A Woman's Woman | |
---|---|
Directed by | Charles Giblyn |
Written by | Nalbro Bartley (novel) Raymond L. Schrock |
Starring | Mary Alden Dorothy Mackaill Holmes Herbert |
Cinematography | Jacques Bizeul |
Production company | Albion Productions |
Distributed by | Allied Producers & Distributors Corporation |
Release date |
|
Running time | 80 minutes |
Country | United States |
Languages | Silent English intertitles |
A Woman's Woman is a 1922 American silent drama film directed by Charles Giblyn and starring Mary Alden, Dorothy Mackaill and Holmes Herbert. [1]
No copies of A Woman's Woman are known to survive making it a lost film. [2]
The Barker is a 1928 American part-talkie pre-Code romantic drama film produced and released by First National Pictures, a subsidiary of Warner Bros., acquired in September 1928. The film was directed by George Fitzmaurice and stars Milton Sills, Dorothy Mackaill, Betty Compson, and Douglas Fairbanks Jr. The Barker is a part-talkie with talking sequences and sequences with synchronized musical scoring and sound effects. The film was adapted by Benjamin Glazer, Joseph Jackson and Herman J. Mankiewicz from the play by Kenyon Nicholson.
Dorothy Mackaill was a British-American actress, most active during the silent-film era and into the pre-Code era of the early 1930s.
Home, Sweet Home (1914) is an American silent biographical drama directed by D. W. Griffith. It stars Earle Foxe, Henry Walthall and Dorothy Gish.
Shore Leave is a 1925 American silent comedy film directed by John S. Robertson and starring Richard Barthelmess and Dorothy Mackaill. It was produced by Barthelmess's production company, Inspiration, and released by First National Pictures.
The Next Corner is a 1924 American silent romantic melodrama film directed by Sam Wood. The film starred Dorothy Mackaill and Lon Chaney. Based on the romance novel of the same name by Kate Jordan, the film was produced by Famous Players–Lasky and distributed by Paramount Pictures.
Convoy is a 1927 American silent World War I drama film directed by Joseph C. Boyle and Lothar Mendes, starring Lowell Sherman and Dorothy Mackaill, and released through First National Pictures. The film is an early producing credit for the Halperin Brothers, Victor and Edward, later of White Zombie fame, and is the final screen appearance of Broadway stars Gail Kane and Vincent Serrano.
The Great Divide is a 1929 American pre-Code Western film directed by Reginald Barker and starring Dorothy Mackaill. Released in both silent and sound versions, it was produced and distributed by First National Pictures. The film is a remake of The Great Divide, made at MGM in 1925 and also directed by Barker. There was another remake in 1931 as the full sound film Woman Hungry. All three films are based on the 1906 Broadway play The Great Divide by William Vaughn Moody.
The Woman on the Jury is a lost 1924 American silent drama film produced and released by Associated First National and directed by Harry Hoyt. It is based on a Broadway stage play, The Woman on the Jury, and stars Sylvia Breamer and Bessie Love. The story was refilmed in 1929 as an early talkie under the title The Love Racket starring Dorothy Mackaill.
The Love Racket is a 1929 American early sound crime drama film produced and distributed by First National Pictures. It was directed by William A. Seiter and starred Dorothy Mackaill. It is based on a Broadway play, The Woman on the Jury by Bernard K. Burns, and is a remake of a 1924 silent film of the same name which starred Bessie Love. The film is now considered lost.
Mighty Lak' a Rose is a 1923 American silent drama film produced and directed by Edwin Carewe and distributed by Associated First National, later First National Pictures. This film stars James Rennie, Anders Randolf, and Dorothy Mackaill in her first starring role.
Slaves of Beauty is a 1927 American silent comedy drama film directed by John G. Blystone and starring Olive Tell, Holmes Herbert, Earle Foxe, Margaret Livingston, and future talent agent Sue Carol. The film was written by William M. Conselman from a story by Nina Wilcox Putnam entitled "The Grandflapper," edited by Margaret Clancey and photographed by L. William O'Connell, with intertitles by James Kevin McGuinness. The movie, released by the Fox Film Corporation, is a comedic send-up of the beauty salon industry with a running time of 60 minutes.
Hard to Get is a 1929 American all-talking sound pre-Code comedy film directed by William Beaudine and starring Dorothy Mackaill, Charles Delaney and James Finlayson.
Their Mad Moment is a 1931 American pre-Code comedy drama film directed by Chandler Sprague and starring Dorothy Mackaill, Warner Baxter and ZaSu Pitts. An uncredited Hamilton MacFadden also directed some scenes. It is based on the 1927 novel Basquerie by Eleanor Mercein Kelly. A Spanish-language version Mi último amor was also produced.
His Captive Woman is a 1929 American sound part-talkie part-talking drama film directed by George Fitzmaurice and starring Milton Sills and Dorothy Mackaill. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This film is "based on the short story "Changeling" by Donn Byrne in Changeling and Other Stories ." It was produced and distributed by First National Pictures which was already a subsidiary of the Warner Brothers studios. Both Mackaill and Sills as well as director Fitzmaurice had worked together on the previous year's The Barker.
The Streets of New York is a lost 1922 American silent drama film directed by Burton King and starring Dorothy Mackaill. The film is based on a Victorian era play by Dion Boucicault The Streets of New York.
The Lunatic at Large is a 1927 American comedy film directed by Fred C. Newmeyer and starring Leon Errol, Dorothy Mackaill and Warren Cook. Written by Ralph Spence, it is based on the 1899 novel The Lunatic at Large and its sequels The Lunatic at Large Again (1922), The Lunatic Still at Large (1923), and The Lunatic In Charge (1926) by British writer J. Storer Clouston, which had previously inspired a 1921 film of the same title. The film shifted the setting from the original's London to New York. The film was released on January 2, 1927, by First National Pictures.
The Making of O'Malley is a 1925 American silent drama film directed by Lambert Hillyer and written by Eugene Clifford. The film stars Milton Sills, Dorothy Mackaill, Helen Rowland, Warner Richmond, Thomas Carrigan and Julia Hurley. The film was released on June 28, 1925, by First National Pictures. The Gerald Beaumont short story was also the basis of the 1937 Warner Bros. film The Great O'Malley, directed by William Dieterle and starring Pat O'Brien and Humphrey Bogart.
Arrow Film Corporation was an American film production and distribution company during the silent era from 1915 to 1926. An independent company it operated alongside the established studios. Originally formed to supply films for Pathé Exchange, the company quickly separated and concentrated on a mixture of medium and low-budget productions. The company was sometimes referred to as Arrow Pictures.
Twenty-One is a 1923 American silent drama film directed by John S. Robertson and starring Richard Barthelmess, Dorothy Mackaill, and Joe King.
The Lunatic at Large is an 1899 comedy novel by the British writer J. Storer Clouston. A popular success, it was followed by three sequels The Lunatic at Large Again (1922), The Lunatic Still at Large (1923), and The Lunatic In Charge (1926).