Alexis (sculptor)

Last updated

Alexis (Ancient Greek: Ἄλεξις) was an ancient Greek sculptor and statuary, mentioned by Pliny as one of the pupils of Polykleitos. [1] Pausanias mentions an artist of the same name, a native of Sicyon, and father of the sculptor Cantharus. [2] It cannot be satisfactorily settled whether these are the same, or different persons. Pliny's account implies that he had the elder Polykleitos in mind, in which case Alexis could not have flourished later than Olympiad 95 in 400 BC, whereas Eutychides, under whom Cantharus studied, flourished about Olympiad 120 in 300. [1] If the two were identical, as German classicist Friedrich Thiersch thinks, we must suppose either that Pliny made a mistake, and that Alexis studied instead under Polykleitos the Younger, or else that Eutychides, whose date is given by Pliny, was not the artist under whom Cantharus studied. [3] [4]

Ancient Greek Version of the Greek language used from roughly the 9th century BCE to the 6th century CE

The Ancient Greek language includes the forms of Greek used in Ancient Greece and the ancient world from around the 9th century BCE to the 6th century CE. It is often roughly divided into the Archaic period, Classical period, and Hellenistic period. It is antedated in the second millennium BCE by Mycenaean Greek and succeeded by medieval Greek.

Pliny the Elder Roman military commander and writer

Pliny the Elder was a Roman author, naturalist and natural philosopher, a naval and army commander of the early Roman Empire, and friend of emperor Vespasian.

Polykleitos Greek sculptor, active ca. 450-ca. 415 BCE

Polykleitos was an ancient Greek sculptor in bronze of the 5th century BCE. His Greek name was traditionally Latinized Polycletus, but is also transliterated Polycleitus and due to iotacism in the transition from Ancient to Modern Greek, Polyklitos or Polyclitus. He is called Sicyonius by Latin authors including Pliny the Elder and Cicero, and Ἀργεῖος by others like Plato and Pausanias. He is sometimes called the Elder, in cases where it is necessary to distinguish him from his son, who is regarded as a major architect but a minor sculptor.

Notes

  1. 1 2 Pliny the Elder, Naturalis Historia xxxiv. 8. s. 19
  2. Pausanias, Description of Greece vi. 3. § 3
  3. Friedrich Thiersch, Epochen der bild. Kunst. p. 276
  4. Mason, Charles Peter (1867). "Alexis". In William Smith. Dictionary of Greek and Roman Biography and Mythology . 1. Boston: Little, Brown and Company. p. 129.

Related Research Articles

Argius was a sculptor of ancient Greece who was the disciple of Polykleitos, and therefore flourished about 388 BCE.

Ageladas or Hagelaedas was a celebrated Greek (Argive) sculptor, who flourished in the latter part of the 6th and the early part of the 5th century BC.

Pasiteles

Pasiteles was a Neo-Attic school sculptor from Ancient Rome at the time of Julius Caesar. Pasiteles is said by Pliny to have been a native of Magna Graecia, and to have been granted Roman citizenship. He worked during a period where there was a demand for copies of, or variations on, noted works of Greek sculpture; the demand was met by the workshops of Pasiteles and his pupils Stephanus and Menelaus and others, several of whose statues are extant. According to Pliny, Pasiteles made an ivory statue of Jupiter for the temple of Metellus and made statues for the temple of Juno in the portico of Octavia.

Polycles, mentioned in Pliny's Natural History (XXXV.8.19), was an ancient Greek sculptor who flourished during the 102nd Olympiad. He was a contemporary of Cephisodotus the Elder and Leochares. Among the statues of Olympian winners, Pausanias (Description of Greece noted the statue of a winner in the pankration by the Athenian Polycles, probably this one.

Acestor was the name of several figures in Classical mythology and history:

Ptolichus is a name attributed to two individuals from Classical antiquity:

Aristocles is a name attributed to two sculptors in Ancient Greece, as well as a nominal hereditary school of sculpture, started by the elder Aristocles, known to us primarily through different passages in Pausanias.

Phradmon was a little-known sculptor from Argos, whom Pliny places as the contemporary of Polykleitos, Myron, Pythagoras, Scopas, and Perelius, at Olympiad 90 in 420 BCE, in giving an anecdotal description of a competition for a Wounded Amazon for the temple of Artemis at Ephesus: in Pliny's anecdote, the fifth place was won by Phradmon, whom Pliny admits was younger than any of the four who were preferred to him. Trusting in Pliny's anecdote, scholars have often hopefully assigned the "Lansdowne" type of Wounded Amazon to Phradmon.

Pythagoras of Samos or Pythagoras of Rhegion, was a statuary from Samos whom Pliny the Elder expressly distinguishes from the more renowned Pythagoras from Rhegion. Pliny does however say that the sculptor bore a remarkable personal likeness to the mathematician. There is no precise indication of his date. Philip Smith accepted the opinion of Karl Julius Sillig (1801—1855) that Pliny's date of Olympiad 87 ought to be referred to this artist rather than to a different Pythagoras, from Rhegium; other writers consider it possible he lived closer to the beginning of the 5th century BC. Modern writers consider it certain these two were the same artist, and that this Pythagoras was one of the Samian exiles who moved to Zankle at the beginning of the 5th century BC and came under the power of the tyrant Anaxilas in Rhegium. While a Samian by birth, he was a pupil of Clearchus of Rhegium.

Clearchus or Clearch was a sculptor in bronze at Rhegium . He is notable as the teacher of the celebrated Pythagoras, who flourished at the time of Myron and Polykleitos. Clearchus was the pupil of the Corinthian Eucheirus, and belongs probably to the 72nd and following Olympiads. His only recorded work is a bronze of Zeus that stood at Sparta, that was not cast, but made from plates of metal hammered into the desired form and then riveted together. The whole pedigree of the school to which he is to be ascribed is given by Pausanias.

Agias or Hagias was an ancient Greek poet, whose name was formerly written Augias through a mistake of the first editor of the Excerpta of Proclus. This misreading was corrected by Friedrich Thiersch, from the Codex Monacensis, which in one passage has "Agias", and in another "Hagias". The name itself does not occur in early Greek writers, unless it be supposed that the "Egias" or "Hegias" (Ἡγίας) in Clement of Alexandria and Pausanias, are only different forms of the same name.

Aglaophon was an ancient Greek painter, born on the island of Thasos. He was the father and instructor of Polygnotus. He had another son named Aristophon. As Polygnotus flourished before the 90th Olympiad, Aglaophon probably lived around the 70th Olympiad, that is, around the late 6th or early 5th century BC. Quintilian praises his paintings, which were distinguished by the simplicity of their coloring, as worthy of admiration on other grounds besides their antiquity.

Periclytus, a sculptor, who belonged to the best period and to one of the best schools of Greek art, but of whom scarcely any thing is known. He is only mentioned in a single passage of Pausanias, from which we learn that he was the disciple of Polykleitos, and the teacher of Antiphanes of Argos, who was the teacher of Cleon of Sicyon. Since Polycleitus flourished about b. c. 440, and Antiphanes about b. c. 400, the date of Periclytus may be fixed at about 420 BC.

Arcesilaus or Arkesilaos is a Greek name, Arcesilaus is the Latin spelling, which may refer to:

In Greek mythology, Car or Kar of the Carians, according to Herodotus, was the brother of Lydus and Mysus. He was regarded as the eponymous and ancestral hero of the Carians who would have received their name from the king. He may or may not be the same as Car of Megara

Cleon was an Ancient Greek sculptor of Sicyon. He was a pupil of Antiphanes, who had been taught by Periclytus, a follower of the great Polykleitos of Argos.

Antigonus was a sculptor of ancient Greece, and an eminent writer upon his art, was one of the artists who represented the battles of Attalus I and Eumenes against the Gauls. He lived, therefore, about 239 BCE, when Attalus I, king of Pergamus, conquered the Gauls. According to Pliny, Antigonus sculpted statues of Harmodius and Aristogeiton, and a "Perixyomenos" – probably a sculpture of a man scraping himself. He may have been the same Antigonus who wrote on the art of painting and was mentioned by Diogenes Laërtius.

Apellas was a sculptor of ancient Greece who made, in bronze, statues of worshipping females (ad orantes feminas. He made the statue of Cynisca, who conquered in the chariot race at Olympia. Cynisca was sister to Agesilaus II, king of Sparta, who died at the age of 84, in 362 BCE. Therefore, the victory of Cynisca, and the time when Apellas flourished, may be placed about 400. His name indicates his Doric origin.

Apollodorus was a sculptor of ancient Greece, who made statues in bronze. He was so fastidious that he often broke his works in pieces after they were finished, and hence he obtained the surname of " the madman," in which character he was represented by the sculptor Silanion. Assuming from this that the two artists were contemporary, Apollodorus flourished about 324 BCE.

References

The public domain consists of all the creative works to which no exclusive intellectual property rights apply. Those rights may have expired, been forfeited, expressly waived, or may be inapplicable.

William Smith (lexicographer) English lexicographer

Sir William Smith was an English lexicographer. He also made advances in the teaching of Greek and Latin in schools.

<i>Dictionary of Greek and Roman Biography and Mythology</i> encyclopedia/biographical dictionary

The Dictionary of Greek and Roman Biography and Mythology is an encyclopedia/biographical dictionary. Edited by William Smith, the dictionary spans three volumes and 3,700 pages. It is a classic work of 19th-century lexicography. The work is a companion to Smith's Dictionary of Greek and Roman Antiquities and Dictionary of Greek and Roman Geography.