act operatic tragédie lyrique, by the French composer François-André Danican Philidor. The libretto was by Antoine-Alexandre-Henri Poinsinet, after Francesco Silvani's opera libretto La fede tradita, e vendicata.
I due timidi is a one-act radio opera composed in 1950 by Nino Rota with libretto by the film writer Suso Cecchi d'Amico.
