Ceramic colorants

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Ceramic colorants are added to a glaze or a clay to create color. Carbonates and oxides of certain metals, characterize most colorants including the commonly used cobalt carbonate, cobalt oxide, chrome oxide, red iron oxide, and copper carbonate. These colorants can create a multitude of colors depending on other materials they interact with and to which temperature and in which atmosphere they are fired.

Contents

Cobalt

Cobalt is commonly used in either its carbonate (CoCO3) or its oxide (Co3O4) forms. In the presence of most fluxes, it yields blue colors ranging from low saturation pastels to high saturation midnight blues in both oxidation and reduction atmospheres. However, in the presence of magnesium, cobalt can become purple or pink depending on whether it was fired in oxidation (yields purple) or reduction. Cobalt is also commonly used in black glazes and in washes as decorative medium. Common saturation percentages for low saturation range from (.25 to .5%) and in high saturation from (1 to 2%).

Chrome

"Chrome is a rather versatile and fickle colorant," (Chappell). Chrome oxide (Cr2O3) is commonly used for achieving greens. However, in the presence of zinc, chrome can produce brown. Glazes with tin oxide present will often blush to pink if fumed with chrome or if chrome is present in the glaze with the tin, often intense pinks occur. If fired above cone 6, chrome will fume and become a gas in the kiln. Common saturation percentages for chrome at low saturation range from (.25 to .5%) and at higher percentages from (1 to 2%). Chrome is a refractory.

Red Iron

Iron is commonly used as a colorant in its red iron oxide form as (Fe2O3). Red iron oxide is commonly used to produce earthy reds and browns. It is the metal responsible for making earthenwares red. Iron is also another tricky colorant because of its ability to yield different colors under different circumstances. At low percentages (.5-1%) and in the presence of potassium, iron will become light blue or light blue-green in reduction (as is seen in traditional celadons). In the presence of barium, iron may become yellow green. When used in combination with calcium, red iron oxide can become pale yellow or amber in oxidation or green in reduction. Common percentages for red iron oxide range from (4 up to 10%).

Copper

Copper's carbonate form (CuCO3) is commonly used to produce greens, turquoise, and copper reds. If need be, copper oxide (CuO) can be substituted but has a larger particle size and glazes should be adjusted to generally half the amount called for. In barium based glazes greenish blues often result from copper. Alkaline feldspar glazes with copper fired in reduction atmospheres will often yield ox blood or copper red glazes discovered by the Chinese. When fired above cone 8 copper can become unstable and will often fume off of a glaze in vapor form.

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Raku ware is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese process, the fired raku piece is removed from the hot kiln and is allowed to cool in the open air.

<span class="mw-page-title-main">Pigment</span> Colored material

A pigment is a colored material that is completely or nearly insoluble in water. In contrast, dyes are typically soluble, at least at some stage in their use. Generally dyes are often organic compounds whereas pigments are often inorganic compounds. Pigments of prehistoric and historic value include ochre, charcoal, and lapis lazuli.

A reducing atmosphere is an atmospheric condition in which oxidation is prevented by removal of oxygen and other oxidizing gases or vapours, and which may contain actively reducing gases such as hydrogen, carbon monoxide, and gases such as hydrogen sulfide that would be oxidized by any present oxygen. Although early in its history the Earth had a reducing atmosphere, it now instead has an oxidizing atmosphere with molecular oxygen (dioxygen, O2) as the primary oxidizing agent.

<span class="mw-page-title-main">Barium carbonate</span> Chemical compound

Barium carbonate is the inorganic compound with the formula BaCO3. Like most alkaline earth metal carbonates, it is a white salt that is poorly soluble in water. It occurs as the mineral known as witherite. In a commercial sense, it is one of the most important barium compounds.

<span class="mw-page-title-main">Salt glaze pottery</span> Pottery with ceramic glaze made of salt

Salt-glaze or salt glaze pottery is pottery, usually stoneware, with a glaze of glossy, translucent and slightly orange-peel-like texture which was formed by throwing common salt into the kiln during the higher temperature part of the firing process. Sodium from the salt reacts with silica in the clay body to form a glassy coating of sodium silicate. The glaze may be colourless or may be coloured various shades of brown, blue, or purple.

<span class="mw-page-title-main">Goldstone (glass)</span>

Goldstone is a type of glittering glass made in a low-oxygen reducing atmosphere. The finished product can take a smooth polish and be carved into beads, figurines, or other artifacts suitable for semiprecious stone, and in fact goldstone is often mistaken for or misrepresented as a natural material.

<span class="mw-page-title-main">Ferrite (magnet)</span>

A ferrite is a ceramic material made by mixing and firing large proportions of iron(III) oxide (Fe2O3, rust) blended with small proportions of one or more additional metallic elements, such as strontium, barium, manganese, nickel, and zinc. They are ferrimagnetic, meaning they can be magnetized or attracted to a magnet. Unlike other ferromagnetic materials, most ferrites are not electrically conductive, making them useful in applications like magnetic cores for transformers to suppress eddy currents. Ferrites can be divided into two families based on their resistance to being demagnetized (magnetic coercivity).

A pyrotechnic colorant is a chemical compound which causes a flame to burn with a particular color. These are used to create the colors in pyrotechnic compositions like fireworks and colored fires. The color-producing species are usually created from other chemicals during the reaction. Metal salts are commonly used; elemental metals are used rarely.

<span class="mw-page-title-main">Tin-glazing</span>

Tin-glazing is the process of giving tin-glazed pottery items a ceramic glaze that is white, glossy and opaque, which is normally applied to red or buff earthenware. Tin-glaze is plain lead glaze with a small amount of tin oxide added. The opacity and whiteness of tin glaze encourage its frequent decoration. Historically this has mostly been done before the single firing, when the colours blend into the glaze, but since the 17th century also using overglaze enamels, with a light second firing, allowing a wider range of colours. Majolica, maiolica, delftware and faience are among the terms used for common types of tin-glazed pottery.

<span class="mw-page-title-main">Han purple and Han blue</span> Artificial barium copper silicate pigments developed in ancient China during the Han dynasty

Han purple and Han blue are synthetic barium copper silicate pigments developed in China and used in ancient and imperial China from the Western Zhou period until the end of the Han dynasty.

A pyrotechnic composition is a substance or mixture of substances designed to produce an effect by heat, light, sound, gas/smoke or a combination of these, as a result of non-detonative self-sustaining exothermic chemical reactions. Pyrotechnic substances do not rely on oxygen from external sources to sustain the reaction.

<span class="mw-page-title-main">Ceramic glaze</span> Fused coating on ceramic objects

Ceramic glaze is an impervious layer or coating of a vitreous substance which has been fused to a pottery body through firing. Glaze can serve to color, decorate or waterproof an item. Glazing renders earthenware vessels suitable for holding liquids, sealing the inherent porosity of unglazed biscuit earthenware. It also gives a tougher surface. Glaze is also used on stoneware and porcelain. In addition to their functionality, glazes can form a variety of surface finishes, including degrees of glossy or matte finish and color. Glazes may also enhance the underlying design or texture either unmodified or inscribed, carved or painted.

This is a list of pottery and ceramic terms.

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Glass-to-metal seals are a very important element of the construction of vacuum tubes, electric discharge tubes, incandescent light bulbs, glass encapsulated semiconductor diodes, reed switches, pressure tight glass windows in metal cases, and metal or ceramic packages of electronic components.

<span class="mw-page-title-main">Colored gold</span> Various colors of gold obtained by alloying gold with other elements

Pure gold is slightly reddish yellow in color, but colored gold in various other colors can be produced by alloying gold with other elements.

<span class="mw-page-title-main">Glass coloring and color marking</span> Production methods

Glass coloring and color marking may be obtained in several ways.

  1. by the addition of coloring ions,
  2. by precipitation of nanometer-sized colloids,
    Ancient Roman enamelled glass, 1st century, Begram Hoard
  3. by colored inclusions
  4. by light scattering
  5. by dichroic coatings, or
  6. by colored coatings
<span class="mw-page-title-main">Cobalt extraction</span>

Cobalt extraction refers to the techniques used to extract cobalt from its ores and other compound ores. Several methods exist for the separation of cobalt from copper and nickel. They depend on the concentration of cobalt and the exact composition of the ore used.

<span class="mw-page-title-main">Blue pigments</span>

Blue pigments are natural or synthetic materials, usually made from minerals and insoluble with water, used to make the blue colors in painting and other arts. The raw material of the earliest blue pigment, lapis lazuli, came from mines in Afghanistan, was refined into the pigment ultramarine. It was widely used for painting in the Middle Ages and Renaissance. Since the late 18th and 19th century, blue pigments are largely synthetic, manufactured in laboratories and factories.

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