Blake: Prophet Against Empire

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Blake: Prophet Against Empire
ProphetAgainstEmpire.jpg
Author David V. Erdman
Cover artist William Blake
Country United States
Language English
Genre Literary criticism
Publisher Dover Publications
Publication date
1954
Media type Print (Hardback & Paperback)
Pages 582
ISBN 0-486-26719-9
OCLC 22908171
821/.7 20
LC Class PR4148.P6 E7 1991

Blake: Prophet Against Empire: A Poet's Interpretation of the History of His Own Times is a 1954 biography by David V. Erdman whose subject is the life and work of English poet and painter William Blake. [1]

David V. Erdman was an American literary critic, editor, and Professor Emeritus of English at the State University of New York at Stony Brook. Professor Erdman established his reputation as a William Blake scholar.

English people Nation and ethnic group native to England

The English people are a nation and an ethnic group native to England who speak the English language. The English identity is of early medieval origin, when they were known in Old English as the Angelcynn. Their ethnonym is derived from the Angles, one of the Germanic peoples who migrated to Great Britain around the 5th century AD. England is one of the countries of the United Kingdom, and the majority of people living there are British citizens.

William Blake English poet and artist

William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. What he called his prophetic works were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich œuvre, which embraced the imagination as "the body of God" or "human existence itself".

Contents

Reception

Critic Northrop Frye has described the book as a work full of knowledge of the meaning of Blake's Prophecies and the first to make a consistent use of the primary sources of historical scholarship. [2] The book recounts the social history of England as seen through Blake's eyes, starting with the peaceful years of the 1760s, which Blake regarded, in his childhood, as time of innocence. Erdman covers the major events such as the American Revolution, the Gordon riots, the French Revolution, the policies of the Pitt government and the famine in England. Erdman states that Blake was far from being an abstract or vague poet, but was a concrete one, whose social environment helped shape both his most famous and obscure works. [2] Jacob Bronowski stated that: "Blake: Prophet Against Empire is the most important book that has been written about Blake... it expounded the view of Blake as a poet of social vision and human protest."

Northrop Frye Canadian literary critic and literary theorist

Herman Northrop Frye was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century.

William Blakes prophetic books

The prophetic books of the 18th-century English poet and artist William Blake are a series of lengthy, interrelated poetic works drawing upon Blake's own personal mythology. They have been described as forming "what is in proportion to its merits the least read body of poetry in the English language". While Blake worked as a commercial illustrator, these books were ones that he produced, with his own engravings, as an extended and largely private project.

Primary source Original source of information created at the time under study

In the study of history as an academic discipline, a primary source is an artifact, document, diary, manuscript, autobiography, recording, or any other source of information that was created at the time under study. It serves as an original source of information about the topic. Similar definitions can be used in library science, and other areas of scholarship, although different fields have somewhat different definitions. In journalism, a primary source can be a person with direct knowledge of a situation, or a document written by such a person.

See also

Related Research Articles

Orc (Blake) character by William Blake

Orc is a proper name for one of the characters in the complex mythology of William Blake. A fallen figure, Orc is the embodiment of rebellion, and stands opposed to Urizen, the embodiment of tradition.

Samuel Foster Damon was an American academic, a specialist in William Blake, a critic and a poet. When remembered as a Blake scholar, he is often compared in importance to Northrop Frye and David V. Erdman.

<i>The Book of Urizen</i> book by William Blake

The Book of Urizen is one of the major prophetic books of the English writer William Blake, illustrated by Blake's own plates. It was originally published as The First Book of Urizen in 1794. Later editions dropped the "First". The book takes its name from the character Urizen in Blake's mythology, who represents alienated reason as the source of oppression. The book describes Urizen as the "primeaval priest" and tells how he became separated from the other Eternals to create his own alienated and enslaving realm of religious dogma. Los and Enitharmon create a space within Urizen's fallen universe to give birth to their son Orc, the spirit of revolution and freedom.

Spectre (Blake)

The Spectre is one aspect of the fourfold nature of the human psyche along with Humanity, Emanation and Shadow that William Blake used to explore his spiritual mythology throughout his poetry and art. As one of Blake's elements of the psyche, Spectre takes on symbolic meaning when referred to throughout his poems. According to professor Joseph Hogan, "Spectre functions to define individuals from others [...] When it is separated [from Emanation], it is reason, trying to define everything in terms of unchanging essences." Thus, according to Samuel Foster Damon, Spectre epitomizes "Reason separated from humanity" and "Self-centered selfhood" or, as Alexander S. Gourlay puts it, Spectre is "characterized by self-defensive rationalization".

Tiriel is the eponymous character in a poem by William Blake written c.1789, and considered the first of his prophetic books. The character of Tiriel is often interpreted as a foreshadowing of Urizen, representative of conventionality and conformity, and one of the major characters in Blake's as yet unrealised mythological system.

Har is a character in the mythological writings of William Blake, who roughly corresponds to an aged Adam. His wife, Heva, corresponds to Eve. Har appears in Tiriel (1789) and The Song of Los (1795) and is briefly mentioned in The Book of Thel (1790) and Vala, or The Four Zoas (1796-1803).

Los (Blake)

In the mythological writings of William Blake, Los is the fallen form of Urthona, one of the four Zoas. He is referred to as the "eternal prophet" and creates the visionary city of Golgonooza. Los is regularly described as a smith, beating with his hammer on a forge, which is metaphorically connected to the beating of the human heart. The bellows of his forge are the human lungs. Los's emanation, Enitharmon, represents spiritual beauty and embodies pity, but at the same time creates the spatial aspect of the fallen world, weaving bodies for men and creating sexual strife through her insistence upon chastity. In the Book of Urizen (1794), Los and Enitharmon have the child, Orc, who is the embodiment of the spirit of revolution. The name Los is, by common critical acceptance, an anagram of Sol, the Latin word for "sun". Such innovations are common in many of Blake's prophetic poems.

<i>Tiriel</i> (poem) illustrated poem by William Blake

Tiriel is a narrative poem by William Blake, written c.1789. Considered the first of his prophetic books, it is also the first poem in which Blake used free septenaries, which he would go on to use in much of his later verse. Tiriel was unpublished during Blake's lifetime and remained so until 1874, when it appeared in William Michael Rossetti's Poetical Works of William Blake. Although Blake did not engrave the poem, he did make twelve sepia drawings to accompany the rough and unfinished manuscript, although three of them are considered lost as they have not been traced since 1863.

Holy Thursday (Songs of Experience) poem

"Holy Thursday" is a poem by William Blake, first published in Songs of Innocence and Experience in 1794. This poem, unlike its companion poem in "Songs of Innocence" (1789), focuses more on society as a whole than on the ceremony held in London.

<i>Europe a Prophecy</i> 1794 prophetic book by the British poet and illustrator William Blake, engraved on 18 plates

Europe a Prophecy is a 1794 prophetic book by the British poet and illustrator William Blake. It is engraved on 18 plates, and survives in just nine known copies. It followed America a Prophecy of 1793.

<i>America a Prophecy</i> book by William Blake

America a Prophecy is a 1793 prophetic book by the English poet and illustrator William Blake. It is engraved on eighteen plates, and survives in fourteen known copies. It is the first of Blake's Continental prophecies.

<i>The Book of Los</i> book by William Blake

The Book of Los is a 1795 prophetic book by the English poet and painter William Blake. It exists in only one copy, now held by The British Museum. The book is related to the Book of Urizen and to the Continental prophecies; it is essentially a retelling of Urizen from the point of view of Los. The book has been described as a rewriting of the ancient myth of creation that equates Fall with the loss of spiritual vision brought about by selfhood.

Continental prophecies series of three works (Europe, a Prophecy; America, a Prophecy; The Song of Los) by William Blake

The continental prophecies is a group of illuminated books by William Blake that have been subject of numerous studies due to their recurrent and unorthodox use of political, literary and sexual metaphors. They consist of America, Europe and The Song of Los.

<i>Fearful Symmetry</i> (Frye) book by Northrop Frye

Fearful Symmetry: A Study of William Blake is a 1947 book by Canadian literary critic Northrop Frye whose subject is the work of English poet and visual artist William Blake. The book has been hailed as one of the most important contributions to the study of William Blake and one of the very first that embarked on the interpretation of many of Blake's most obscure works. As Frye himself acknowledges, Blake's work is not to be deciphered but interpreted and seen within its specific historical and social contexts.

<i>Poetical Sketches</i> collection of poetry by William Blake

Poetical Sketches is the first collection of poetry and prose by William Blake, written between 1769 and 1777. Forty copies were printed in 1783 with the help of Blake's friends, the artist John Flaxman and the Reverend Anthony Stephen Mathew, at the request of his wife Harriet Mathew. The book was never published for the public, with copies instead given as gifts to friends of the author and other interested parties. Of the forty copies, fourteen were accounted for at the time of Geoffrey Keynes' census in 1921. A further eight copies had been discovered by the time of Keynes' The Complete Writings of William Blake in 1957. In March 2011, a previously unrecorded copy was sold at auction in London for £72,000.

<i>An Island in the Moon</i> prose by William Blake

An Island in the Moon is the name generally assigned to an untitled, unfinished prose satire by William Blake, written in late 1784. Containing early versions of three poems later included in Songs of Innocence (1789) and satirising the "contrived and empty productions of the contemporary culture," An Island demonstrates Blake's increasing dissatisfaction with convention and his developing interest in prophetic modes of expression. Referred to by William Butler Yeats and E. J. Ellis as "Blake's first true symbolic book," it also includes a partial description of Blake's soon-to-be-realised method of illuminated printing. The piece was unpublished during Blake's lifetime, and survives only in a single manuscript copy, residing in the Fitzwilliam Museum, in the University of Cambridge.

References

  1. David V. Erdman, Blake: Prophet Against Empire (Princeton University Press, 1954), ISBN   0-486-26719-9
  2. 1 2 Northrop Frye, Angela Esterhammer, Northrop Frye on Milton and Blake, (University of Toronto Press, 2005) ISBN   0-8020-3919-7 Page 237
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