Carrie (1952 film)

Last updated
Carrie
Carrie-1952.jpg
Theatrical poster
Directed by William Wyler
Written by Ruth Goetz
Augustus Goetz
Based on Sister Carrie by Theodore Dreiser
Produced by Lester Koenig
William Wyler
Starring Laurence Olivier
Jennifer Jones
Miriam Hopkins
Cinematography Victor Milner
Edited by Robert Swink
Music by David Raksin
Production
company
Distributed byParamount Pictures
Release date
  • July 17, 1952 (1952-07-17)
Running time
118 minutes
LanguageEnglish
Budget$2 million [1]
Box office$1.8 million (US rentals) [2]

Carrie is a 1952 American drama film based on the novel Sister Carrie by Theodore Dreiser. Directed by William Wyler, the film stars Jennifer Jones in the title role and Laurence Olivier as Hurstwood. Eddie Albert played Charles Drouet. Carrie received two Academy Award nominations: Costume Design (Edith Head), and Best Art Direction (Hal Pereira, Roland Anderson, Emile Kuri).

Contents

Plot

Around the turn of the century, Carrie Meeber (Jennifer Jones) leaves her family in a small rural town and heads to Chicago. On the train, salesman Charles Drouet (Eddie Albert) approaches her and the two chat until they reach Chicago.

In South Chicago, Carrie stays with her sister and her husband Sven, but loses her sweatshop sewing job after injuring her hand. After a fruitless day of job hunting, Carrie looks up Drouet. He talks her into having dinner with him at Fitzgerald's, an upscale restaurant, and gives her $10.

Carrie later goes to Fitzgerald's to return the money to Drouet. There she meets George Hurstwood (Laurence Olivier), the manager of the restaurant, who is immediately smitten with her.

Carrie moves in with Drouet. She pressures him to marry her because the neighbors are gossiping, but he tries to distract her and invites Hurstwood to their home. With Drouet's permission, Hurstwood takes Carrie to the theater while Drouet is on a business trip. Hurstwood and Carrie fall in love. Just before she is about to run off with Hurstwood, she finds out he's married. She confronts Hurstwood, who admits that he is married but terribly unhappy.

At the restaurant, Hurstwood cashes up for the night and, by accidentally locking a timed safe, finds himself stuck with $10,000 of his boss's money. He tries to return it, but when he learns that his boss intends to give his salary directly to Hurstwood's wife because of his relationship with Carrie, he decides to take the money to run away with Carrie. He leaves an I-O-U, intent on paying his boss back as soon as he can.

Set photo with camera and sound technicians Eiganotomo-2-1951-page65.jpg
Set photo with camera and sound technicians

The first few days are blissful, but then reality catches up with them. Hurstwood's boss sends an officer from the bond company to collect the money Hurstwood took. Hurstwood cannot get a job because word of his stealing the money has gotten around, and he and Carrie soon find themselves living in poverty.

Carrie finds out that she is pregnant, and the two think that things might improve. But Hurstwood's wife shows up, wanting his signature and his agreement to sell the house they own jointly. Hurstwood wants his share of the proceeds but she says she will press charges against him for bigamy if he insists. Hurstwood's wife refused to consent to a divorce and Hurstwood didn't know how to tell Carrie.

Hurstwood tells his wife he will sign and not ask for money if she'll grant him a divorce. She does, but it is too late. Carrie loses the baby and decides to try her luck at acting. Hurstwood reads in the newspaper that his son is due in New York after his honeymoon and decides to see him at the docks. While he is there, Carrie leaves him (even though she still loves him) because she thinks he will use this opportunity to re-enter his family's life.

While Hurstwood drifts further into poverty and ends up on the streets, Carrie's star in the theatre rises until she is a well-regarded actress on the cusp of fame. Weak from hunger, Hurstwood visits her at the theatre. She has found out from Drouet that Hurstwood took the money to start a life with her and blames herself for his predicament. She wants to make it up to Hurstwood but he won't take more than a quarter and disappears after toying with the gas burner in her dressing room.

Cast

Production

Wyler was reluctant to cast Jones, but Jones's husband David O. Selznick pushed hard for her to be given the role. The filming was plagued by a variety of troubles: Jones had not revealed that she was pregnant; Wyler was mourning the death of his year-old son; Olivier had a painful leg ailment that made him cranky, and he developed a dislike for Jones; and Hollywood was reeling under the effects of McCarthyism, and the studio was afraid to distribute a film that could be attacked as immoral. Ultimately, the ending was changed to eliminate Hurstwood's suicide and the film was cut to make it more positive in tone. Some critics accused the film of sentimentalizing the novel, box office was weak, and reviews were generally disappointing, although they praised Olivier, who received a BAFTA nomination. Later critics also praised Albert's performance, but most agreed that Jones' was weak. Wyler eventually admitted that the film was too depressing during a time when American audiences wanted escapist entertainment to take their minds off the Cold War. [3]

The film was screened as part of the 13th Venice Film Festival official program.

Related Research Articles

<span class="mw-page-title-main">Vivien Leigh</span> British actress (1913–1967)

Vivien Leigh, styled as Lady Olivier after 1947, was a British actress. She won the Academy Award for Best Actress twice, for her performances as Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in the film version of A Streetcar Named Desire (1951), a role she had also played on stage in London's West End in 1949. She also won a Tony Award for her work in the Broadway musical version of Tovarich (1963). Although her career had periods of inactivity, in 1999 the American Film Institute ranked Leigh as the 16th-greatest female movie star of classic Hollywood cinema.

<span class="mw-page-title-main">William Wyler</span> German-born American filmmaker (1902–1981)

William Wyler was a German-born American film director and producer. Known for his work in numerous genres over five decades, he received numerous awards and accolades, including three Academy Awards. He holds the record of twelve nominations for the Academy Award for Best Director. For his oeuvre of work, Wyler was awarded the Irving G. Thalberg Memorial Award, the Directors Guild of America Lifetime Achievement Award, and the American Film Institute Life Achievement Award.

<span class="mw-page-title-main">Jennifer Jones</span> American actress (1919–2009)

Jennifer Jones, also known as Jennifer Jones Simon, was an American actress and mental-health advocate. Over the course of her career that spanned more than five decades, she was nominated for an Academy Award five times, including one win for Best Actress, and a Golden Globe Award win for Best Actress in a Drama.

<i>Sister Carrie</i> 1900 novel by Theodore Dreiser

Sister Carrie (1900) is a novel by Theodore Dreiser (1871–1945) about a young woman who moves to the big city where she starts realizing her own American Dream. She first becomes a mistress to men that she perceives as superior, but later becomes a famous actress. It has been called the "greatest of all American urban novels".

<i>BUtterfield 8</i> 1960 film by Daniel Mann

BUtterfield 8 is a 1960 American drama film directed by Daniel Mann, starring Elizabeth Taylor and Laurence Harvey. Taylor won her first Academy Award for her performance in a leading role. The film was based on a 1935 novel of the same name by John O'Hara.

<i>Blood Brothers</i> (musical) Musical by Willy Russell

Blood Brothers is a musical with book, lyrics, and music by Willy Russell and produced by Bill Kenwright. The story is a contemporary nature versus nurture plot, revolving around fraternal twins Mickey and Eddie, who were separated at birth, one subsequently being raised in a wealthy family, the other in a poor family. The different environments take the twins to opposite ends of the social spectrum, one becoming a councillor, and the other unemployed and in prison. They both fall in love with the same girl, causing a rift in their friendship and leading to the tragic death of both brothers. Russell says that his work was based on a one-act play that he read as a child "about two babies switched at birth ... it became the seed for Blood Brothers."

<i>Against All Odds</i> (1984 film) 1984 film directed by Taylor Hackford

Against All Odds is a 1984 American neo-noir romantic thriller film directed by Taylor Hackford and starring Rachel Ward, Jeff Bridges and James Woods alongside Jane Greer, Alex Karras, Richard Widmark and Dorian Harewood. It is a remake to Out of the Past in which Greer played the femme fatale and it was also written by Daniel Mainwaring, which in-turn is based on his novel Build My Gallows High. The film's plot is about an aging American football star who is hired by a mobster to find his girlfriend.

<i>The Entertainer</i> (film) 1960 British film

The Entertainer is a 1960 British kitchen sink drama film directed by Tony Richardson, produced by Harry Saltzman and adapted by John Osborne and Nigel Kneale from Osborne’s stage play of the same name. The film stars Laurence Olivier as Archie Rice, a failing third-rate music-hall stage performer who tries to keep his career going even as the music-hall tradition fades into history and his personal life falls apart. Olivier was nominated for an Oscar for Best Actor in a Leading Role.

<i>Wuthering Heights</i> (1939 film) 1939 film by William Wyler

Wuthering Heights is a 1939 American romantic period drama film directed by William Wyler, produced by Samuel Goldwyn, starring Merle Oberon, Laurence Olivier and David Niven, and based on the 1847 novel Wuthering Heights by Emily Brontë. The film depicts only 16 of the novel's 34 chapters, eliminating the second generation of characters. The novel was adapted for the screen by Charles MacArthur, Ben Hecht and John Huston (uncredited). The supporting cast features Flora Robson and Geraldine Fitzgerald.

<i>The Magic Box</i> 1951 British drama film by John Boulting

The Magic Box is a 1951 British Technicolor biographical drama film directed by John Boulting. The film stars Robert Donat as William Friese-Greene, with numerous cameo appearances by performers such as Peter Ustinov and Laurence Olivier. It was produced by Ronald Neame and distributed by British Lion Film Corporation.

<span class="mw-page-title-main">William Reynolds (actor)</span> American actor (1931–2022)

William DeClercq Reynolds was an American actor. He was best known for his role as Special Agent Tom Colby in the 1960s television series The F.B.I. and his film and television roles during the 1950s through the 1970s.

<i>Daddys Little Girls</i> 2007 American film

Daddy's Little Girls is a 2007 American romantic comedy-drama film written and directed by Tyler Perry, produced by Perry and Reuben Cannon, and starring Gabrielle Union, Idris Elba, Louis Gossett Jr., and Tracee Ellis Ross. It tells the story of a lawyer who helps a mechanic in a custody battle against his mean-spirited ex-wife over who will get custody of their daughters.

<i>Easy Money</i> (1983 film) 1983 film by James Signorelli

Easy Money is a 1983 American comedy film starring Rodney Dangerfield, Joe Pesci, Geraldine Fitzgerald, Candice Azzara, and Jennifer Jason Leigh. It was directed by James Signorelli and written by Dangerfield, Michael Endler, P. J. O'Rourke and Dennis Blair. The original music score was composed by Laurence Rosenthal. Billy Joel performed the theme song "Easy Money" from his album An Innocent Man.

Samantha Jones (<i>Sex and the City</i>) Fictional character

Samantha Jones is a fictional character created by Candace Bushnell who appears in the Sex and the City media franchise. The character first appeared in Bushnell's newspaper column Sex and the City, which was published in The New York Observer from 1994 to 1996, and as a book of the same name in 1996. A semi-fictionalized version of one of Bushnell's real-life friends, Samantha is a confident and sexually liberated woman in her forties with a propensity for dating multiple men. Author Louise Perry has claimed that Samantha's character was based on a stereotypical portrayal of the life of a promiscuous gay man.

<i>Beloved Infidel</i> 1959 film

Beloved Infidel is a 1959 American DeLuxe Color biographical drama film made by 20th Century Fox in CinemaScope and based on the relationship of F. Scott Fitzgerald and Sheilah Graham. The film was directed by Henry King and produced by Jerry Wald from a screenplay by Sy Bartlett, based on the 1957 memoir by Sheilah Graham and Gerold Frank. The music score was by Franz Waxman, the cinematography by Leon Shamroy and the art direction by Lyle R. Wheeler and Maurice Ransford. The film was the sixth and final collaboration between King and Peck.

<i>Red</i> (2008 film) 2008 American film

Red is a 2008 American thriller film based on a novel by Jack Ketchum and directed by Trygve Allister Diesen and Lucky McKee. It concerns one man's revenge after his beloved dog is shot to death when he doesn't have enough money to satisfy an attempted robber. The screenplay was written by Stephen Susco based on the novel. It premiered at the Sundance Film Festival in 2008.

Letters from Three Lovers is a 1973 made-for-television drama film directed by John Erman. An ABC Movie of the Week and a sequel to The Letters (1973), the film is co-produced by Aaron Spelling, written by Ann Marcus and stars Martin Sheen, Belinda Montgomery, Robert Sterling, June Allyson, Ken Berry and Juliet Mills, among others.

Jay Eaton was an American character actor whose career spanned both the silent and sound film eras.

<i>The Last Letter from Your Lover</i> 2021 British film

The Last Letter from Your Lover is a 2021 British romantic drama film directed by Augustine Frizzell and written by Nick Payne and Esta Spalding, based on Jojo Moyes' 2011 novel of the same name. It stars Felicity Jones, Callum Turner, Joe Alwyn, Nabhaan Rizwan and Shailene Woodley.

References

  1. "It's About Time to Revise Purity Code, Sez Wyler". Variety. 6 Feb 1952. p. 2.
  2. 'Top Box-Office Hits of 1952', Variety, January 7, 1953
  3. Miller, Frank. 0/Carrie.html "Carrie (1952)", TCM.com, accessed 17 July 2015