Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world. Because of its performance and entertainment aspects, ballroom dance is also widely enjoyed on stage, film, and television.
Swing dance is a group of dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". During the swing era, there were hundreds of styles of swing dancing, but those that have survived beyond that era include: Lindy Hop, Balboa, Collegiate Shag, and Charleston. Today, the most well-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African American communities as vernacular African American dances, some swing era dances, like Balboa, developed outside of these communities.
Jive Bunny and the Mastermixers were an English novelty pop music act from Rotherham, Yorkshire. The face of the group was Jive Bunny, a cartoon rabbit who appeared in the videos, and also did promotional appearances for them.
Jive Records was an American record label under the RCA Music Group formed in 1981 by Zomba Records. Formerly headquartered in New York City, the label was best known for a string of successes with hip hop artists in the 1980s, and also in teen pop and boy bands during the 1990s and early 2000s.
Modern Jive is a dance style derived from swing, Lindy Hop, rock and roll, salsa and others, the main innovation being to simplify the footwork by removing syncopation such as chasse. The term "French Jive" is occasionally used instead, reflecting the origins of the style. The word "modern" distinguishes it from ballroom Jive.
The 100 Club is a music venue located at 100 Oxford Street, London, England, which has been hosting live music since 24 October 1942. It was originally called the Feldman Swing Club, but changed its name when the father of the current owner took over in 1964.
Kenneth Daniel Ball was an English jazz musician, best known as the bandleader, lead trumpet player and vocalist in Kenny Ball and his Jazzmen.
"Jive Talkin' " is a song by the Bee Gees, released as a single in May 1975 by RSO Records. This was the lead single from the album Main Course and hit number one on the Billboard Hot 100; it also reached the top-five on the UK Singles Chart in the middle of 1975. Largely recognised as the group's "comeback" song, it was their first US top-10 hit since "How Can You Mend a Broken Heart" (1971).
The history of Lindy Hop begins in the African American communities of Harlem, New York during the late 1920s in conjunction with swing jazz. Lindy Hop is closely related to earlier African American vernacular dances but quickly gained its own fame through dancers in films, performances, competitions, and professional dance troupes. It became especially popular in the 1930s with the upsurge of aerials. The popularity of Lindy Hop declined after World War II, and it converted to other forms of dancing, but it never disappeared during the decades between the 1940s and the 1980s until European and American dancers revived it starting from the beginning of the 1980s.
"Jumpin' Jive" is a famous jazz/swing composition, written by Cab Calloway, Frank Froeba and Jack Palmer. Originally recorded on 17 July 1939, on Vocalion Records, it sold over a million copies. Calloway performs it with his orchestra and the Nicholas Brothers in the 1943 film musical Stormy Weather.
The Scots Trad Music Awards celebrate Scotland's traditional music in all its forms and create a high profile opportunity to bring the music and music industry into the spotlight of media and public attention.
"Loverboy" was Billy Ocean's second single from his 1984 album, Suddenly. It was produced by Keith Diamond and reached number 2 on the U.S. Billboard Hot 100 as well as hitting number 20 on the soul chart, and number 15 on the UK Singles Chart in February 1985. It also reached the top spot of the Hot Dance Music/Club Play chart in the U.S., in an extended version. The track was released on the Jive label under the catalogue reference, JIVE 80. The song was played in the first episode of the long-running BBC One medical drama Casualty on 6th September 1986.
"Now I'm That Bitch" is the debut single by Barbadian British singer-songwriter Livvi Franc, released on 13 June 2009 by Jive Records. It features guest vocals from rapper Pitbull. The artists co-wrote the song with its producer Salaam Remi. "Now I'm That Bitch" received mixed reviews from contemporary critics, who considered it as an empowering anthem, despite criticizing its composition.
Jive talk, Harlem jive or simply Jive, also known as the argot of jazz, jazz jargon, vernacular of the jazz world, slang of jazz, and parlance of hip, was the distinctive slang that developed in Harlem, where jive (jazz) was played, and was subsequently adopted more widely in African American society, peaking in the 1940s. H. L. Mencken, in his The American Language, defined it as "an amalgam of Negro-slang from Harlem and the argots of drug addicts and the pettier sort of criminals, with occasional additions from the Broadway gossip columns and the high school campus".
"Doin' the Jive" is a 1938 song composed by Glenn Miller and pianist Chummy MacGregor. The song was released as a 78 single by Glenn Miller and His Orchestra on Brunswick.
"Willie and the Hand Jive" is a song written by Johnny Otis and originally released as a single in 1958 by Johnny Otis Show, reaching #9 on the Billboard Hot 100 chart and #5 on the Billboard R&B chart. The song has a Bo Diddley beat and was partly inspired by the music sung by a chain gang Otis heard while he was touring. The lyrics are about a man who became famous for doing a dance with his hands, but the song has been accused of glorifying masturbation, though Otis has always denied it. It has since been covered by numerous artists, including The Strangeloves, Eric Clapton, Cliff Richard, Kim Carnes, George Thorogood and The Grateful Dead. Clapton's 1974 version was also released as a single and also reached the Billboard Top 40, peaking at #26. Thorogood's 1985 version reached #25 on the Hot Mainstream Rock Tracks chart.
