Split Film Festival

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Split Film Festival or Split International Festival of New Film, is one of the oldest film and video festivals in Croatia that showcases new, creative, personal, radical works of all styles, themes, genres and lengths, whether film, or new media, preferably from outside the mainstream. Festival's previous guests included Chris Marker, Jonas Mekas, Jean Marie Straub & Daniele Huillot, late Stan Brakhage, Claire Denis, Bela Tarr, Lars von Trier and Cyrus Frisch.

Croatia Republic in Central Europe

Croatia, officially the Republic of Croatia is a country at the crossroads of Central and Southeast Europe, on the Adriatic Sea. It borders Slovenia to the northwest, Hungary to the northeast, Serbia to the east, Bosnia and Herzegovina, and Montenegro to the southeast, sharing a maritime border with Italy. Its capital, Zagreb, forms one of the country's primary subdivisions, along with twenty counties. Croatia has an area of 56,594 square kilometres and a population of 4.28 million, most of whom are Roman Catholics.

Chris Marker French filmmaker

Chris Marker was a French writer, photographer, documentary film director, multimedia artist and film essayist. His best known films are La Jetée (1962), Le Joli Mai (1963), A Grin Without a Cat (1977) and Sans Soleil (1983). Marker is often associated with the Left Bank Cinema movement that occurred in the late 1950s and included such other filmmakers as Alain Resnais, Agnès Varda, Henri Colpi and Armand Gatti.

Jonas Mekas Lithuanian filmmaker

Jonas Mekas was a Lithuanian American filmmaker, poet, and artist who has often been called "the godfather of American avant-garde cinema". His work has been exhibited in museums and festivals worldwide.

The Festival presents screenings of selected films, videos, interactive media, installations, performances, retrospectives workshops, discussions and festival's catalogue.

Split Film Festival takes place every Summer in Split, Croatia. The Festival is open to all new, innovative, personal, experimental film, radical, subversive etc. work (film, video and new media) of all genres and lengths, preferably from outside the mainstream, whether it was made on a shoestring budget or is a studio release.

Experimental film, experimental cinema or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms and alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.

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Croatian science fiction comprises books and films in the fiction genre produced all across Croatia.

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The cinema of Croatia has a somewhat shorter tradition than what is common for other Central European countries: the serious beginning of Croatian cinema starts with the rise of the Yugoslavian film industry in the 1940s. Three Croatian feature films were nominated for the Academy Award for Best Foreign Language Film, several of them gained awards at major festivals, and the Croatian contribution in the field of animation is particularly important.

Jelena Rozga Croatian pop singer

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Elisabeth Subrin is a Brooklyn-based filmmaker, screenwriter, and visual artist. She is known for her interdisciplinary practice in the contemporary art and independent film worlds. She is a professor in Temple University's Department of Film and Media Arts. Her feature length narrative film A Woman, a Part; starring Maggie Siff, Cara Seymour, John Ortiz, and Khandi Alexander; premiered at The Rotterdam Film Festival in 2016. She is also the creator of the blog, Who Cares About Actresses, dedicated to actress Maria Schneider.

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Helena Bulaja Croatian multimedia artist, director and animator

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Gina Kim is a filmmaker and academic. Kim's five feature-length films and short films have garnered acclaim through screenings at most major film festivals and at venues such as the MOMA, Centre Pompidou and the Smithsonian. According to Film Comment, Kim has "a terrific eye, a gift for near-wordless storytelling, a knack for generating a tense gliding rhythm between images and sounds, shots and scenes, and for yielding a quality of radiance in her actors." Between 2004–2007 and 2013–2014, Kim taught film production and theory classes at Harvard University, being the first Asian woman teaching in her department. Kim was also a member of the Jury for the 66th Venice Film Festival and the Asian Pacific Screen Awards in 2009. Currently, Kim is a Professor at the UCLA School of Theater, Film, and Television.

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