Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement is a 1970 anthology of feminist writings edited by Robin Morgan, a feminist poet and founding member of New York Radical Women. It is one of the first widely available anthologies of second-wave feminism. It is both a consciousness-raising analysis and a call-to-action. Sisterhood Is Global: The International Women's Movement Anthology (1984) is the follow-up to Sisterhood Is Powerful. After Sisterhood Is Global came its follow-up, Sisterhood Is Forever: The Women's Anthology for a New Millennium (2003).
Cherríe Moraga is a Chicana writer, feminist activist, poet, essayist, and playwright. She is part of the faculty at the University of California, Santa Barbara in the Department of English. Moraga is also a founding member of the social justice activist group La Red Chicana Indígena which is an organization of Chicanas fighting for education, culture rights, and Indigenous Rights.
The feminist sex wars, also known as the lesbian sex wars, or simply the sex wars or porn wars, are terms used to refer to collective debates amongst feminists regarding a number of issues broadly relating to sexuality and sexual activity. Differences of opinion on matters of sexuality deeply polarized the feminist movement, particularly leading feminist thinkers, in the late 1970s and early 1980s and continue to influence debate amongst feminists to this day.
Susan Stewart is an American poet and literary critic. She is the Avalon Foundation University Professor in the Humanities and Professor of English at Princeton University.
Faith Wilding is a Paraguayan American multidisciplinary artist - which includes but is not limited to: watercolor, performance art, writing, crocheting, knitting, weaving, and digital art. She is also an author, educator, and activist widely known for her contribution to the progressive development of feminist art. She also fights for ecofeminism, genetics, cyberfeminism, and reproductive rights. Wilding is Professor Emerita of performance art at the School of the Art Institute of Chicago.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Mira Schor is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism.
Naomi Schor was an American literary critic and theorist. A pioneer of feminist theory for her generation, she is regarded as one of the foremost scholars of French literature and critical theory of her time. Naomi's younger sister is the artist and writer Mira Schor.
Susan Bee is an American painter, editor, and book artist, who lives in New York City. In 2015, "Photograms and Altered Photos from the 1970s" were exhibited at Southfirst Gallery in Brooklyn. She had one solo show at Accola Griefen Gallery (2013) and nine solo shows at A.I.R. Gallery in New York. She has a B.A. from Barnard College and a M.A. in Art from Hunter College. She has taught at the School of Visual Arts MFA in Art Criticism and Writing program. Bee has taught at the University of Pennsylvania and at Pratt Institute. In 2014, Susan Bee was awarded a Guggenheim fellowship.
Speaking in Tongues: A Letter to 3rd World Women Writers is a letter written by Gloria E. Anzaldúa. The letter was drafted in 1979 and was published in Anzaldúa’s feminist anthology This Bridge Called My Back: Writings by Radical Women of Color (1981). Writing this essay in the format of a letter, Anzaldua urges the reader to “write from the body” and she connects her body to other bodies, creating a community of embodied people. This essay is addressed to women of color as she shows sympathy, encouragement, and words of wisdom towards them. The essay addresses women of color and encourages these women to make their personal, embodied experiences visible in the text. The reader must also allow the text to enter herself, if the reader chooses to enter the text.
Feminist art criticism emerged in the 1970s from the wider feminist movement as the critical examination of both visual representations of women in art and art produced by women. It continues to be a major field of art criticism.
Mother Reader: Essential Writings on Motherhood is an anthology of writings on motherhood edited by Canadian artist Moyra Davey.
Janet Henry is a visual artist based in New York City.
Bradley Rubenstein is an American artist and writer who lives in Brooklyn, New York. His figurative paintings, prints, and drawings combine elements of biology, psychology, and art historical references.
Curtis Mitchell is an artist based in New York City. Curtis Mitchell received a MA in sculpture from Goddard College in 1981 and an MFA from Yale University in 1983. Mitchell has shown his works extensively in noteworthy galleries and museums in the United States as well as around the world. He is best known for his work in sculpture, video, and constructed photography.
Abigail Solomon-Godeau is an American art critic, exhibition curator and art historian.
Darlene Pagano is a Feminist activist, radio producer, and editor. She is most famous for her conversational piece "Racism and Sadomasochism: A Conversation with Two Black Lesbians" published in collaboration with Karen Sims and Rose Mason in a radical feminist anthology entitled Against Sadomasochism: A Radical Feminist Analysis, for which she is also credited as co-editor.
David Humphrey is an American painter, art critic, and sculptor associated with the postmodern turn in painting that began in the late 1970s. He is best known for his playful, cartoonish, puzzling paintings, which blend figuration and abstraction and create "allegories" about the medium of painting itself. Humphrey holds a BFA from Maryland Institute College of Art (1977) and a MA from New York University (1980), where he studied with film critic Annette Michelson; he also attended the New York Studio School from 1996 – 1997. He has been the recipient of many awards including the Guggenheim Fellowship in 2002, the Rome Prize in 2008, and the American Academy of Arts and Letters Purchase Award in 2011. He was born in Augsburg Germany and raised in Pittsburgh Pennsylvania. He lives and works in New York City.
Elke Solomon is an artist, curator, educator and community worker. She is known for her interdisciplinary practice that combines painting, drawing, object-making, performance and installation. She has exhibited widely in the United States and abroad.
