London's Brilliant Parade

Last updated
"London's Brilliant Parade"
"London's Brilliant Parade" - Elvis Costello, 1994 EP artwork.jpg
Single by Elvis Costello
from the album Brutal Youth
Released11 November 1994
Studio Olympic, London
Length4:22
Label Warner Bros.
Songwriter(s) Elvis Costello
Producer(s) Mitchell Froom
Elvis Costello singles chronology
"You Tripped at Every Step"
(1994)
"London's Brilliant Parade"
(1994)
"It's Time"
(1996)

"London's Brilliant Parade" is a song written and performed by new wave musician Elvis Costello that was first released on his 1994 album Brutal Youth . Written as a reflection on Costello's birth city of London, the song features lyrics based on his recollection of London during the 1960s as well as music inspired by the Kinks. The song was one of those on the album that featured Costello performing with his longtime backing band the Attractions, who reunited during the course of the album's recording. As such, Costello singled out the song as an instance of the band's ability to perform sophisticatedly.

Contents

"London's Brilliant Parade" was, at Costello's insistence, released as the fourth and final single from Brutal Youth in 1994. The song's tender melody and nostalgic lyrics garnered the song critical acclaim and the song has since appeared on Costello compilation albums.

Background and lyrics

Elvis Costello wrote "London's Brilliant Parade" as a tribute to his birth city of London, despite feeling more connected to his Merseyside heritage. He explained, "That song is probably as close as I'll ever get to writing a sentimental song about the town I was born in, even though I've never really regarded it as my hometown. But some places have a special personal significance for me." [1] He wrote the song while living in Dublin; he reflected, "Maybe it's the old thing of leaving the town to see it. When I was there constantly, perhaps it was all too on top of me to see the difference. When I sat at the piano to write it, it all became clear, like a story I'd seen go past myself without really recognising it." [2]

Costello specified that the song was a reflection on the London of his childhood, as opposed to London of the present: "It isn't the then of when I started. It's the then of the Sixties, that illusionary London." [2] He commented on modern London in 1994, "It's running down. That's what the song's trying to capture. But it's a sort of melancholy feeling. Because I'm not there and it's not affecting me, it's not like I really want to criticise it in a damning way. The feeling is ambivalent. In the song, it's 'Just look at me, I'm having the time of my life'. Some of the time when I sing it, I mean it. Some of the time, it's obviously tongue-in-cheek. It isn't an absolute judgement, the definitive word on London." [2] However, Costello also noted that he sought not to make the song into a direct critique of London's current state—"I didn't want it to be a pious 'Oh, the poor people on the street' song. Because, heaven knows, there are so many more talented commentators when it comes to that subject, like Phil Collins, doing it for me. ... I think anyone with any intelligence knows about homelessness. Me saying it doesn't change the fact." [3]

Music and recording

Stylistically, Costello sought to make "London's Brilliant Parade" both a tribute to and parody of the Kinks, even using a Dobro guitar on the track as a nod to Ray Davies using one on "Lola". [4] Further, Costello noted the song as one of those on the album that continued the musical sophistication and atypical song structure he had learned from the Brodsky Quartet when they collaborated on 1993's The Juliet Letters . [5]

"London's Brilliant Parade" was one of the five songs on Brutal Youth that featured the full Attractions lineup. While former Costello producer Nick Lowe performed bass on much of the album, he decided not to play on some of the more complex compositions. Costello explained, "There were other songs like 'London's Brilliant Parade', 'This Is Hell' and 'You Tripped At Every Step' that have a bit more architecture and Nick said 'these aren't my speed'." [2] Costello praised the band's performance as "excellent" in the liner notes for the album, noting, "Handing the song over for Steve Nieve to play meant that it could be realised beyond my extreme limitations at the piano." [6]

Release

In addition to appearing on the album, "London's Brilliant Parade" was released as the fourth and final single from Brutal Youth in November 1994. Though the previous singles from Brutal Youth had largely underperformed, Costello fought for the song to be released as a single, even if he did not believe it would be a commercial success. He explained,

I became convinced that "London's Brilliant Parade" should come out as a single, even if it wasn't a hit — much the same way that I wanted "Tramp The Dirt Down" to come out off Spike , and was stopped by the record company because of the politics of it. Certain songs should be singles just so they appear on the radio, however slight the probability that they'll sell. I no longer have any vanity about whether records chart. The days of our consistent chart presence are long gone. [7]

The single was a moderate chart hit, reaching number 48 in the UK. It has since also appeared on compilation albums such as 1997's Extreme Honey and 2015's Unfaithful Music & Disappearing Ink , the latter of which served as a companion disc to Costello's autobiography of the same name.

Critical reception

"London's Brilliant Parade" saw positive reception from music writers upon its release. The Orange County Register called the song "beautiful", praising its "delicate instrumentation and warm, gentle vocals." [8] Pulse! was similarly effusive, writing, "Who else could have written the melody that effortlessly bounds into the title phrase of 'London's Brilliant Parade'? Costello's voice is astonishing as he threads extended phrases of difficult intervals." [9] The New York Times wrote, "'London's Brilliant Parade' crosses a whimsical Kinks song like 'Waterloo Sunset' with some Beatle-y psychedelia, as Mr. Costello offers a rambling, impressionistic walking tour of London." [10] More ambivalently, the New Musical Express wrote, "Can't say I like it, but you can't fail to admire the way it's put together — a bit like Tony Adams' thighs." [11]

Retrospective writers have been similarly positive. Anthony Breznican of Entertainment Weekly wrote, "'London's Brilliant Parade' is a nostalgic, dream-fueled stroll through Costello’s hometown, one that was far from my own of New Kensington. But in his bridges and struggling streets, there was a reflection I recognized." [12] David Gorman of Trunkworthy, meanwhile, wrote, "It's Costello’s own 'Penny Lane,' complete with nostalgic sound effects and a breezy music-hall melody worthy of McCartney himself." [13]

Charts

Chart (1994)Peak
position
UK Singles (OCC) [14] 48

Related Research Articles

<span class="mw-page-title-main">Elvis Costello</span> English singer-songwriter (born 1954)

Declan Patrick MacManus, known professionally as Elvis Costello, is an English singer, songwriter, record producer, author and television presenter. Per Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), is widely regarded as one of the best debuts in popular music history. It spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 through early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979) sold more than 400,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 through the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.

<i>This Years Model</i> 1978 studio album by Elvis Costello

This Year's Model is the second studio album by the English singer-songwriter Elvis Costello, released on 17 March 1978 through Radar Records. After being backed by Clover for his debut album My Aim Is True (1977), Costello formed the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —as his permanent backing band. Recording sessions took place at London's Eden Studios in eleven days between late 1977 and early 1978. Nick Lowe returned as producer, and Roger Béchirian acted as engineer. Most of the songs were written prior to the sessions, and debuted live during the latter half of 1977.

<i>Trust</i> (Elvis Costello album) 1981 studio album by Elvis Costello and the Attractions

Trust is the fifth studio album by the English singer-songwriter Elvis Costello, and his fourth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 23 January 1981 through F-Beat Records in the United Kingdom. His fifth consecutively produced album by Nick Lowe, who was assisted by engineer Roger Béchirian, the album was recorded in London from October to November 1980 between DJM and Eden Studios. The sessions were riddled with alcohol and drug issues and tensions were high between the band members. Squeeze vocalist Glenn Tilbrook and the Rumour guitarist Martin Belmont made guest appearances on "From a Whisper to a Scream".

<i>Blood & Chocolate</i>

Blood & Chocolate is the eleventh studio album by the English singer-songwriter Elvis Costello, released in 1986 through Demon Records (UK) and Columbia Records (US). It is his ninth album with his long-standing backing band the Attractions. After his previous album King of America with producer T-Bone Burnett and different musicians, this album reunited him with producer Nick Lowe and his usual backing group the Attractions.

<i>King of America</i> 1986 studio album by the Costello Show featuring the Attractions and the Confederates

King of America is the tenth studio album by the English singer-songwriter Elvis Costello, released on 21 February 1986. Co-produced by Costello and T Bone Burnett, the album originated following a series of tours the two made under the name "the Coward Brothers". Recording took place in mid-1985 at various studios in Los Angeles, California, with a group of American session musicians dubbed "the Confederates". Selected by Burnett, they included Ray Brown, Earl Palmer and former members of Elvis Presley's TCB Band. Costello's regular backing band, the Attractions, were intended to appear on half of the album before poor sessions led to them appearing on only one track, "Suit of Lights".

<span class="mw-page-title-main">The Attractions</span> UK musical group

The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.

<i>Brutal Youth</i> 1994 studio album by Elvis Costello

Brutal Youth is an album by English musician Elvis Costello, released in 1994. It contains the first recordings Costello made with his band the Attractions since Blood and Chocolate (1986). Brutal Youth was the third, and most recent of Costello's albums, to peak at number two in the UK Albums Chart, following on from Armed Forces (1979) and Get Happy!! (1980).

<span class="mw-page-title-main">Pump It Up (Elvis Costello song)</span> 1978 single by Elvis Costello and the Attractions

"Pump It Up" is a 1978 song by Elvis Costello and the Attractions. It originally appeared on Costello's second album This Year's Model, which was the first he recorded with the backing group the Attractions. Written as an ironic response to his time during the Stiffs Live Tour and inspired by "Subterranean Homesick Blues" by Bob Dylan, "Pump It Up" features a stomping rhythm and ironic lyrics.

<span class="mw-page-title-main">Days (The Kinks song)</span> 1968 single by the Kinks

"Days" is a song by the English rock band the Kinks, written by Ray Davies. It was released as a non-album single in June 1968. It also appeared on an early version of the album The Kinks Are the Village Green Preservation Society. It now appears as a bonus track of the remastered CD. On the original Pye 7N 17573 label, the name of the song is "Day's" owing to a grammatical error.

<span class="mw-page-title-main">Watching the Detectives (song)</span> 1977 single by Elvis Costello

"Watching the Detectives" is a 1977 single by English singer-songwriter Elvis Costello. Inspired by the Clash and Bernard Herrmann, the song features a reggae beat and cynical lyrics.

"Leave My Kitten Alone" is a song written by Little Willie John, Titus Turner, and James McDougal, first recorded by Little Willie John and released in 1959 as a single through King Records. It is an R&B song that follows a 24-bar blues format.

<span class="mw-page-title-main">Everyday I Write the Book</span> 1983 single by Elvis Costello and the Attractions

"Everyday I Write the Book" is a song written by Elvis Costello, from Punch the Clock, an album released in 1983 by Elvis Costello and the Attractions. It peaked at 28 on the UK Singles Chart and was their first top 40 hit single in the U.S., peaking at No. 36 on the Billboard Hot 100.

<span class="mw-page-title-main">(I Don't Want to Go to) Chelsea</span> 1978 single by Elvis Costello and the Attractions

"(I Don't Want to Go to) Chelsea" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1978 second album, This Year's Model. Written by Costello while working as a computer programmer, the song was lyrically inspired by films Costello had been watching as well as childhood trips to Chelsea. Musically the song featured influence from bands such as the Who and the Kinks and is notable for Bruce Thomas's prominent bassline.

<span class="mw-page-title-main">Sulky Girl</span> 1994 song by Elvis Costello

"Sulky Girl" is a song written and performed by new wave musician Elvis Costello that was first released on his 1994 album Brutal Youth. The song was one of those on the album that featured Costello performing with his longtime backing band the Attractions, who reunited during the course of the album's recording. As such, Costello singled out the song as an instance of the band's ability to play loudly and aggressively.

<span class="mw-page-title-main">13 Steps Lead Down</span> 1994 song by Elvis Costello

"13 Steps Lead Down" is a song written and performed by new wave musician Elvis Costello that was first released on his 1994 album Brutal Youth. Written quickly during a day-long session, the song features lyrics referencing El Escorial and the twelve-step recovery movement. The track is one of those on Brutal Youth that features the reunited Attractions, Costello's longtime backing band.

<span class="mw-page-title-main">I Want You (Elvis Costello song)</span> 1986 single by Elvis Costello and the Attractions

"I Want You" is a song written by Elvis Costello and recorded with his backing band the Attractions. It was released on his 1986 album Blood & Chocolate.

"Complicated Shadows" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1996 album, All This Useless Beauty.

"London's Brilliant" is a song by former Transvision Vamp lead singer Wendy James. It was released in 1993 as the second single from her debut solo album Now Ain't the Time for Your Tears and was written by Elvis Costello and his then wife Cait O'Riordan. The single was unsuccessful upon release, peaking at a low number sixty-two on the UK Singles Chart.

"Welcome to the Working Week" is a song written by and first recorded by Elvis Costello in 1977 for his debut album My Aim Is True. A sardonic comment on the working life aimed at a more privileged woman, the song features a brief runtime and unpolished production. Released as the B-side to "Alison", the song has since attracted critical acclaim from music writers.

"The Other End (Of the Telescope)" is a song by American band 'Til Tuesday, which was released in 1988 on their third and final studio album Everything's Different Now. The song was written by Aimee Mann and Elvis Costello. Costello recorded his own version of the song for his 1996 album All This Useless Beauty.

References

  1. White, Timothy (February 5, 1994). "If that's indulgent, then I don't really care. That's one of the extremities of this record". Billboard.
  2. 1 2 3 4 Graham, Bill (April 6, 1994). "Pictures from an Exhibition". Hot Press: 22–23.
  3. Howell, Peter (June 2, 1994). "Costello explains his latest Attractions". Toronto Star.
  4. Flanagan, Bill (March 1994). "Elvis Costello and his invisible twin". Musician.
  5. Moon, Tom (March 8, 1994). "Elvis Costello looks back". Philadelphia Inquirer: E1–E6.
  6. Brutal Youth (Liner notes). Elvis Costello. 2002.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  7. Doggett, Peter (October 1995). "Elvis Costello: The Record Collector Interview, Part 2". Record Collector. 194.
  8. Brown, Mark (March 4, 1994). "'Brutal Youth' blends best of Costello's brainchilds". Orange County Register: 38.
  9. Stock, Jeffrey (April 1994). "Elvis citing". Pulse!: 46–47.
  10. Tucker, Ken (March 13, 1994). "Elvis Costello, a shrewd pop pro pushing 40". The New York Times.
  11. "London's Brilliant Parade - Elvis Costello and the Attractions". New Musical Express. November 19, 1994.
  12. Breznican, Anthony. "Disappearing Ink: A tribute to Elvis Costello's 'Brutal Youth,' released 21 years ago". Entertainment Weekly. Retrieved 11 February 2023.
  13. Stewart, Gary; Gorman, David. "The Elvis Costello Song of the Week: Your Magical, Musical London Tour Guide". Trunkworthy. Retrieved 11 February 2023.
  14. "Official Singles Chart Top 100". Official Charts Company. Retrieved 27 February 2019.