A Woman's Revenge (play)

Last updated
A Woman's Revenge
Written by Christopher Bullock
Date premiered24 October 1715 [1]
Place premiered Lincoln's Inn Fields Theatre
Original languageEnglish
GenreComedy

A Woman's Revenge, or a Match in Newgate is a 1715 comedy play by the British writer Christopher Bullock. It was originally performed as an afterpiece to another work The Lucky Prodigal . With its Newgate Prison setting and cynical references to corruption, it could be regarded as a precursor to John Gay's hit The Beggar's Opera of a decade later. [2]

The cast included William Bullock as Thinkwell, John Thurmond as Bevil, Christopher Bullock as Vizard and Sarah Thurmond as Corinna. George, Prince of Wales attended the first performance.

Related Research Articles

Whig and Tory is a 1720 comedy play by the British writer and actor Benjamin Griffin. Griffin himself starred as Sir John Indolent with Mrs Gulick as Charlotte. John Harper played Sir Roland Heartfree, Christopher Bullock was Ned Indolent, Lacy Ryan was Reynard and William Bullock was Coblecause.

The Northern Heiress is a 1716 comedy play by the Irish-born writer Mary Davys. Its fuller title is The Northern Heiress, or, The Humours of York.

The Wife of Bath is a 1713 comedy play by the British writer John Gay. It was inspired by the The Wife of Bath's Tale by Geoffrey Chaucer. The play marked a conscious switch by Gay towards an apolitical and distant past, after his contemporary work The Mohocks had faced controversy and censorship the previous year. Robert Wilks, a celebrated actor and manager of the Drury Lane Theatre, appeared as Chaucer. The title role of the wife was played by Margaret Bicknell with Mary Porter as Myrtilla and the cast rounded out by William Bullock, Lacy Ryan, Christopher Bullock, William Pinkethman, Susanna Mountfort and Henry Norris.

<i>The Siege of Damascus</i>

The Siege of Damascus is a 1720 tragedy by the British writer John Hughes. It was inspired by Simon Ockley's 1708 study Conquest of Syria, and focuses specifically on the Siege of Damascus in 634.

Kensington Gardens is a 1719 comedy play by the Irish actor John Leigh. It is also known as Kensington Gardens, or, The Pretenders. It follows the attempts of several suitors to woo a wealthy rich widow, and the serious of complications that ensue.

The Coquet, or the English Chevalier is a 1718 comedy play by the Irish writer Charles Molloy.

The Traitor is a 1718 tragedy by the British writer Christopher Bullock. It was a revised version of the 1631 play of the same title by James Shirley. It was Bullock's only effort to write tragedy, as his other works were all farces.

The Briton is a 1722 tragedy by the British writer Ambrose Philips. The play is set in pre-Roman Celtic Britain.

Medea is a 1730 play by the British writer Charles Johnson. It is based on Medea from Greek mythology.

Woman Is a Riddle is a 1716 comedy play by the British actor Christopher Bullock. Sometimes its title is written as A Woman Is a Riddle.

The Imperial Captives is a 1720 tragedy by the British writer John Mottley.

Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson.

The Chimera is a 1721 comedy play by the British writer Thomas Odell.

Love in a Riddle is a 1729 ballad opera by the British actor-manager Colley Cibber. It was part of a boom in ballad operas inspired by the enormous success of John Gay's The Beggar's Opera the previous year.

Hecuba is a 1726 tragedy by the British writer Richard West. It is named after Hecuba a figure in Greek Mythology from the time of the Trojan War.

Henry IV of France is a 1719 tragedy by the British writer Charles Beckingham. It portrays the reign of Henry IV of France, who was assassinated in 1610.

The Doating Lovers: Or, the Libertine Tam'd is a 1715 comedy play by the Irish writer Newburgh Hamilton.

The City Ramble is a 1711 comedy play by the British writer Elkanah Settle. It should not be confused with the 1715 play A City Ramble.

The Victim is a 1714 tragedy by the British writer Charles Johnson.

Sir Walter Raleigh is a 1719 tragedy by the British writer George Sewell. It is based on the downfall of Walter Raleigh a successful courtier and sailor in the reign of Elizabeth who was executed in the reign of her successor James I. It was originally staged at the Lincoln's Inn Fields Theatre, one of the two patent theatres operating in London.

References

  1. Burling p.60
  2. Fisher p.143

Bibliography