Postmodernism is an intellectual stance or mode of discourse characterized by skepticism toward the "grand narratives" of modernism; rejection of epistemic certainty or the stability of meaning; and sensitivity to the role of ideology in maintaining political power. Claims to objectivity are dismissed as naïve realism, with attention drawn to the conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-referentiality, epistemological relativism, moral relativism, pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity, hierarchy, and categorization.
The Sokal affair, also called the Sokal hoax, was a demonstrative scholarly hoax performed by Alan Sokal, a physics professor at New York University and University College London. In 1996, Sokal submitted an article to Social Text, an academic journal of cultural studies. The submission was an experiment to test the journal's intellectual rigor, specifically to investigate whether "a leading North American journal of cultural studies—whose editorial collective includes such luminaries as Fredric Jameson and Andrew Ross—[would] publish an article liberally salted with nonsense if (a) it sounded good and (b) it flattered the editors' ideological preconceptions."
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
Postmodernity is the economic or cultural state or condition of society which is said to exist after modernity. Some schools of thought hold that modernity ended in the late 20th century – in the 1980s or early 1990s – and that it was replaced by postmodernity, and still others would extend modernity to cover the developments denoted by postmodernity. The idea of the postmodern condition is sometimes characterized as a culture stripped of its capacity to function in any linear or autonomous state like regressive isolationism, as opposed to the progressive mind state of modernism.
Subhash Kak is an Indian-American computer scientist and historical revisionist. He is the Regents Professor of Computer Science Department at Oklahoma State University–Stillwater, an honorary visiting professor of engineering at Jawaharlal Nehru University, and a member of the Indian Prime Minister's Science, Technology and Innovation Advisory Council (PM-STIAC).
Fredric Jameson is an American literary critic, philosopher and Marxist political theorist. He is best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. Jameson's best-known books include Postmodernism, or, The Cultural Logic of Late Capitalism (1991) and The Political Unconscious (1981).
Postmodern theology, also known as the continental philosophy of religion, is a philosophical and theological movement that interprets theology in light of post-Heideggerian continental philosophy, including phenomenology, post-structuralism, and deconstruction.
Hilton Kramer was an American art critic and essayist.
Harold Foss "Hal" Foster is an American art critic and historian. He was educated at Princeton University, Columbia University, and the City University of New York. He taught at Cornell University from 1991 to 1997 and has been on the faculty at Princeton since 1997. In 1998 he received a Guggenheim Fellowship.
Electronic literature or digital literature is a genre of literature encompassing works created exclusively on and for digital devices, such as computers, tablets, and mobile phones. A work of electronic literature can be defined as "a construction whose literary aesthetics emerge from computation", "work that could only exist in the space for which it was developed/written/coded—the digital space". This means that these writings cannot be easily printed, or cannot be printed at all, because elements crucial to the text are unable to be carried over onto a printed version. As Di Rosario et al. 2021 note "Electronic literature is a digital-oriented literature, but the reader should not confuse it with digitized print literature."
Post-postmodernism is a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture which are emerging from and reacting to postmodernism.
Lawrence Grossberg is an American scholar of cultural studies and popular culture whose work focuses primarily on popular music and the politics of youth in the United States. He is widely known for his research in the philosophy of communication and culture. Though his scholarship focused significantly throughout the 1980s and early 1990s on the politics of postmodernism, his more recent work explores the possibilities and limitations of alternative and emergent formations of modernity.
Arkadii Trofimovich Dragomoshchenko was a Russian poet, writer, translator, and lecturer. He is considered the foremost representative of language poetry in contemporary Russian literature.
Boundary 2, often stylized boundary 2, is a quarterly peer-reviewed academic journal of postmodern theory, literature, and culture. Established in 1972 by William V. Spanos and Robert Kroetsch, under the title boundary 2, a journal of postmodern literature, the journal moved to Duke University Press in the late 1980s and is now edited by Paul A. Bové.
In the visual arts, late modernism encompasses the overall production of most recent art made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and post-modernism although there are differences. The predominant term for art produced since the 1950s is contemporary art. Not all art labelled as contemporary art is modernist or post-modern, and the broader term encompasses both artists who continue to work in modern and late modernist traditions, as well as artists who reject modernism for post-modernism or other reasons. Arthur Danto argues explicitly in After the End of Art that contemporaneity was the broader term, and that postmodern objects represent a subsector of the contemporary movement which replaced modernity and modernism, while other notable critics: Hilton Kramer, Robert C. Morgan, Kirk Varnedoe, Jean-François Lyotard and others have argued that postmodern objects are at best relative to modernist works.
Paul A. Bové is distinguished professor of English at the University of Pittsburgh and editor of the peer-reviewed academic journal of postmodern theory, literature, and culture Boundary 2, published by Duke University Press. Bové has been a member of the Pitt faculty since 1979 and was named a distinguished professor in 2005. Bové also holds affiliations with the Institute for Cultural Studies at the University of Valencia in Spain and the Centre for International Political Studies in Pretoria, South Africa. From 1994 to 1999 he served on the board of directors of the Institute of Postmodern Studies at Peking University.
Criticism of postmodernism is intellectually diverse, reflecting various critical attitudes toward postmodernity, postmodern philosophy, postmodern art, and postmodern architecture. Postmodernism is generally defined by an attitude of skepticism, irony, or rejection toward what it describes as the grand narratives and ideologies associated with modernism, especially those associated with Enlightenment rationality though postmodernism in the arts may have their own definitions. Thus, while common targets of postmodern criticism include universalist ideas of objective reality, morality, truth, human nature, reason, science, language, and social progress, critics of postmodernism often defend such concepts. It is frequently alleged that postmodern scholars promote obscurantism, are hostile to objective truth, and encourage relativism to an extent that is epistemically and ethically crippling. Criticism of more artistic post-modern movement such as post-modern art or literature may include objections to a departure from beauty, lack of coherence or comprehensibility, deviating from clear structure and the consistent use of dark and negative themes.
Metamodernism is a term that refers to a range of developments observed in many areas of art, culture and philosophy, emerging in the aftermath of postmodernism, roughly at the turn of the 21st century. To many, it is characterized as mediations between aspects of modernism and postmodernism; for others the term suggests an integration of those sensibilities with premodern cultural codes as well. Metamodernism is one of a number of attempts to describe post-postmodernism.
Joseph Phillip Natoli is an American academic. He has written on postmodernism, and from 1991 until 2009 was editor of the Postmodern Culture series published by the State University of New York Press. He is a member of the Truthout Public Intellectual Project, founded by Henry Giroux, and is on the editorial team of Bad Subjects.
The grievance studies affair, also referred to as the "Sokal Squared" scandal, was the project of a team of three authors—Peter Boghossian, James A. Lindsay, and Helen Pluckrose—to highlight what they saw as poor scholarship and eroding criteria in several academic fields. Taking place over 2017 and 2018, their project entailed submitting bogus papers to academic journals in cultural, queer, race, gender, fat, and sexuality studies to determine whether they would pass through peer review and be accepted for publication. Several of these papers were subsequently published, which the authors cited in support of their contention.
