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A noble savage is a literary stock character who embodies the concept of the indigene, outsider, wild human, an "other" who has not been "corrupted" by civilization, and therefore symbolizes humanity's innate goodness. Besides appearing in many works of fiction and philosophy, the stereotype was also heavily employed in early anthropological works.
Apocalyptic and post-apocalyptic fiction is a subgenre of science fiction, science fantasy, dystopia or horror in which the Earth's civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, such as an impact event; destructive, such as nuclear holocaust or resource depletion; medical, such as a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or more imaginative, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics or alien invasion.
Primitive may refer to:
Anarcho-primitivism is an anarchist critique of civilization that advocates a return to non-civilized ways of life through deindustrialization, abolition of the division of labor or specialization, and abandonment of large-scale organization and high technology. Anarcho-primitivists critique the origins and progress of the Industrial Revolution and industrial society. According to anarcho-primitivism, the shift from hunter-gatherer to agricultural subsistence during the Neolithic Revolution gave rise to coercion, social alienation and social stratification.
Penelope Spheeris is an American film director, producer, and screenwriter. She has directed both documentary and scripted films. Her best-known works include the trilogy titled The Decline of Western Civilization, each covering an aspect of Los Angeles underground culture, and Wayne's World, her highest-grossing film.
Sir Edward Burnett Tylor FRAI was an English anthropologist, the founder of cultural anthropology.
The Story of Mankind is a book written and illustrated by Dutch-American journalist, professor, and author Hendrik Willem van Loon. It was published in 1921. In 1922, it was awarded the Newbery Medal for an outstanding contribution to children's literature. This was the first year the Newbery Medal was awarded.
The caveman is a stock character representative of primitive humans in the Paleolithic. The popularization of the type dates to the early 20th century, when Neanderthals were influentially described as "simian" or "ape-like" by Marcellin Boule and Arthur Keith.
Primitive Culture is an 1871 book by Edward Burnett Tylor. In his book, Tylor debates the relationship between "primitive" societies, and "civilized" societies, a key theme in 19th century anthropological literature.
Primitivism is a mode of aesthetic idealization that either emulates or aspires to recreate "primitive" experience. It is also defined as a philosophical doctrine that considers "primitive" peoples as more noble than civilized peoples and was an offshoot of a nostalgia for a lost Eden or Golden Age.
Roger Sandall was an essayist and commentator on cultural relativism and is best known as the author of The Culture Cult. He was born in Christchurch, New Zealand, but spent most of his career in Australia. He became a film director at the Australian Institute of Aboriginal Studies in 1965 and subsequently a lecturer in the Department of Anthropology at the University of Sydney in 1973, a post he held until he retired in 1993.
Richard Kearton FZS, FRPS and Cherry Kearton, brothers, were a pair of British naturalists and some of the world's earliest wildlife photographers. They developed innovative methods to photograph animals in the wild and, in 1895, published the first natural history book to be entirely illustrated by wild photographs. Richard was made a Fellow of the Zoological Society of London and Royal Photographic Society. Cherry later became a wildlife and news filmmaker, and friend to Theodore Roosevelt. The Royal Geographical Society created the Cherry Kearton Medal and Award in his honour.
Roosevelt in Africa is a film by Cherry Kearton, released in 1910. It is a documentary about the Smithsonian–Roosevelt African Expedition, featuring Theodore Roosevelt in Africa. It is shot in silent black and white.
Primitive man may refer to:
Jason Brett Kearton is an Australian soccer coach and former professional player.
Mr. Robinson Crusoe is a 1932 Pre-Code American film. It is one of the few "talkie" films starring Douglas Fairbanks, Sr., in his penultimate film role; Fairbanks also produced the film and provided the story during the Great Depression. The film was directed by A. Edward Sutherland, a veteran silent film director, for Fairbanks's Elton Productions, and released by United Artists. Steve Drexel shows a fiery optimism and can-do spirit that matches the Fairbanks screen persona that appears in his most popular films.
Ancient astronauts have been addressed frequently in science fiction and horror fiction. Occurrences in the genres include:
The Mind of Primitive Man is a 1911 book by anthropologist Franz Boas which takes a critical look at the concept of primitive culture. The work challenged widely held racist and eugenic claims about race and intelligence, particularly white supremacy.
Ayn Rand's Objectivism rejects an array of ideas and modes of living that it deems are primitive by nature and indicative of a primitive culture. Objectivism views primitive states of existence as being "savage" and marred in mysticism, fatalism, ignorance, superstition, poverty, passivity, and collectivism. The cure to such a society Objectivism holds is Western civilization, capitalism and modernity, which in its view brings with it reason, individualism, science, industrialization, and ultimately wealth.
Ada Cherry Kearton was a South African classical soprano who sang in concert and oratorio. She made her London debut in 1907 and retired from the stage shortly before her marriage in 1922 to the English wildlife photographer Cherry Kearton. Her 1956 autobiography On Safari recounts their travels together in Africa, Australia and New Zealand.
References
- ↑ Gupta, Dhruba (1994). African Cinema: A View from India. Celluloid Chapter. p. 17.
