369 (disambiguation)

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Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations.

New jack swing, new jack, or swingbeat is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. Spearheaded by producers Teddy Riley and Bernard Belle, new jack swing was most popular from the late 1980s to early 1990s.

Eighteen or 18 may refer to:

Seventeen or 17 may refer to:

Eleven or 11 may refer to:

<span class="mw-page-title-main">Brooks & Dunn</span> American country music duo

Brooks & Dunn are an American country music duo consisting of Kix Brooks and Ronnie Dunn, both of whom are vocalists and songwriters. The duo was founded in 1990 through the suggestion of songwriter and record producer Tim DuBois. Before their formation, both members were solo recording artists, having charted two solo singles apiece in the 1980s. Brooks also released an album for Capitol Records in 1989 and wrote hit singles for other artists.

787 may refer to:

<span class="mw-page-title-main">Mickey (Toni Basil song)</span> 1981 song performed by Toni Basil

"Mickey" is a song recorded by American singer and choreographer Toni Basil for her debut studio album, Word of Mouth, in 1981. It was first recorded by the pop group Racey. Mike Chapman and Nicky Chinn wrote the song, while production was helmed by Greg Mathieson and Trevor Veitch. Basil's version is new wave, featuring guitar, synthesizers and cheerleading chants. It garnered a mixed response from music critics, with some critics praising the radio-friendly nature of the song, while others described some of the lyrics as obscene.

<span class="mw-page-title-main">I Will Always Love You</span> 1974 single by Dolly Parton

"I Will Always Love You" is a song written and originally recorded in 1973 by American singer-songwriter Dolly Parton. Written as a farewell to her business partner and mentor Porter Wagoner, expressing Parton's decision to pursue a solo career, the country single was released in 1974. The song was a commercial success for Parton, twice reaching the top spot of Billboard Hot Country Songs: first in June 1974, then again in October 1982, with a re-recording for The Best Little Whorehouse in Texas soundtrack.

666 may refer to:

<span class="mw-page-title-main">Vulnerable (Roxette song)</span> 1995 single by Roxette

"Vulnerable" is a song by Swedish pop music duo Roxette, released as the fifth and final single from their fifth studio album, Crash! Boom! Bang!, while simultaneously acting as the lead single from the duo's 1995 compilation album, Rarities.

Flavor or flavour is either the sensory perception of taste or smell, or a flavoring in food that produces such perception.

<span class="mw-page-title-main">Rehab (Amy Winehouse song)</span> 2006 single by Amy Winehouse

"Rehab" is a song written and recorded by English singer and songwriter Amy Winehouse, from her second and final studio album Back to Black (2006). Produced by Mark Ronson, the lyrics are autobiographical and address Winehouse's refusal to enter a rehabilitation clinic. "Rehab" was released as the lead single from Back to Black in 2006, and it peaked at number 7 in the United Kingdom on its Singles Chart and number 9 in the United States on the Billboard Hot 100, becoming Winehouse's only top 10 hit in the US.

69 may refer to:

"Which Side Are You On?" is a song written in 1931 by activist Florence Reece, who was the wife of Sam Reece, a union organizer for the United Mine Workers in Harlan County, Kentucky.

101 may refer to:

<span class="mw-page-title-main">If You Could Only See</span> 1997 single by Tonic

"If You Could Only See" is a song by American rock band Tonic from their debut studio album Lemon Parade (1996). It was released to radio as the third and final single from the album on March 18, 1997, by Polydor Records. Frontman Emerson Hart is the sole writer of the song, whilst production on the song was helmed by Jack Joseph Puig. According to Hart, the song was written as a result of his family disowning him due to their disapproval of Hart's relationship with an older woman.

<span class="mw-page-title-main">Invisible (D-Side song)</span> 2003 single by D-Side

"Invisible" is a song by Irish boy band D-Side, released as the third single from their first studio album, Stronger Together (2003). The song was written and produced by Desmond Child, Andreas Carlsson, and Chris Braide. Released on 14 July 2003, the song became a top-10 hit in Ireland and the United Kingdom, peaking at number five in the former country and number seven in the latter. The same year, American Idol second two runner-up Clay Aiken covered the song and reached number 37 on the US Billboard Hot 100 with his rendition. The song has been frequently targeted by music critics for its unsettling lyrical content, with several calling the track a "stalkers' anthem".

86 may refer to:

<span class="mw-page-title-main">See You Again</span> 2015 single by Wiz Khalifa and Charlie Puth

"See You Again" is a song by American rapper and singer Wiz Khalifa featuring fellow American singer Charlie Puth. It was commissioned for the soundtrack of the 2015 film Furious 7 as a tribute to actor Paul Walker, who died in a single-vehicle crash on November 30, 2013. The song was released on March 10, 2015, as the soundtrack's lead single in the United States. It was later included as a bonus track on the international release of Puth's debut album, Nine Track Mind.