Chop chord

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In music, a chop chord is a "clipped backbeat". [3] [4] In 4
4
: 1 2 3 4. It is a muted chord that marks the off-beats or upbeats. [5] As a rhythm guitar and mandolin technique, it is accomplished through chucking, in which the chord is muted by lifting the fretting fingers immediately after strumming, producing a percussive effect.

Contents

The chop is analogous to a snare drum beat and keeps the rhythm together and moving. It's one of the innovations bluegrass inventor Bill Monroe pioneered, and it gave the music a harder groove and separated it from old-time and mountain music.

Bruce Dix [6]

Traditional bluegrass bands typically do not have a drummer, and the timekeeping role is shared between several instruments. The upright bass generally plays the on-beats, while the banjo keeps a steady eighth-note rhythm. The mandolin plays chop chords on the off-beats or upbeats. [7] (see: boom-chick) By partially relaxing the fingers of the left hand soon after strumming, the strings are allowed to rise off the frets, and their oscillations are damped by the fingers. All strings are stopped (fingered); open strings are not played in chop chords.

The offbeat was played on the piano in rhythm and blues "shuffle" style, as heard in songs like Louis Jordan's "It's a Low-Down Dirty Shame" (1942) and Professor Longhair's "Wille Mae" (1949). This popular, danceable shuffle style was present on many early rock and roll records. It was played on the electric guitar at least as early as 1950 by Robert Kelton on Jimmy McCracklin's "Rockin' All Day." Either played on the guitar, piano or both, the "chop", "chuck" or "skank" offbeat eventually influenced Jamaican rhythm and blues of the 1950s, which morphed into ska in late 1962, then rocksteady and reggae, all of which featured the offbeat "chuck" or "skank" guitar.[ citation needed ]

Guitar

The "chuck" usually consists of a downward strum on the up beat notes. Alternatively, the bass note can be played and allowed to ring, with the remainder of the chord being "chucked" on the up beat. [8] This technique is usually used in a rhythmically simple manner, such as chucking on every beat, or bass notes on down beats and chucking on up beats.[ citation needed ] Freddie Green, Django Reinhardt and Nile Rodgers are known for this technique.[ citation needed ]

Mandolin

Mandolin "chunks", or more commonly known as "chops", rarely include a down-beat strum. When a mandolin is playing rhythm it is most often in conjunction with other instruments, such as guitar and bass, which produce the main beat. The mandolin contributes to the rhythm by producing a sharp "chunk" on the upbeat notes. [9] This is particularly common when playing bluegrass music. According to Andy Statman, "the mandolin can drive and push the band in the same way (as) a snare drum." [10]

Fiddle

The chop was introduced to fiddle playing by Richard Greene in the 1960s. [11]

See also

Related Research Articles

The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento.

<span class="mw-page-title-main">Guitar</span> Fretted string instrument

The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier.

<span class="mw-page-title-main">Jazz guitar</span> Jazz instrument and associated playing style

Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars.

<span class="mw-page-title-main">Rhythm guitar</span> Technique providing rythm and harmony to an ensemble

In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section ; and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums.

<span class="mw-page-title-main">Clawhammer</span>

Clawhammer, sometimes called frailing, is a distinctive banjo playing style and a common component of American old-time music.

Lead guitar is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the featured guitar, which usually plays single-note-based lines or double-stops. In rock, heavy metal, blues, jazz, punk, fusion, some pop, and other music styles, lead guitar lines are usually supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs.

<span class="mw-page-title-main">Rhythm section</span> Group of musicians within a music ensemble or band

A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.

<span class="mw-page-title-main">Fingerstyle guitar</span> Playing technique

Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking. The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" also applied to similar string instruments such as the banjo.

In music, a breakdown is part of a song in which various instruments have solo parts (breaks). This may take the form of all instruments playing the verse together, and then several or all instruments individually repeating the verse as solo parts.

<span class="mw-page-title-main">Strum</span>

In music, strumming is a way of playing a stringed instrument such as a guitar, ukulele, or mandolin. A strum or stroke is a sweeping action where a finger or plectrum brushes over several strings to generate sound. On most stringed instruments, strums are typically executed by a musician's designated strum hand, while the remaining hand often supports the strum hand by altering the tones and pitches of any given strum.

<span class="mw-page-title-main">Flatpicking</span> Playing technique on the guitar

Flatpicking is the technique of striking the strings of a guitar with a pick held between the thumb and one or two fingers. It can be contrasted to fingerstyle guitar, which is playing with individual fingers, with or without wearing fingerpicks. While the use of a plectrum is common in many musical traditions, the exact term "flatpicking" is most commonly associated with Appalachian music of the American southeastern highlands, especially bluegrass music, where string bands often feature musicians playing a variety of styles, both fingerpicking and flatpicking. Musicians who use a flat pick in other genres such as rock and jazz are not commonly described as flatpickers or even plectrum guitarists. As the use of a pick in those traditions is commonplace, generally only guitarists who play without a pick are noted by the term "fingerpicking" or "fingerstyle".

Left-hand muting is a performance technique for stringed instruments, where string vibration is damped by the fingering hand.

<span class="mw-page-title-main">Flamenco guitar</span> Acoustic guitar used in Flamenco music

A flamenco guitar is a guitar similar to a classical guitar but with thinner tops and less internal bracing. It usually has nylon strings, like the classical guitar, but it generally possesses a livelier, more gritty sound compared to the classical guitar. It is used in toque, the guitar-playing part of the art of flamenco.

<span class="mw-page-title-main">Carter Family picking</span>

Carter Family picking, also known as the thumb brush, the Carter lick, the church lick, or the Carter scratch, is a style of fingerstyle guitar named after Maybelle Carter of the Carter Family. It is a distinctive style of rhythm guitar in which the melody is played on the bass strings, usually low E, A, and D while rhythm strumming continues above, on the treble strings, G, B, and high E. This often occurs during the break. The style bears similarity to the frailing style of banjo playing and is the rhythm Bill Monroe adapted for bluegrass music two decades later.

<span class="mw-page-title-main">Guitar picking</span>

Guitar picking is a group of hand and finger techniques a guitarist uses to set guitar strings in motion to produce audible notes. These techniques involve plucking, strumming, brushing, etc. Picking can be done with:

<span class="mw-page-title-main">Ghost note</span> Musical note with a rhythmic value, but no discernible pitch

In music, a ghost note is a musical note with a rhythmic value, but no discernible pitch when played. In musical notation, this is represented by an "X" for a note head instead of an oval, or parentheses around the note head. It should not be confused with the X-shaped notation that raises a note to a double sharp.

The ska stroke up or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music. It is derived from a form of rhythm and blues arrangement called the shuffle, a popular style in Jamaican blues parties of the 1940s, 1950s and 1960s.

<span class="mw-page-title-main">Open chord</span>

In music for stringed instruments, especially guitar, an open chord is a chord that includes one or more strings that are not fingered. An open string vibrates freely, whereas a fingered string will be partially dampened unless fingered with considerable pressure, which is difficult for beginner players. In an open chord, the unfingered strings are undampened, and the player is able to exert maximum pressure on the fretted strings, to avoid unwanted dampening. On a regular six-string guitar, an open chord can have from one to six open strings sounding. In contrast, all of the strings are fingered for a barre chord, which requires greater technique to be allowed to ring freely. To dampen a barre chord, a player simply needs to relax the fingers. Fully dampening an open chord requires the player to roll the fingers of the left hand over the open strings, or else dampen with the right hand.

<span class="mw-page-title-main">Banjo roll</span> Bluegrass music picking pattern

In bluegrass music, a banjo roll or roll is a pattern played by the banjo that uses a repeating eighth-note arpeggio – a broken chord – that by subdividing the beat 'keeps time'. "Each ["standard"] roll pattern is a right hand fingering pattern, consisting of eight (eighth) notes, which can be played while holding any chord position with the left hand."

<span class="mw-page-title-main">Bluegrass mandolin</span>

Bluegrass mandolin is a style of mandolin playing most commonly heard in bluegrass bands.

References

  1. "Introduction to the 'Chop'", Anger, Darol. Strad (0039-2049); 10/01/2006, Vol. 117 Issue 1398, p72-75.
  2. Horne, Greg (2004). Beginning Mandolin: The Complete Mandolin Method, p.61. Alfred. ISBN   9780739034712.
  3. Bruce, Dix (2013). Parking Lot Picker's Play-Along Guitar, p.14. Mel Bay. ISBN   9781619114463.
  4. Bruce, Dix (2010). Getting Into Bluegrass Mandolin, p.18. Mel Bay. ISBN   9781610651196.
  5. "Mandolin Glossary: Chop Chord". MandolinCafe.com. Retrieved 24 March 2014.
  6. Bruce (2013), p.16.
  7. "Chop Chords" (PDF). MandolinLessons.com. 2010. Archived from the original (PDF) on 18 August 2013. Retrieved 24 March 2014.
  8. Dziuba, Mark (1997). Blues Guitar , [ page needed ]. Alfred Music Publishing. ISBN   9780882848495.
  9. "Bluegrass Instruments: Mandolins", PlayBetterBluegrass.com. Accessed August 7, 2014.[ self-published source? ]
  10. Statman, Andy (1978). Teach Yourself Bluegrass Mandolin, [ page needed ]. Amsco Music Company, New York. ISBN   9780825603266.
  11. "How A Sore Wrist And A Fondness For 'Noise' Forever Changed The Way The Violin Is Played". www.wbur.org.