YouTube poop

Last updated

A YouTube poop (YTP) is a type of video mashup or edit created by remixing/editing pre-existing media sources, often carrying subcultural significance into a new video for humorous, satirical, obscene, absurd, profane, annoying, confusing, and/or dramatic purposes. YouTube poops are traditionally uploaded to the video sharing website YouTube, hence the name. [1]

Contents

History

Precursors and influences

YouTube poop is a subset of remix culture, [2] in which existing ideas and media are modified and reinterpreted to create new art and media in various contexts. [3] Forms of remix culture have existed long before the internet, with DigitalTrends's Luke Dormehl listing the cut-up technique of William Burroughs and sampling in hip-hop as examples. [4] Dormehl also says that "aesthetically", YouTube poop is similar to the "frenetic editing style" of MTV in the 1980s, which featured "fast, non-linear cuts" that focused less on character or plot than on evoking a feeling. [4]

YouTube poop also draws on elements from the vidding scene, [5] in which fans of a piece of media would create music videos using footage from the work. [6] Observers have also proposed influences from a more modern, internet-based practice similar to vidding, the anime music video (AMV) – particularly from more comedic variations of the AMV. [7]

Early history and "golden age"

The genre began in the early 2000s. [8] The first video to be regarded as a YouTube poop is named "The Adventures of Super Mario Bros. 3 REMIXED!!!" (which has been renamed to "I'D SAY HE'S HOT ON OUR TAIL") by the creator SuperYoshi, originally uploaded on December 22, 2004, preceding the creation of YouTube by a few months. [4] It remixes clips from the 1989 animated television series The Adventures of Super Mario Bros. 3 as a primary source, [4] using the video editing software Windows Movie Maker. [9] Media scholar Randall Halle suggests that the name "poop" as used to refer to videos like SuperYoshi's referred to the purported low quality of these early works. [9]

Throughout the mid-to-late 2000s, YouTube poops were one of the most popular types of video on YouTube. [10] YouTuber EmpLemon describes this era as being characterized by popular recurring memes and in-jokes in the community. [4] According to Halle, the 2010 video "jonathan swift returns from the dead to eat a cheese sandwich" has been cited as "a work that moved YTP towards artistry", with heavy use of video in video editing and other methods of distortion. [9]

Decline in mainstream popularity

The YouTube poop genre declined in popularity during the 2010s. [8] eMarketer principal analyst Nicole Perrin speculated that the reason why the genre had "fallen to the wayside" was as part of a larger YouTube "shift to glossier more corporate-friendly content." [11]

Luke Dormehl wrote in 2019 in relation to this loss of mainstream popularity that "as with every other corner of the internet", YTP had undergone fragmentization from a large single community with a shared set of sources into a series of sub-communities, each with their own preferred source material. However, this has also allowed each individual sub-community to develop its own set of convoluted "references-within-references" even further. [4] Additionally, YTP has followed the general YouTube trend of increasing professionalization and editing, with lots of special effects and elaborate writing. [4] [12]

YTP has had a large influence on much of modern meme culture and internet culture as a whole. [4] Many stylistic traits of YTP have entered the editing vocabulary of mainstream YouTubers, such as rapid editing and sudden drastic changes in volume for comedic effect. [12] Many mainstream YouTubers even hire YTP editors to edit their normal videos. [12]

Style and techniques

Structure, culture and subgenres

Some videos may involve completely or partially repurposing sources to create or convey an often self-aware story, while others follow a non-linear narrative, and some may contain no storyline at all, instead regarded among the lines of surreal humor and artistic experimentation. [5] To this degree, a YouTube poop may even consist solely of an existing video, sometimes modified, repeated in a slowed or remixed loop. [13] Associate professor of cultural anthropology at Kansas State University, Michael Wesch, has defined YouTube poops as "absurdist remixes that ape and mock the lowest technical and aesthetic standards of remix culture to comment on remix culture itself". [14]

YTP can often be derivative in the sense that the work of one creator (or, within the community, pooper) is sometimes used as the underlying work for another video; this can be recirculated and lead to the creation of "YTP tennis" videos, named for how they exist in rounds where the original video accumulates edits and alterations. Lawrence Lessig, Professor of Law at Harvard Law School, compared this aspect to a form of call and response, here seen as being prominent within remix culture. [15]

A YTP "collab", or collaboration, is a common practice, and involves various creators joining together to produce a single, sometimes very long, video. [9]

A subgenre of YouTube poops is YouTube Poop Music Video (YTPMV), which involves clips from different forms of media remixed in a musical form, often in a fast-paced and editing-intensive manner. [7]

Source material

While essentially any audiovisual media is "fair game" for source material, [11] some of the most common sources of YouTube poops include movies, television shows, anime, cartoons, commercials, or other YouTube videos. [16] Among the most popular sources are 1990s cartoons, particularly critically disregarded ones such as The Super Mario Bros. Super Show! and Adventures of Sonic the Hedgehog . [17] [10] The work of children's poet Michael Rosen has also been used. [18] These diverse media sources, from different time periods and styles, are often combined in YTPs. [19]

The cutscenes from Nintendo games released on the Philips CD-i—most notably Hotel Mario and Link: The Faces of Evil and Zelda: The Wand of Gamelon —which have been widely criticized for their animation, voice acting, and scripts, are also frequently used, and have achieved more widespread notoriety as a result. [5] [20]

Editing techniques

A typical YouTube poop uses visual and auditory effects to alter the underlying work, as well as rearrangement of individual clips. [5] The edits are often "abrupt and jarring", with lots of quick cuts and time stretching leading to an "often-frenetic" pace. [16] Ruth Alexandra Moran interprets the style as producing "aesthetics of malfunction". [21]

The most common type of rearrangement is "sentence-mixing", a form of editing in which dialogue is rearranged or chopped up to form new, often humorous or vulgar dialogue. [4] [8] One famous sentence-mix from the YouTube poop "Robotnik Has a Viagra Overdose" by creator Stegblob takes a scene from Adventures of Sonic the Hedgehog in which Doctor Robotnik accuses his henchmen of "snooping as usual" and cuts out everything but the second and third syllable to leave only the nonsensical word "pingas", which was construed to resemble the word "penis". Over the years, "Pingas" has since become one of the biggest memes related to the Sonic the Hedgehog franchise in general and has been referenced in both the Archie comic and the Sonic Boom television series. [10] In an interview, Sonic the Hedgehog co-star James Marsden was asked a question about the word, in which he erroneously guessed that it was Doctor Robotnik's original catchphrase. [22]

Some techniques are more abrasive, like the "stutter loop", in which a short clip of video is repeated over and over. [4] [8] An abrasive auditory trope is the sudden extreme increase in volume to shock the viewer, known as "ear-rape" or "earrape". [8] [10] [12]

As Youtube poop is a medium built on repurposing copyrighted media, it has been particularly vulnerable to copyright law. [4] YouTube poops have often been subject to copyright claims on YouTube. [8] Political scientist and author Trajce Cvetkovski noted in 2013 that, despite Viacom filing a copyright infringement lawsuit against YouTube in 2007 explicitly concerning YouTube poops, in particular "The Sky Had a Weegee" by Hurricoaster, which features scenes from the animated series SpongeBob SquarePants episode "Shanghaied" and Weegee (a satiric caricature based on Nintendo's Luigi as he appears in the DOS version of Mario Is Missing! ), it and many others have remained on YouTube. [23]

Copyright law in the United Kingdom allows people to use copyrighted material for the purposes of parody, pastiche, and caricature without being seen as infringing on the copyright of the material. [24] Copyright owners are only able to sue the parodist if the work is perceived as communicating hateful or discriminative messages, and modifying the intended purpose of the copyright owner's material. If the case is then taken to court, judges are advised in jurisdictional terms to decide whether the video meets these criteria. [25]

Individual responses

British children's poet Michael Rosen has issued multiple statements concerning his appearances in YouTube poops. MICHAEL ROSEN 2022 (5) (cropped).jpg
British children's poet Michael Rosen has issued multiple statements concerning his appearances in YouTube poops.

British children's poet Michael Rosen issued a warning on his website in 2012, saying, "Quite a few people have fun taking my videos and making new versions of them, known as 'YouTube poops'. Many of these are not suitable for young children. I am not responsible for either the words or pictures of these." [26] Circa 2015, Rosen put a similar warning on his YouTube channel's "about" page. [27] In 2021, a British teacher accidentally sent her students an extremely vulgar YouTube poop of Rosen's poem "The Car Trip" instead of the original poem, having mistaken it for the original. [28]

In 2019, Rosen claimed there were "about 4,000 YTPs" of him performing his poems and stories. [29] He stated, "Some are very funny... I'm fond of the funny ones. I have tried to get the racist, antisemitic ones taken down." [30]

See also

Related Research Articles

<span class="mw-page-title-main">Sonic the Hedgehog (character)</span> Video game character

Sonic the Hedgehog is a character created by the Japanese game developers Yuji Naka and Naoto Ohshima. He is the star of the Sonic the Hedgehog franchise and the mascot of the Japanese video game company Sega. Sonic is an anthropomorphic blue hedgehog who can run at supersonic speeds. He races through levels, collecting rings and avoiding obstacles, as he seeks to defeat his archenemy, Doctor Eggman. He is accompanied by supporting characters, such as his sidekick Miles "Tails" Prower, self-proclaimed girlfriend Amy Rose, and friendly rival Knuckles the Echidna.

A remix is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new.

<span class="mw-page-title-main">Knuckles the Echidna</span> Video game character

Knuckles the Echidna is a character from Sega's Sonic the Hedgehog series. He is a red anthropomorphic short-beaked echidna who is Sonic's secondary best friend and former rival. Determined and serious, but sometimes gullible, he fights his enemies using brute force and strength. His role is established as the guardian of the Master Emerald, a large gemstone which controls the series' integral Chaos Emeralds, and is the last living member of his tribe, the Knuckles clan.

<i>Adventures of Sonic the Hedgehog</i> Animated series

Adventures of Sonic the Hedgehog is an animated series based on the Sonic the Hedgehog video game series, produced by Sega of America, DIC Animation City, Bohbot Entertainment and the Italian studio Reteitalia S.p.A. in association with Spanish network Telecinco. Airing during the fall of 1993, 65 episodes were produced, which was syndicated by Bohbot Entertainment in the United States.

<i>Sonic the Hedgehog</i> (1991 video game) 1991 platform game

Sonic the Hedgehog is a 1991 platform game developed by Sonic Team and published by Sega for the Genesis/Mega Drive. It was released in North America on June 23 and in PAL regions and Japan the following month. Players control Sonic the Hedgehog, who can run at near supersonic speeds; Sonic sets out on a quest to defeat Dr. Robotnik, a scientist who has imprisoned animals in robots and seeks the powerful Chaos Emeralds. The gameplay involves collecting rings as a form of health, and a simple control scheme, with jumping and attacking controlled by a single button.

<i>Sonic the Hedgehog</i> (TV series) Italian-American animated television series

Sonic the Hedgehog is an animated television series based on the video game series of the same name. It was story edited by Len Janson and produced by DIC Productions, Sega of America, and the Italian studio Reteitalia in association with Telecinco. It is the second of DIC's Sonic cartoons, following Adventures of Sonic the Hedgehog.

<span class="mw-page-title-main">Anime music video</span> Fan-made music video consisting of anime clips set to an audio track

An anime music video (AMV) is a fan-made music video consisting of clips from one or more Japanese animated shows or movies set to an audio track, often songs or promotional trailer audio. The term is generally specific to Japanese anime, however, it can occasionally include footage from other mediums, such as American animation, live action, or video games. AMVs are not official music videos released by the musicians, they are fan compositions which synchronize edited video clips with an audio track. AMVs are most commonly posted and distributed over the Internet through AnimeMusicVideos.org, video downloads and YouTube. Anime conventions frequently run AMV contests who usually show the finalists/winner's AMVs.

<i>Sonic Underground</i> French-American animated television series

Sonic Underground is an animated television series co-produced by DIC Productions, L.P., Les Studios Tex S.A.R.L. and TF1. It is the third Sonic the Hedgehog animated series, and the last to be produced by DIC. It follows a main plot separate from all other Sonic the Hedgehog media, where Sonic has two siblings, Sonia and Manic, that are collectively part of a royal family who were forced to separate from their mother, Queen Aleena, upon Doctor Robotnik's takeover of Mobius due to a prophecy told by the Oracle of Delphius. Along the way, they encounter other resistance groups against Robotnik as well as powerful artifacts that could wreak havoc on the world, all the while searching for their long-lost mother Queen Aleena.

<span class="mw-page-title-main">Remix culture</span> Society that allows and encourages derivative works

Remix culture, also known as read-write culture, is a term describing a culture that allows and encourages the creation of derivative works by combining or editing existing materials. Remix cultures are permissive of efforts to improve upon, change, integrate, or otherwise remix the work of other creators. While combining elements has always been a common practice of artists of all domains throughout human history, the growth of exclusive copyright restrictions in the last several decades limits this practice more and more by the legal chilling effect. In reaction, Harvard law professor Lawrence Lessig, who considers remixing a desirable concept for human creativity, has worked since the early 2000s on a transfer of the remixing concept into the digital age. Lessig founded the Creative Commons in 2001, which released a variety of licenses as tools to promote remix culture, as remixing is legally hindered by the default exclusive copyright regime applied currently on intellectual property. The remix culture for cultural works is related to and inspired by the earlier Free and open-source software for software movement, which encourages the reuse and remixing of software works.

Vidding is a fan labor practice in media fandom of creating music videos from the footage of one or more visual media sources, thereby exploring the source itself in a new way. The creator may choose video clips in order to focus on a single character, support a particular romantic pairing between characters, criticize or celebrate the original text, or point out an aspect of the TV show or film that they find under-appreciated. The resulting video may then be shared via one or more social media outlets and online video platforms such as YouTube. The creators refer to themselves as "vidders"; their product as "vids", "fanvids", "fanvideos", "songvids", or the more recently adopted name "edits"; and the act itself is referred to as vidding.

A video mashup combines multiple pre-existing video sources with no discernible relation with each other into a unified video. These are derivative works as defined by the United States Copyright Act 17 U.S.C. § 101, and as such, may find protection from copyright claims under the doctrine of fair use. Examples of mashup videos include movie trailer remixes, vids, YouTube Poop, and supercuts.

<i>Somari</i> 1994 unlicensed video game

Somari is a side-scrolling platform video game for the Famicom. An unlicensed recreation of Sega's 1991 Sega Genesis game Sonic the Hedgehog, the game was sold primarily around Asia, Russia, Eastern Europe, and other regions where pirated NES cartridges were distributed. Like the original, players venture to defeat the mad scientist Dr. Robotnik, who plots to turn the animal population of the fictional South Island into evil robots. Unlike the original, the game features Nintendo's mascot Mario as the main character rather than Sonic. The title is a portmanteau of "Sonic" and "Mario".

<i>Super Mario World</i> (TV series) Television series

Super Mario World is an animated television series based on the video game of the same name by Nintendo. It is the third animated series based on the Mario video game series. Thirteen episodes of the show were aired as part of a block with Captain N: The Game Master, called Captain N and the New Super Mario World, on NBC. The animation was provided by Pacific Rim Productions.

<span class="mw-page-title-main">Doctor Eggman</span> Video game character

Doctor Ivo"Eggman"Robotnik is the main antagonist of Sega's Sonic the Hedgehog franchise. Eggman was created and designed by Naoto Ohshima as part of many design choices for Sega's new mascot. After the creation of Sonic the Hedgehog, Ohshima chose to use his previous egg-shaped character to create the antagonist of the 1991 video game Sonic the Hedgehog, making him the arch-nemesis of the series' eponymous main character.

A fan game is a video game that is created by fans of a certain topic or IP. They are usually based on one, or in some cases several, video game entries or franchises. Many fan games attempt to clone or remake the original game's design, gameplay, and characters, but it is equally common for fans to develop a unique game using another as a template. Though the quality of fan games has always varied, recent advances in computer technology and in available tools, e.g. through open source software, have made creating high-quality games easier. Fan games can be seen as user-generated content, as part of the retrogaming phenomena, and as expression of the remix culture.

A literal music video, also called a literal video version, is a satirical remix of an official music video clip in which the lyrics have been replaced with lyrics that describe the visuals in the video.

Weird SoundCloud, or SoundClown, is a mashup parody music scene taking place on the online distribution platform SoundCloud. The scene has been described by its producers and music journalists to be a satirical take on electronic dance music, and useless, throwaway internet content. One critic, Audra Schroeder, categorized it as an in-joke that is "deconstructing and reshaping memes and popular music, recontextualizing the sacred texts of millennial chat rooms."

<i>Sonic the Hedgehog 2</i> (film) 2022 film by Jeff Fowler

Sonic the Hedgehog 2 is a 2022 action-adventure comedy film based on the video game series published by Sega and the sequel to Sonic the Hedgehog (2020). It was directed by Jeff Fowler and written by Pat Casey, Josh Miller and John Whittington. Ben Schwartz, James Marsden, Tika Sumpter, Natasha Rothwell, Adam Pally, Lee Majdoub, Colleen O'Shaughnessey and Jim Carrey reprised their roles, with Idris Elba and Shemar Moore joining the cast. In the film, Sonic and Tails must find the Master Emerald before the villainous Dr. Robotnik and his partner Knuckles the Echidna.

References

  1. ↑ Blackard, Cat (July 22, 2009). "Break Yo' TV: YouTube Poop". Consequence of Sound. Retrieved July 22, 2009.
  2. ↑ Coppa (2022 , p. 4)
  3. ↑ Murray, Ben (March 22, 2015). "Remixing Culture And Why The Art Of The Mash-Up Matters". Tech Crunch .
  4. 1 2 3 4 5 6 7 8 9 10 11 Dormehl, Luke (March 30, 2019). "YouTube Poop is punk rock for the internet age, and you probably don't get it". Digital Trends. Retrieved May 29, 2020.
  5. 1 2 3 4 "YouTube Poop: Memes and Community". Yale University, Law and Technology. November 3, 2012. Archived from the original on April 12, 2016. Retrieved November 4, 2013.
  6. ↑ Coppa (2022 , p. 1)
  7. 1 2 Ferrini, Francesca (February 28, 2023). "La storia degli AMV, gli Anime Music Video" (in Italian). Vista la tipologia dei montaggi, possiamo ipotizzare che questo genere di video dalla comicità caotica e nonsense abbia avuto una grossa influenza sulle cosiddette YouTube Poop (abbreviate in YTP), create proprio in quel periodo. Pochi anni dopo nacquero le YTPMV, video comici con remix di musiche e scene di film, anime, videogiochi o talk-show, spesso fatti con un ottimo livello di editing e con un ritmo frenetico.
  8. 1 2 3 4 5 6 Tait, Amelia (November 29, 2016). "The art of the YouTube Poop". New Statesman . Retrieved July 13, 2023.
  9. 1 2 3 4 Halle, Randall (March 30, 2021). "Heterotactic Community Formation: YouTube Pooping". Visual Alterity: Seeing Difference in Cinema. University of Illinois Press. ISBN   9780252052590 – via Google Books.
  10. 1 2 3 4 Feldman, Brian (February 10, 2020). "How Pingas Became One of Sonic the Hedgehog's Most Famous Memes". New York Magazine . Retrieved December 21, 2020.
  11. 1 2 Greenburg, Zack O'Malley. "YouTube Poop And The 'Sanic' Boom: Digesting The Strangest Slice Of Google's $15B Video Business". Forbes . Retrieved July 13, 2023.
  12. 1 2 3 4 "Grandeur et décadence du YouTube Poop, pilier de la culture mème française". Numerama (in French). February 2, 2020. Retrieved July 12, 2023.
  13. ↑ Van Damme, Tommy (November 8, 2013). "Slow TV: Youtube doet het op zijn manier". De Morgen (in Dutch). Archived from the original on November 11, 2013. Retrieved November 18, 2013.
  14. ↑ Electronic Frontier Foundation. "In the matter of exemption to prohibition on circumvention of copyright protection systems for access control technologies" (PDF). Archived (PDF) from the original on September 12, 2016. Retrieved November 11, 2013.
  15. ↑ Lessig, Lawrence. "REMIX at Computer History Museum". Archived from the original on August 4, 2015.
  16. 1 2 Burgess et al. (2013 , pp. 52–53)
  17. ↑ Burgess et al. (2013 , p. 53)
  18. ↑ Randall, Harvey (July 13, 2023). "The internet shitposted too close to the sun, and now we're getting a spiritual successor to the most cursed Zelda games of all time". PC Gamer. Retrieved July 13, 2023.
  19. ↑ Moran (2017 , p. 25)
  20. ↑ Donohoo, Timothy (April 5, 2023). "Super Mario's Worst Game Will Never Be Rereleased by Nintendo". CBR. Retrieved July 13, 2023.
  21. ↑ Moran (2017 , p. 31)
  22. ↑ "James Marsden Takes the Ultimate Sonic Quiz". IGN. February 7, 2020. Retrieved July 13, 2023.
  23. ↑ Cvetkovski, Trajce (2013). Copyright and Popular Media: Liberal Villains and Technological Change. Palgrave Macmillan. p. 175. ISBN   9781137172372. Archived from the original on August 3, 2019. Retrieved May 14, 2016– via Google Books.
  24. ↑ "The Copyright and Rights in Performances (Quotation and Parody) Regulations 2014". legislation.gov.uk. Archived from the original on January 27, 2017. Retrieved August 26, 2015.
  25. ↑ "Parody copyright laws set to come into effect". BBC News . October 20, 2014. Archived from the original on September 17, 2018. Retrieved July 21, 2018.
  26. ↑ Rosen, Michael (May 29, 2012). "News - For Adults". michaelrosen.co.uk. Archived from the original on March 11, 2015. Retrieved October 25, 2015.
  27. ↑ "artificedesign - YouTube". YouTube. Michael Rosen. Archived from the original on March 9, 2016. Retrieved June 11, 2015.
  28. ↑ Lovell, Joanna (January 14, 2021). "Hull teacher shares vile parody video to class of nine year olds". Hull Daily Mail. Retrieved July 13, 2023.
  29. ↑ Rosen, Michael [@MichaelRosenYes] (January 19, 2019). "A YouTube Poop - that is a mash-up of another YouTube vid. There are now about 4000 YTPs on YouTube of the videos that @J0e_R0sen makes of my poems and stories. Some are very funny and innocent, some are obscene, some are defamatory, some are racist, some are anti-semitic" (Tweet). Retrieved November 5, 2022– via Twitter.
  30. ↑ Rosen, Michael [@MichaelRosenYes] (January 19, 2019). "Some are very funny. Some are not so funny but funny all the same. Some are naff. Some are foul, racist, antisemitic rubbish. I'm fond of the funny ones. I have tried to get the racist, antisemitic ones taken down" (Tweet). Retrieved November 5, 2022– via Twitter.

Bibliography

Listen to this article (5 minutes)
Sound-icon.svg
This audio file was created from a revision of this article dated 19 August 2019 (2019-08-19), and does not reflect subsequent edits.
(Audio help  · More spoken articles)
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.