1140s in art

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The decade of the 1140s in art involved some significant events.

Contents

Events

Works

unknown artist, oldest known Jesse Tree window, Chartres Cathedral, France, 1145 France Chartres JesseTree c1145 a.JPG
unknown artist, oldest known Jesse Tree window, Chartres Cathedral, France, 1145
Illuminated manuscript manuscript in which the text is supplemented by the addition of decoration

An illuminated manuscript is a manuscript in which the text is supplemented with such decoration as initials, borders (marginalia) and miniature illustrations. In the strictest definition, the term refers only to manuscripts decorated with either gold or silver; but in both common usage and modern scholarship, the term refers to any decorated or illustrated manuscript from Western traditions. Comparable Far Eastern and Mesoamerican works are described as painted. Islamic manuscripts may be referred to as illuminated, illustrated or painted, though using essentially the same techniques as Western works.

Parc Abbey Bible

The Parc Abbey Bible is a 12th-century illuminated Bible. It was made in the Leuven region of Belgium at the Abbey of St. Mary of Parc. A colophon on folio 197 indicates that the codex was produced in 1148. The text is Latin and written in proto-gothic book script on vellum. The folios are 437 by 300 mm, with the text block being 340 by 240 mm. The manuscript is illuminated with miniatures, diagrams, decorated borders, and decorated initials. The decorated initials include historiated, inhabited, and foliate initials.

Births

Liang Kai Chinese artist

Liang Kai was a Chinese painter of the Southern Song Dynasty. He was also known as Madman Liang. He was born in Shandong and worked in Lin An. He is known to have studied with the master Jia Shigu.

Japan Constitutional monarchy in East Asia

Japan is an island country in East Asia. Located in the Pacific Ocean, it lies off the eastern coast of the Asian continent and stretches from the Sea of Okhotsk in the north to the East China Sea and the Philippine Sea in the south.

Nise-e Japanese style of portraiture popular during the Kamakura period

Nise-e (似絵), or "likeness pictures," were a style of portraiture popular in the court circles of Japan's Kamakura period. Prior to the 12th century Japanese art was purely religious in character, but nise-e introduced the realistic depiction of lay figures such as courtiers and samurai. The popularity of nise-e even helped to end the taboo against artistic depictions of the emperor, with one of earliest nise-e to depict a living emperor being a portrait of Emperor Hanazono by Gōshin. The aim of a nise-e portrait was to capture a man's character with a few simple lines; and the work served as a veneration of his accomplishments.

Deaths

Zhang Zeduan Chinese painter of the Song Dynasty

Zhang Zeduan, alias Zheng Dao, was a Chinese painter of the Song Dynasty. He lived during the transitional period from the Northern Song to the Southern Song, and was instrumental in the early history of the Chinese landscape art style known as shan shui.

Yue Fei 12th-century Song dynasty Chinese general

Yue Fei, courtesy name Pengju, was a Han Chinese military general who lived during the Southern Song dynasty. His ancestral home was in Xiaoti, Yonghe Village, Tangyin, Xiangzhou, Henan. He is best known for leading Southern Song forces in the wars in the 12th century between Southern Song and the Jurchen-ruled Jin dynasty in northern China before being put to death by the Southern Song government in 1142. He was granted the posthumous name Wumu (武穆) by Emperor Xiaozong in 1169, and later granted the posthumous title King of È (鄂王) by Emperor Ningzong in 1211. Widely seen as a patriot and national folk hero in China, since his death Yue Fei has evolved into a standard epitome of loyalty in Chinese culture.

Toba Sōjō Japanese astronomer

Kakuyū (覚猷) (1053–1140), also known as Toba Sōjō for his priesthood, was a Japanese artist-monk, and the son of Minamoto no Takakuni.

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1060 Year

Year 1060 (MLX) was a leap year starting on Saturday of the Julian calendar.

Chinese painting Artistic tradition

Chinese painting is one of the oldest continuous artistic traditions in the world. Painting in the traditional style is known today in Chinese as guóhuà, meaning "national" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century. Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black ink or coloured pigments; oils are not used. As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media.

The Portraits of Periodical Offering was a series of official historical paintings used in the Chinese dynasties. These paintings were official historical documents. The phrase roughly translated to "duty offering pictorial". Throughout Chinese history, kingdoms and tribes conquered by Chinese forces were required to send ambassadors to the imperial court of China periodically and pay tribute with valuable gifts.

Ming dynasty painting

During the Ming dynasty (1368–1644), Chinese painting progressed further basing on the achievements in painted art during the earlier Song dynasty and Yuan dynasty. The painting techniques which were invented and developed before the Ming period became classical during this period. More colours were used in painting during the Ming dynasty. Seal brown became much more widely used, and even over-used during this period. Many new painting skills/techniques were innovated and developed, calligraphy was much more closely and perfectly combined with the art of painting. Chinese painting reached another climax in the mid and late Ming. The painting was derived in a broad scale, many new schools were born, and many outstanding masters emerged.

Bird-and-flower painting is a kind of Chinese painting named after its subject matter. Normally, most bird-and-flower paintings belong to the scholar-artist style of Chinese painting.

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Nationality words link to articles with information on the nation's poetry or literature.

Liang K'ai is a crater on Mercury. It has a diameter of 140 kilometers. Its name was adopted by the International Astronomical Union in 1979. Liang K'ai is named for the Chinese artist Liang Kai, who lived from 1140 to 1210.

Guan Liang, courtesy name Lianggong (良公), was a Chinese painter. He was an important representative of the first generation of oil painters in China and was known for blending Western and Chinese art styles.

"Shussan Shaka" refers to the Zen Buddhist story of Śākyamuni Buddha returning from six years of asceticism in the mountains, having realized that ascetic practice is not the path to enlightenment. The story of Shussan Shaka is an important motif in Zen painting from both China and Japan.