Luther (comic strip)

Last updated
Luther
Author(s) Brumsic Brandon Jr.
Current status/scheduleConcluded
Launch date1968
End date1986
Syndicate(s) Newsday Specials (1968–1970)
Los Angeles Times Syndicate (1970–1986)
Publisher(s)Paul S. Eriksson
Genre(s)comedy-drama

Luther is an American syndicated newspaper comic strip published from 1968 to 1986, created and produced by cartoonist Brumsic Brandon Jr. The series, about an African-American elementary-school child, was the second mainstream comic strip to star an African-American in the lead role, following Dateline: Danger! (1968-1974), the first to do so. Another predecessor, Wee Pals (1965-2014), featured an African-American among an ensemble cast of different races and ethnicities.

Contents

Publication history

A Luther strip (date n.a.) with an example of cartoonist Brumsic Brandon's satirical, race-based humor Luther comic strip.jpg
A Luther strip (date n.a.) with an example of cartoonist Brumsic Brandon's satirical, race-based humor

Brumsic Brandon Jr., who published his first cartoon in 1945, did editorial cartoons before conceiving of a comic strip about inner-city African-American children and a gently satirical theme about the struggle for racial equality. [1] [2] He named his title character, a third-grader, after Civil Rights activist the Rev. Dr. Martin Luther King Jr. [3]

In 1968, the Long Island newspaper Newsday [4] began syndicating Luther through its own small syndicate, Newsday Specials, [5] in conjunction with Reporters' News Syndicate, an initiative designed to increase minority participation in journalism, [2] [6] In 1970, following the purchase of Newsday by the Times Mirror, the strip became syndicated widely through the corporation's the Los Angeles Times Syndicate. [2] [5]

Brumsic's daughter, Barbara Brandon, who would grow up to become the first nationally syndicated female African-American cartoonist, [2] sometimes assisted her father with such tasks as applying Letratone, a transparent sheet with dots that read in print as African-American skin tone. [7]

Cast

Source: [2]

The children attended the Alabaster Avenue Elementary School. [8]

Critical analysis

Cartoon historian Maurice Horn wrote that, "Although his gags were often about racism, Brandon was also successful in using his nicely designed urban inner-city kids to get his message of racial equality across." [2]

The African-American artist and essayist Oliver W. Harrington wrote in 1976 [8] that with Luther,

The cartoonist is actually violating what has always been an American taboo, and that is to create non-white characters or even poor white characters who are human, sympathetic and even lovable. Brandon employs his irresistible humor to level the walls of racism. And what better stage setting could he devise than the schools and the kids they're trying to educate. [9]

Luther collections

See also

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References

  1. Brumsic Brandon Jr. at the Lambiek Comiclopedia. Archived from the original on May 1, 2014.
  2. 1 2 3 4 5 6 Horn, Maurice, ed. (1996). 100 Years of American Newspaper Comics. New York York: Gramercy Books. pp. 190–191. ISBN   0-517-12447-5.
  3. McGrath, Ben (April 19, 2004). "The Radical: Why do editors keep throwing 'The Boondocks' off the funnies page?". The New Yorker . Archived from the original on November 5, 2012. Retrieved 2014-05-01.
  4. Vitellodec, Paul (December 2, 2014). "Brumsic Brandon Jr., Creator of 'Luther' Strip, Dies at 87". The New York Times . Retrieved June 20, 2015.
  5. 1 2 "'Coloring Outside the Lines: Black Cartoonists as Social Commentators' exhibit to open at Laney". Oakland Local. August 6, 2010. Archived from the original on August 23, 2010. Retrieved February 23, 2014.
  6. "Robert G. Spivack Papers: A Finding Aid to the Collection in the Library of Congress" (PDF). Washington, D.C.: Manuscript Division, Library of Congress. 2012. p. 5. Retrieved June 20, 2015. ... Spivack's late 1960s initiative, Reporters' News Syndicate, a program designed to give minority candidates practical training in journalism. ...
  7. Jones, Lisa (2010). Bulletproof Diva. Anchor Books. p.  89. ISBN   978-0-307-77381-4.
  8. 1 2 Johnson, Charles Richard; Byrd, Rudolph P., ed. (1999). I Call Myself an Artist: Writings by and about Charles Johnson. Indiana University Press. p.  208. ISBN   978-0253335418.{{cite book}}: |first2= has generic name (help)CS1 maint: multiple names: authors list (link)
  9. Harrington, Oliver W. (1993). Why I Left America, and Other Essays . University Press of Mississippi. p.  87. ISBN   978-0878056552.