Odetta & Larry

Last updated
Odetta & Larry
Odetta and Larry Album Cover.jpg
Odetta and Larry: Volume 1 Album Cover
Background information
Origin San Francisco, California, U.S.
Genres Folk, blues
Years active1953–1954
Labels Fantasy

Odetta & Larry was a short-lived blues-folk duo in the mid-1950s. It consisted of Odetta and Lawrence B. Mohr, the former of whom became the more well known in ensuing decades.

Contents

Background

Odetta Holmes and Lawrence B. Mohr met at a bar called "The Lamp" on Kearney Street in North Beach, San Francisco in 1953, the area that the Beatniks were soon to inspire. Odetta was in San Francisco because she was travelling with the chorus of Finian's Rainbow. Lawrence (Larry) had just finished college at the University of Chicago, and travelled to San Francisco with his best friend who was shipping overseas into the Navy.

"The Lamp" was famous for its musical environment. People would spend evenings there jamming with guitars, banjos, and other musical instruments. On one fateful evening in the summer of 1953, Larry began playing a Lead Belly song and Odetta joined in harmony. They jammed together, and that was the beginning. [1]

Tin Angel

Odetta was becoming known around North Beach, San Francisco and stayed in town after Finian’s Rainbow left. She was hired to sing at a club called The Purple Onion, which made her well known in the club-arena.

Shortly thereafter, Odetta was hired by Peggy Tolk–Watkins, owner of the Tin Angel, to sing most evenings at the club. [2] When she saw how well Odetta grooved with Larry, Peggy hired Larry too. Most evenings, the pair would each do a solo set and then a set together. On a typical evening, the audience numbered 30-40 persons. Max and Sol Weiss, the owners of Fantasy Records, asked Odetta and Larry to make an album which they titled “Odetta and Larry” (originally a 10” LP and then expanded to a 12” LP, and eventually expanded into a CD). They recorded over several evenings in 1953 and 1954. [3] The songs that appeared on the album were chosen based on how well Odetta, Larry, the Weisses, and the audience liked each song. Altogether, Odetta and Larry performed at the Tin Angel for about 8 months. [4]

After the Tin Angel

The duo ceased playing together because Larry was drafted into the army, and was soon shipped to Bordeaux, France. By the time he returned to San Francisco from the army in 1956, the Tin Angel had folded. The duo reconnected and played several concerts in Berkeley, San Francisco and Los Angeles. The pair began growing in different directions as Odetta went on to an illustrious professional singing career and Larry went on to an accomplished academic career. He worked for the United States Public Health Service in Washington, D.C. for many years, went to graduate school, and eventually became a professor of Political Science at the University of Michigan. [5] "We remained friends and saw each other from time to time — not often," Larry said in 2012. [6]

Track listing

  1. John Henry
  2. Old Cotton Fields at Home
  3. The Frozen Logger
  4. Run, Come See Jerusalem
  5. Old Blue
  6. Water Boy
  7. Santa Ana
  8. I was Born About 10,000 Years Ago/The Biggest Thing Man Has Ever Done
  9. The Car-Car Song
  10. No More Cane on the Brazos
  11. Pay Day At Coal Creek
  12. I’ve Been Buked and I’ve Been Scorned
  13. Rock Island Line
  14. Another Man Don’ Gone
  15. Children, Go Where I Send Thee
  16. I Know Where I’m Going
  17. He’s Got the Whole World in His Hands
  18. Timber
  19. Wade in the Water [7]

Discography

Related Research Articles

<span class="mw-page-title-main">Ewan MacColl</span> English folk singer-songwriter (1915–1989)

James Henry Miller, better known by his stage name Ewan MacColl, was an English folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the instigators of the 1960s folk revival as well as for writing such songs as "The First Time Ever I Saw Your Face" and "Dirty Old Town".

Gordon Hill Jenkins was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald.

<span class="mw-page-title-main">Odetta</span> American singer (1930–2008)

Odetta Holmes, known as Odetta, was an American singer, often referred to as "The Voice of the Civil Rights Movement". Her musical repertoire consisted largely of American folk music, blues, jazz, and spirituals. An important figure in the American folk music revival of the 1950s and 1960s, she influenced many of the key figures of the folk-revival of that time, including Bob Dylan, Joan Baez, Mavis Staples, and Janis Joplin. In 2011 Time magazine included her recording of "Take This Hammer" on its list of the 100 Greatest Popular Songs, stating that "Rosa Parks was her No. 1 fan, and Martin Luther King Jr. called her the queen of American folk music."

<span class="mw-page-title-main">David Wayne</span> American actor (1914–1995)

David Wayne was an American stage and screen actor with a career spanning over 50 years.

<span class="mw-page-title-main">Bob Gibson (musician)</span> American folk singer (1931–1996)

Samuel Robert Gibson was an American folk singer and a key figure in the folk music revival in the late 1950s and early 1960s. His principal instruments were banjo and 12-string guitar.

"Cotton Fields (The Cotton Song)" (also known as In Them Old Cotton Fields Back Home) is a song written by American blues musician Huddie Ledbetter, better known as Lead Belly, who made the first recording of the song in 1940.

James Stevens was an American writer and composer. Born in Albia, Iowa, he lived in Idaho from a young age, and based much of his later novel Big Jim Turner (1948) on his childhood spent in Pacific Northwest logging camps. After fighting in World War I, he came back to work in the woods and sawmills of Oregon.

<i>The Tin Angel</i> 1954 studio album by Odetta & Larry

The Tin Angel is Odetta & Larry's only album, and the first recording by Odetta, originally released in September 1954 on Fantasy Records.

<i>Odetta Sings Ballads and Blues</i> 1956 studio album by Odetta

Odetta Sings Ballads and Blues is the debut solo album by American folk singer Odetta. It was released in November 1956 by Tradition Records.

<i>Odetta</i> (1963 album) 1963 compilation album by Odetta

Odetta is a 1963 compilation album by American folk singer Odetta. Odetta is the first official compilation of Odetta songs. It features songs from her two albums on the Tradition label, Odetta Sings Ballads and Blues and At the Gate of Horn and a few tracks from Odetta and Larry LP, The Tin Angle.

"Rock Island Line" is an American folk song. Ostensibly about the Chicago, Rock Island and Pacific Railroad, it appeared as a folk song as early as 1929. The first recorded performance of "Rock Island Line" was by inmates of the Arkansas Cummins State Farm prison in 1934.

<span class="mw-page-title-main">Waterboy (song)</span> Song

"Waterboy" is an American traditional folk song. It is built on the call "Water boy, where are you hidin'?" The call is one of several water boy calls in cotton plantation folk tradition.

<span class="mw-page-title-main">American folk music revival</span> 20th-century American musical movement

The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.

<span class="mw-page-title-main">Fantasy Fair and Magic Mountain Music Festival</span>

The KFRC Fantasy Fair and Magic Mountain Music Festival was an event held June 10 and 11, 1967, at the 4,000-seat Sidney B. Cushing Memorial Amphitheatre high on the south face of Mount Tamalpais in Marin County, California. Although 20,000 tickets were reported to have been sold for the event, as many as 40,000 people may have actually attended the two-day concert, which was the first of a series of San Francisco–area cultural events known as the Summer of Love. The Fantasy Fair was influenced by the popular Renaissance Pleasure Faire and became a prototype for large scale multi-act outdoor rock music events now known as rock festivals.

"The Frozen Logger" is an American folk song, written by James Stevens. It is a tall tale song which makes reference to a logger being identifiable by the habit of stirring coffee with his thumb.

Odetta's discography is large and diverse, covering over 50 years and many record labels.

<i>The Tradition Masters</i> 2002 compilation album by Odetta

The Tradition Masters is an album by American folk singer Odetta, released in 2002.

Lawrence B. Mohr is an American political scientist and Professor Emeritus of Political Science and Public Policy in the Gerald R. Ford School of Public Policy at the University of Michigan. He served on the University of Michigan's faculty from 1966 until retiring on May 31, 1999. Previously, he was half of the folk/blues musical duo Odetta and Larry, along with Odetta, whom he first met in 1953.

Tin Angel may refer to:

The Tin Angel was a lesbian nightclub, live music venue, and restaurant in operation from 1953 to 1961, on the Embarcadero at 981 Embarcadero in San Francisco, California, U.S. The venue and its founder were credited as "spearheading the 'Jazz on the Waterfront' movement" in the 1950s. In 1958, the club ownership changed and it was renamed On-The-Levee, before its closure in July 1961.

References

  1. Larry Mohr Interview
  2. "Should Folk Singers Be Entertainers First?". The San Francisco Examiner . October 14, 1956. Retrieved 2023-04-16 via Newspapers.com.
  3. Cohen, Ronald D.; Donaldson, Rachel Clare (2014-09-15). Roots of the Revival: American and British Folk Music in the 1950s. University of Illinois Press. p. 56. ISBN   978-0-252-09642-6.
  4. Larry Mohr Interview
  5. University of Michigan Faculty Page
  6. Duffield, Emily (2012-09-19). "Interview with Lawrence B. Mohr of "Odetta and Larry" | i'm just a little bit heiress". Emilyduffield.wordpress.com. Retrieved 2015-11-03.
  7. iTunes Listing