Jean Nicolas Arthur Rimbaud was a French poet known for his transgressive and surreal themes and for his influence on modern literature and arts, prefiguring surrealism.
Open Season may refer to:
Illuminations is an incomplete suite of prose poems by the French poet Arthur Rimbaud, first published partially in La Vogue, a Paris literary review, in May–June 1886. The texts were reprinted in book form in October 1886 by Les publications de La Vogue under the title Les Illuminations proposed by the poet Paul Verlaine, Rimbaud's former lover. In his preface, Verlaine explained that the title was based on the English word illuminations, in the sense of coloured plates, and a sub-title that Rimbaud had already given the work. Verlaine dated its composition between 1873 and 1875.
19th-century French literature concerns the developments in French literature during a dynamic period in French history that saw the rise of Democracy and the fitful end of Monarchy and Empire. The period covered spans the following political regimes: Napoleon Bonaparte's Consulate (1799–1804) and Empire (1804–1814), the Restoration under Louis XVIII and Charles X (1814–1830), the July Monarchy under Louis Philippe d'Orléans (1830–1848), the Second Republic (1848–1852), the Second Empire under Napoleon III (1852–1871), and the first decades of the Third Republic (1871–1940).
Nationality words link to articles with information on the nation's poetry or literature.
The Anthropophagic Manifesto, also variously translated as the Cannibal Manifesto or the Cannibalist Manifesto, was published in 1928 by the Brazilian poet and polemicist Oswald de Andrade, a key figure in the cultural movement of Brazilian Modernism and contributor to the publication Revista de Antropofagia. It was inspired by "Abaporu," a painting by Tarsila do Amaral, modernist artist and wife of Oswald de Andrade. The essay was translated to English in 1991 by Leslie Bary;
A Season in Hell is an extended poem in prose written and published in 1873 by French writer Arthur Rimbaud. It is the only work that was published by Rimbaud himself. The book had a considerable influence on later artists and poets, including the Surrealists.
Chuffilly-Roche is a commune in the Ardennes department in northern France. It was created, in 1828, by amalgamating the communes of Chuffilly-et-Coigny and Roche-et-Méry.
Christoforos Liontakis was an award-winning Greek poet and translator. He read law at the University of Athens and philosophy of law at the Sorbonne, in Paris. His first collection of poems was published in 1973.
Pierre Berès was a Russian born French bookseller, antiquarian book collector, publisher and art collector. He was described as "the king of booksellers" in his New York Times obituary and as "a legendary figure in the world of art, collecting and publishing" by French culture minister Christine Albanel.
Claude Jeancolas was a French writer, art historian and journalist. He is best known for his work on Arthur Rimbaud.
Steven Roy Gerber was an American composer of classical music. He attended Haverford College, graduating in 1969 at the age of twenty. He then attended Princeton University with a fellowship to study musical composition.
Soleil et chair is a poem written by Arthur Rimbaud in May 1870. The work, while being unmistakably Rimbaud, nevertheless exhibits the influence that both Romanticism and Latin writers such as Horace, Virgil, and Lucretius had on his early style. It takes the tone of a hymn to the sun and earth—with overt sexual overtones—which periodically lapses into a lament of the abyss that now separates Man from Nature. Throughout, double entendres figure widely, often providing the sexual innuendos. The poem, which consists of four sections, is written in Alexandrins, or 12-syllable lines—typical to French verse in the same way that iambic pentameter is to English. In spite of its relatively classical form, the direct nature of its venereal themes sounds shockingly modern to even today's reader; moreover, the sheer creativity of Rimbaud's imagery would seem to presage his later refinement of this stylistic trait, which has since earned him the title of Visionary.
Une saison en enfer is Léo Ferré's last studio album. It sets into music the whole eponymous poem written in 1873 by French poet Arthur Rimbaud. The album was released in 1991 by EPM Musique, for the 100th anniversary of Rimbaud's death, both as double LP and CD. It was reissued in 2000 by Ferré's son's label La Mémoire et la Mer, under a new cover.
A Season in Hell is a 1971 French-Italian drama film directed by Nelo Risi. The film tells the life and death of the poet Arthur Rimbaud and his troubled relationship with the poet Paul Verlaine until the African adventure in Ethiopia.
Louis Favre was a French painter, print maker, writer and inventor who spent most of his life in France and the Netherlands.
The Maison Losseau is an Art Nouveau private house located in Mons, Belgium. Dating from the 18th century, it was renovated in Art Nouveau style in the early 1900s at the request of Léon Losseau by Paul Saintenoy. It is listed on the list of the exceptional heritage site of Wallonia and since 2015 houses a center for the interpretation of Léon Losseau's collections and regional literature. The house is located at number 37 rue de Nimy in Mons, next to the courthouse.
Jacques Guérin was a French industrialist. For many years he successfully headed up the D'OrsayParfumerie business after inheriting it in 1936 from his mother, Jeanne Louise Guérin. Beyond the world of commerce Jacques Guérin collected books and manuscripts. One reviewer, paraphrasing the sentiments of several commentators, has described him as "not just a collector but a rescuer of all things Proustian".
Josephine Stephenson is a French-British composer, arranger, singer and instrumentalist who works across a variety of musical genres.
"Voyelles" or "Vowels" is a sonnet in alexandrines by Arthur Rimbaud, written in 1871 but first published in 1883. Its theme is the different characters of the vowels, which it associates with those of colours. It has become one of the most studied poems in the French language, provoking very diverse interpretations.
