Thomas Nashe was an Elizabethan playwright, poet, satirist and a significant pamphleteer. He is known for his novel The Unfortunate Traveller, his pamphlets including Pierce Penniless, and his numerous defences of the Church of England.
George Peele was an English translator, poet, and dramatist, who is most noted for his supposed but not universally accepted collaboration with William Shakespeare on the play Titus Andronicus. Many anonymous Elizabethan plays have been attributed to him, but his reputation rests mainly on Edward I, The Old Wives' Tale, The Battle of Alcazar, The Arraignment of Paris, and David and Bethsabe. The Troublesome Reign of John, King of England, the immediate source for Shakespeare's King John, has been published under his name.
Henry Wriothesley, 3rd Earl of Southampton, was the only son of Henry Wriothesley, 2nd Earl of Southampton, and Mary Browne, daughter of Anthony Browne, 1st Viscount Montagu. Shakespeare's two narrative poems, Venus and Adonis and The Rape of Lucrece, were dedicated to Southampton, who is frequently identified as the Fair Youth of Shakespeare's Sonnets.
Chidiock Tichborne, erroneously referred to as Charles, was an English conspirator and poet.
Henry Constable was an English poet, known particularly for Diana, one of the first English sonnet sequences. In 1591 he converted to Catholicism, and lived in exile on the continent for some years. He returned to England at the accession of King James, but was soon a prisoner in the Tower and in the Fleet. He died an exile at Liège in 1613.
Mikael Leonovich Tariverdiev was a prominent Soviet composer of Armenian descent. He headed the Composers' Guild of the Soviet Cinematographers' Union from its inception and is most famous for his movie scores, primarily the score to Seventeen Moments of Spring.
Sir George Clifford, 3rd Earl of Cumberland, 13th Baron de Clifford, 13th Lord of Skipton,, was an English peer, naval commander, and courtier of Queen Elizabeth I of England. He was notable at court for his jousting, at the Accession Day Tilts, which were highlights of the year at court. Two famous survivals, his portrait miniature by Nicholas Hilliard and a garniture of Greenwich armour, reflect this important part of his life. In contrast, he neglected his estates in the far north of England and left a long succession dispute between his heirs.
William Basse (c.1583–1653?) was an English poet. A follower of Edmund Spenser, he is now remembered principally for an elegy on Shakespeare. He is also noted for his "Angler's song", which was written for Izaak Walton, who included it in The Compleat Angler.
In poetry, a fourteener is a line consisting of 14 syllables, which are usually made of seven iambic feet, for which the style is also called iambic heptameter. It is most commonly found in English poetry produced in the 16th and 17th centuries. Fourteeners often appear as rhymed couplets, in which case they may be seen as ballad stanza or common metre hymn quatrains in two rather than four lines.
Thomas Watson (1555–1592) was an English poet and translator, and the pioneer of the English madrigal. His lyrics aside, he wrote largely in Latin, also being the first to translate Sophocles's Antigone from Greek. His incorporation of Italianate forms into English lyric verse influenced a generation of English writers, including Shakespeare, who was referred to in 1595 by William Covell as "Watson's heyre" (heir). He wrote both English and Latin compositions, and was particularly admired for the Latin. His unusual 18-line sonnets were influential, although the form was not generally taken up.
Sonnet 11 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the 126 sonnets of the Fair Youth sequence, a grouping of Shakespeare's sonnets addressed to an unknown young man. While the order in which the sonnets were composed is undetermined, Sonnet 11 was first published in a collection, the Quarto, alongside Shakespeare's other sonnets in 1609.
Sonnet 17 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is the final poem of what are referred to by scholars as the procreation sonnets with which the Fair Youth sequence opens.
Marcus Gheeraerts was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and van Dyck" He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee. He introduced a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the late 1610s.
Shakespeare's 77th sonnet is the half-way point of the book of 154 sonnets. The poet here presents the idea of the young man taking on the role of poet and writing about himself. This sonnet makes use of the rhetorical device termed correlatio, which involves a listing and correlating of significant objects, and which was perhaps overused in English sonnets. The objects here are a mirror, a time piece and a notebook, each representing a way towards self-improvement for the young man as poet.
Sonnet 101 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. The three other internal sequences include the procreation sonnets (1–17), the Rival Poet sequence (78–86) and the Dark Lady sequence (127–154). While the exact date of composition of Sonnet 101 is unknown, scholars generally agree that the group of Sonnets 61–103 was written mainly in the first half of the 1590s and was not revised before being published with the complete sequence of sonnets in the 1609 Quarto.
The Accession Day tilts were a series of elaborate festivities held annually at the court of Elizabeth I of England to celebrate her Accession Day, 17 November, also known as Queen's Day. The tilts combined theatrical elements with jousting, in which Elizabeth's courtiers competed to outdo each other in allegorical armour and costume, poetry, and pageantry to exalt the queen and her realm of England.
Sir William Segar was a portrait painter and officer of arms to the court of Elizabeth I of England; he became Garter King of Arms under James I.
Sir James Scudamore was a gentleman usher at the court of Queen Elizabeth I. Born at Holme Lacy, Herefordshire, he was the eldest son of John Scudamore, Custos Rotulorum of Herefordshire and his first wife Eleanor Croft, daughter of former Lord Deputy of Ireland James Croft. He would assume that title in 1616, and remained Custos Rotulorum for two years until his own death in 1619. Scudamore was respected for his tilting skill and his embodiment of the ideals of chivalry.
Sir Henry Lee KG, of Ditchley, was Queen's Champion and Master of the Armouries under Queen Elizabeth I of England.
The Hermit's Welcome at Theobalds was an entertainment for Elizabeth I performed in May 1591, based around a Hermit.
