Ahmir Thompson was born on January 20, 1971[8] into a musical family in Philadelphia. His father was Arthur Lee Andrews Thompson, from Goldsboro, North Carolina.[9] A singer, he became known as Lee Andrews and was lead with Lee Andrews & the Hearts, a 1950s doo-wop group.[10] Ahmir's mother, Jacquelin Thompson, together with his father, was also part of the Philadelphia-based soul group Congress Alley.[11] His parents did not want to leave him with babysitters so they took him with them when they were on tour.[12] He grew up in backstages of doo-wop shows. When he was 7 years old, Questlove helped prepare his father’s performance outfits and when he was 10, he operated stage lights for his father’s performances.[13][14][15] At age 12, Questlove filled in as a drummer for his father’s band, debuting as a performer at the Radio City Music Hall.[14][15]
Thompson began performing on South Street in Philadelphia using drums, while Tariq rhymed over his beats and rhythms. Thompson and Jay Lonick, a childhood friend, were known for improvisational "call and response" percussion battles with plastic buckets, crates, and shopping carts. This style translated into Thompson's usual drumset arrangement, with most drums and cymbals positioned at waist level, emulating his original street setups.[citation needed]
For the Okayplayer platform and web television OkayAfrica TV, Questlove had his DNA tested in 2011 and genealogists researched his family ancestry. Questlove's DNA revealed from both of his biological parents that he is of West African descent, specifically the Mende people (found mostly in Sierra Leone as well as Guinea and Liberia).[17]
From the PBS television series, Finding Your Roots, hosted by Professor Henry Louis Gates Jr., Questlove learned in December 2017 that he was descended in part from Charles and Maggie Lewis, his three times great-grandparents, who had been taken captive in warfare and sold as slaves in the port of Ouidah, Dahomey (now Benin) to American ship captain William Foster. They were among 110 slaves smuggled illegally to Mobile, Alabama, in July 1860 on the Clotilda. It was the last known slave ship to carry slaves to the United States. Questlove is the only guest to have appeared on Gates's program to be descended from slaves known by name, ship, and where they came from in Africa.[18][19]
The Roots' lineup was soon completed, with Questlove on drums and percussion, Tariq Trotter and Malik B on vocals, Josh Abrams (Rubber Band) on bass (who was replaced by Leonard Hubbard in 1994), and Scott Storch on keyboards.
Unable to break through in Philadelphia, the band moved to Camden Town, London.[20] While the group was performing a show in Germany, they recorded an album entitled Organix, released by Relativity Records in 1993.
In 2001, he collaborated as the drummer for The Philadelphia Experiment, a collaborative instrumental jazz album featuring Christian McBride and Uri Caine, and the DJ of the compilation Questlove Presents: Babies Making Babies, released on Urban Theory Records in 2002. He played drums on Christina Aguilera's song "Loving Me 4 Me" for her 2002 album Stripped. In 2002, he and the Roots released the critically acclaimed Phrenology, which went gold.
2004–present: Continued output and other media endeavors
In 2004, the Roots released The Tipping Point, which contained a more mainstream sound, allegedly due to demands from Interscope Records. The album sold 400,000 copies. In 2004, Questlove appeared in Jay-Z's Fade to Black. In addition to appearing in the documentary portion of the film, Questlove was the drummer/musical director for all portions of the show with a live band. In 2005, Questlove appeared along with performers including Madonna, Iggy Pop, Bootsy Collins, and Little Richard in a television commercial for the Motorola ROKR phone.
In 2006, Questlove appeared in the film Dave Chappelle's Block Party, as well as a couple of skits on Chappelle's Show. These included the Tupac "The Lost Episodes" skit, and one featuring John Mayer, wherein Questlove performs in a barber shop, inducing the occupants to dance and rap. With the exception of the Fugees and Jill Scott, Questlove served as the drummer at the 2004 Brooklyn street concert and was the musical director for the entire show. Questlove was given an Esky for Best Scribe in Esquire magazine's 2006 Esky Music Awards in the April issue. In 2006, Questlove was one of a handful of musicians hand-picked by Steve Van Zandt to back Hank Williams Jr. on a new version of "All My Rowdy Friends Are Coming Over Tonight" for the season premiere (and formal ESPN debut) of Monday Night Football. Along with his fellow Motorola ROKR commercial co-stars, Bootsy Collins and Little Richard, Questlove's bandmates included Rick Nielsen (Cheap Trick), Joe Perry (Aerosmith), Charlie Daniels, and Bernie Worrell. In the same year, he appeared in the studio album Fly of the Italian singer Zucchero Fornaciari.
In 2007, Questlove co-produced with VH1's The Score winning producer Antonio "DJ Satisfaction" Gonzalez, from the Maniac Agenda, the theme to VH1's Hip Hop Honors 2007. Questlove joined Ben Harper and John Paul Jones for the Bonnaroo SuperJam on June 16, 2007, to play a 97-minute set.[23]
On March 2, 2009, Questlove and the Roots began their run as house band for Late Night with Jimmy Fallon.[24] He continues to perform with the Roots on The Tonight Show Starring Jimmy Fallon, continuing his duties from Late Night with Jimmy Fallon. He occasionally performed solos titled, 're-mixing the clips', where he drew on his production and DJ abilities to dub video clips, cue audio samples in rhythm, and play drum breaks simultaneously.
In late 2009, while serving as an associate producer of the hit Broadway play Fela!, Questlove recruited Jay-Z to come on board as a producer. It was reported that Will Smith and Jada Pinkett Smith had also signed on as producers.[25]
In January 2010, he was writing material with British singer Duffy for her second album.[26] He has been featured in a commercial for Microsoft's short-lived mobile phone, the Kin. In 2010, he made a cameo in the music video of Duck Sauce's song "Barbra Streisand", and with the Roots released the album Dilla Joints with renditions of producer J Dilla's music. He contributed drums to the song "You Got a Lot to Learn", which was recorded for the self-titled third studio album by Evanescence,[27][28] but did not appear on the final release.[29]
Questlove was planning to collaborate with Amy Winehouse before her death in July 2011. He said "We're Skype buddies, and she wants to do a project with Mos and me. Soon as she gets her visa thing together, that's gonna happen."[30]Rolling Stone named Questlove number 2 in the 50 Top Tweeters in Music. In June 2011, Questlove played drums alongside the Roots bassist Owen Biddle for Karmin's cover of Nicki Minaj's "Super Bass."[31] Questlove placed 8th in the Rolling Stone Readers Pick for Best Drummers of all Time.
In September 2016, Questlove launched a weekly radio show on Pandora, Questlove Supreme.[32] Notable guests have included Solange,[33]Chris Rock,[34]Maya Rudolph,[32] and Pete Rock,[35] among others. In 2019, Questlove Supreme moved from Pandora to iHeart Radio, where it still continues to this day.[36]The podcast has won “Best Music Podcast” at the 2023 iHeart Podcast Awards,[37] “Interview Of The Year” and “Podcast Of The Year” at Adweek's 2023 Audio Awards,[38] Best Lifestyle Podcast” at the 2022 Webby Awards,[39] along with other wins and nominations.
Questlove was interviewed by Alec Baldwin for the January 3, 2017, episode of Baldwin's WNYC podcast Here's the Thing, where he joked about being "obsessed" with his Wikipedia profile. During the interview, he also discussed his musical and cultural interests, how the Roots started a "movement" with three 15-passenger vans, and the impact of the loss of musical icons in 2016.[40]
In 2019, Questlove partnered with Black Thought of The Roots to executive produce the documentary series Hip-Hop: The Songs That Shook America under their production company, Two One Five Entertainment.[41][42][43]The series aired on AMC.[44] In 2020, the pair announced a first-look deal with Universal Television to develop scripted and non-scripted programming.[42][43]
He also served as the musical director of both the 2020 and 2021 Academy Awards ceremony, in addition to being the show's in-house DJ. The music for the 2020 ceremony was largely remixed from compositions created by his band The Roots, with no in-house orchestra present.[45]
In September 2022, it was announced that Questlove would executive produce a feature documentary about J Dilla titled Dilla Time, adapted from the Dan Charnas biography of the same name. Joseph Patel, who also produced Summer of Soul, and Darby Wheeler are slated to co-direct.[49]
In the same year, Questlove executive produced Descendant, a feature documentary on the historic discovery of The Clotilda—the last known slave ship to arrive in America illegally transporting enslaved Africans.[50]The documentary, which made its world premiere at Sundance in 2022, was acquired by Netflix and Higher Ground,President Barack Obama and Michelle Obama’s production company.[51][52]The film earned several award nominations at the 2022 Critics Choice Documentary Awards,[53][54] 2023 NAACP Image Awards[55] and was also named one of the “Top 5 Documentaries” of 2022 by the National Board of Review.[56]
Questlove and Black Thought, under their Two One Five banner, executive produced Rise Up, Sing Out, a collection of animated musical shorts for Disney Junior, which earned a nomination for “Outstanding Short Form Series” for the 2023 NAACP Image Awards.[57][58]Questlove’s web series, Quest for Craft, produced by Two One Five and launched in partnership with the single malt whiskey brand, The Balvenie, took home a Webby Award in 2023.[59]In 2023, Questlove also executive produced Sam Pollard’s The League, a documentary centered on Negro league baseball.[60]Questlove executive produced the A&E James Brown docuseries “Say It Loud,” which aired in 2024.[61]Questlove is directing an upcoming documentary on funk musician Sly Stone distributed by Onyx/Disney.[62] Questlove will make his feature film directing debut with a live-action hybrid reimagining of The Aristocats for Walt Disney Studios.[63]
Writing
In 2007 he provided the foreword for the book Check the Technique.[64] On June 18, 2013, he released a memoir, Mo' Meta Blues: The World According to Questlove. On October 22, 2013, Harper Design published the Questlove-written book, Soul Train: The Music, Dance, and Style of a Generation.[65]
Questlove released his third book, Something To Food About: Exploring Creativity with Innovative Chefs, along with co-author Ben Greenman and photographer Kyoko Hamada, which was published by Clarkson Potter Books on April 12, 2016.[66] In 2018, Questlove curated the soundtrack The Michelle Obama Musiaqualogy for Michelle Obama's memoir Becoming.[67]
He also released the book Creative Quest, regarding the concept and cultivation of creativity, in April 2018.[68][69]
Questlove also released the cookbook Mixtape Potluck in 2019.[70][71]
Questlove's next book, Music Is History, was published in December 2021 by Abrams Image. The book explores popular music through the context of American history over the past fifty years, connecting issues of race, gender, politics, and identity with Questlove's point of view.[72]
In 2023 he started his own publishing imprint Auwa Books who will publish his next book Hip-Hop Is History.[73]In the same year, he released the young adult sci-fi novel The Rhythm of Time, which he co-wrote with S.A. Cosby.[74]
Personal life
Starting in 2023, Questlove has hosted seven invite-only Game Night events for celebrities from different industries, with the address to each Game Night being undisclosed until the morning of the event.[75][76][77]
Named one of the "Twenty Greatest Live Acts in the World" by Rolling Stone, 2003
"Heroes Award" from the Philadelphia chapter of the Recording Academy, 2004[93] (Recipient)
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References
↑ "UPPER EAST SIDE". ASCAP. American Society of Composers, Authors and Publishers. Retrieved April 27, 2023.
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