George Edward Clinton is an American singer, songwriter, bandleader, and record producer. His Parliament-Funkadelic collective developed an influential and eclectic form of Funk music during the 1970s that drew on science-fiction, outlandish fashion, psychedelic culture, and surreal humor. He launched a solo career with the 1982 album Computer Games, and would go on to influence 1990s hip-hop and G-funk. He is regarded, along with James Brown and Sly Stone, as one of the foremost innovators of funk music. He was inducted into the Rock and Roll Hall of Fame in 1997, alongside 15 other members of Parliament-Funkadelic. In 2019, he and Parliament-Funkadelic will be given Grammy Lifetime Achievement Awards.
Parliament-Funkadelic is an American funk music collective of rotating musicians headed by George Clinton, primarily consisting of the individual bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and post-disco artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism.
The P-Funk mythology is a group of recurring characters, themes, and ideas primarily contained in the output of George Clinton's bands Parliament and Funkadelic. This "funkology" was outlined in album liner notes and song lyrics, in addition to album artwork, costumes, advertisements, and stage banter. P-Funk's "Dr. Seussian afrofunk" is often cited as a critical component of the Afrofuturism movement.
George Bernard "Bernie" Worrell, Jr. was an American keyboardist and composer best known as a founding member of Parliament-Funkadelic and for his work with Talking Heads. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Worrell was described by Jon Pareles of The New York Times as "the kind of sideman who is as influential as some bandleaders."
Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart.
Sly and the Family Stone was an American band from San Francisco. Active from 1966 to 1983, it was pivotal in the development of funk, soul, rock, and psychedelic music. Its core line-up was led by singer-songwriter, producer, and multi-instrumentalist Sly Stone, and included Stone's brother and singer/guitarist Freddie Stone, sister and singer/keyboardist Rose Stone, trumpeter Cynthia Robinson, drummer Greg Errico, saxophonist Jerry Martini, and bassist Larry Graham. It was the first major American rock group to have a racially integrated, male and female lineup.
Sly Stone is an American musician, songwriter, and record producer who is most famous for his role as frontman for Sly and the Family Stone, a band that played a critical role in the development of soul, funk, rock, and psychedelia in the 1960s and 1970s.
Steven Bookvich known as Muruga Booker is an American drummer, composer, inventor, artist, recording artist, and an autonomous Orthodox priest.
Jerome Eugene "Bigfoot" Brailey is an American drummer, best known for his work with P-Funk, which included the bands Parliament, Funkadelic, and numerous related projects. Brailey is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
"Let Me Ride" is a 1993 single by rapper and producer Dr. Dre, and the third single from his debut studio album, The Chronic. It experienced moderate success on the charts, until it became a massive hit when Dre won a Grammy Award for Best Rap Solo Performance for the song during the Grammy Awards of 1994. The chorus is sung by Ruben and Jewell, and Snoop Dogg raps the line "Rollin' in my 6-4" and appears in some background vocals.
Funk rock is a fusion genre that mixes elements of funk and rock. James Brown and others declared that Little Richard and his mid-1950s road band, The Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk".
"Renegades of Funk" is a song written by Afrika Bambaataa, Arthur Baker, John Miller & John Robie and recorded by Afrika Bambaataa & Soulsonic Force. Released in 1983 as a single on the Tommy Boy label, it was also included on the 1986 album Planet Rock: The Album. The song is an eclectic fusion of electronic music and heavy percussion, with politically fused hip hop lyrics that draw a connection between past revolutionaries and bohemians to present day street artists. It was produced and mixed by Arthur Baker and John Robie. Mastering was by Herb Powers Jr.. It was not until 1986 that the song appeared on Planet Rock: The Album.
Ruth Copeland is an English-born former singer, based in the United States since the 1960s and known for her collaborations with George Clinton and Parliament-Funkadelic.
The Mother's Milk Tour was a worldwide concert tour by Red Hot Chili Peppers to support their fourth studio album Mother's Milk, the breakthrough album for the band which launched them to bigger success than ever before. It was the first full tour with guitarist John Frusciante and drummer Chad Smith, who joined late in the previous year.
"Run, Nigger, Run" is an African-American folk song, first documented in 1851, which is known from numerous versions. Growing out of the rise of slave patrols in the slave-owning southern United States, the song is about and follows an unnamed black man who attempts to run from a slave patrol and avoid capture. This folk song was released as a commercial recording several times, beginning in the 1920s, and it was included in the 2013 film 12 Years a Slave.
First Ya Gotta Shake the Gate is the 16th studio album by the funk band Funkadelic. The album was released by The C Kunspyruhzy in 2014 and consists of newly recorded material.
