Abattoir Blues / The Lyre of Orpheus | ||||
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Studio album by | ||||
Released | September 20, 2004 | |||
Recorded | March–April 2004 | |||
Studio | Studio Ferber in Paris, France | |||
Genre | ||||
Length | 82:30 | |||
Label | Mute | |||
Producer | Nick Launay, Nick Cave and the Bad Seeds | |||
Nick Cave and the Bad Seeds chronology | ||||
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Singles from Abattoir Blues / The Lyre of Orpheus | ||||
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Abattoir Blues / The Lyre of Orpheus is the thirteenth studio album by the Australian alternative rock band Nick Cave and the Bad Seeds, released on 20 September 2004 on Mute Records. It is a double album of seventeen songs.
The album was produced by Nick Launay at Studio Ferber in Paris in March–April 2004 and Nick Cave used The Bad Seeds line up of Mick Harvey, Thomas Wydler, Martyn Casey, Conway Savage, Jim Sclavunos, Warren Ellis, and James Johnston. It was the first album by the group for which Blixa Bargeld did not perform – English guitarist and organist Johnston, of the group Gallon Drunk, replaced Bargeld. Cave decided to split drumming duties for the two parts, with Sclavunos on Abattoir Blues and Wydler on The Lyre of Orpheus. According to Launay, the whole album was completed in twelve days. [1]
The album's release was supported by the Abattoir Blues Tour, which travelled through Europe from 2 November to 5 December. In January 2007 a double live album and DVD was issued as The Abattoir Blues Tour . Abattoir Blues / The Lyre of Orpheus's last track, "O Children", was featured in the 2010 film Harry Potter and the Deathly Hallows – Part 1 , and the song is referenced as an achievement in Lego Harry Potter: Years 5–7 . In March 2005, to complement the success of the double album, Nick Cave and the Bad Seeds released B-Sides & Rarities , a three-disc, 56-track collection of B-sides, rarities, and tracks that had appeared on film soundtracks.
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 88/100 [2] |
Review scores | |
Source | Rating |
AllMusic | [3] |
Blender | [4] |
Entertainment Weekly | A− [5] |
The Guardian | [6] |
Mojo | [7] |
NME | 9/10 [8] |
Pitchfork | 7.8/10 (1)(2004) [9] 7.4/10 (2)(2004) [9] 9.0/10 (2012) [10] |
Q | [11] |
Rolling Stone | [12] |
Spin | B [13] |
Abattoir Blues / The Lyre of Orpheus holds a score of 88 out of 100 from Metacritic, indicating "universal acclaim". [2] Susan Carpenter of the Los Angeles Times described the album as "a bounty of gothic rock" and noted that "the more driving, menacing numbers have been separated from the slow and scurrilous in a double album that is not two-halves of a whole so much as two distinct records released simultaneously and in one package." [14] Thom Jurek of AllMusic described Abattoir Blues as "a rock & roll record... a pathos-drenched, volume-cranked rocker, full of crunch, punishment – and taste" and The Lyre of Orpheus as "a much quieter, more elegant affair... more consciously restrained, its attention to craft and theatrical flair more prevalent.". [3] Greg Simpson of Punknews.org said that Abattoir Blues "is very bluesy indeed, a rock and roll album with many angry songs and booming bass lines," while The Lyre of Orpheus "insists on being a separate album, due to its completely different more gentle feel." [15] Dan Lawrence of Stereogum ranked the album at fifth in their list of best albums in Cave's discography, and described it musically as "riotous gospel rock". [16]
In a rave review, Tiny Mix Tapes critic Grigsby wrote that while Abattoir Blues / The Lyre of Orpheus "may not be the best beginner's guide" to the band, for "anyone who is a fan of the duration of his career, this album rewards the listener with a bit of the best of everything he has to offer." [17] Paste said: "Aside from the power of the music and lyrics, the set draws on Cave’s compelling persona: part priest, part sideshow barker--crooning one moment and eviscerating the next. While this has always been the core of his talent, on Abattoir/Lyre it is particularly rich and rewarding." [18] In a more mixed assessment, Douglas Wolk, writing in Spin , was complimentary of Abattoir Blues but felt that The Lyre of Orpheus was "effectively Abattoir spillover: more mellow, less grand in conception, but—somehow—more pretentious in execution." [13] In his Consumer Guide for The Village Voice , Robert Christgau designated three songs from the album ("The Lyre of Orpheus", "There She Goes, My Beautiful World", and "Hiding All Away") as "choice cuts", [19] indicating good songs "on an album that isn't worth your time or money". [20]
Pitchfork named Abattoir Blues / The Lyre of Orpheus the 180th best album of the 2000s. [21] It was also included in the book 1001 Albums You Must Hear Before You Die . [22]
Abattoir Blues / The Lyre of Orpheus reached No. 5 on the ARIA Albums Chart, its chart success in Europe includes No. 1 in Norway, No. 2 in Austria and Denmark, and top 10 in Belgium, Finland, Italy, Netherlands, Portugal, and Sweden. [23] The album reached No. 1 on the Foreign Albums Chart in Greece where it also received a gold certification. [24]
All tracks are written by Nick Cave unless otherwise noted
No. | Title | Writer(s) | Length |
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1. | "Get Ready for Love" | Nick Cave, Warren Ellis, Martyn P. Casey, Jim Sclavunos | 5:05 |
2. | "Cannibal's Hymn" | 4:54 | |
3. | "Hiding All Away" | 6:31 | |
4. | "Messiah Ward" | 5:14 | |
5. | "There She Goes, My Beautiful World" | 5:17 | |
6. | "Nature Boy" | Cave, Ellis, Casey, Sclavunos | 4:54 |
7. | "Abattoir Blues" | Cave, Ellis | 3:58 |
8. | "Let the Bells Ring" | Cave, Ellis | 4:26 |
9. | "Fable of the Brown Ape" | 2:45 | |
Total length: | 43:05 |
No. | Title | Writer(s) | Length |
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1. | "The Lyre of Orpheus" | Cave, Ellis, Casey, Sclavunos | 5:36 |
2. | "Breathless" | 3:13 | |
3. | "Babe, You Turn Me On" | 4:21 | |
4. | "Easy Money" | 6:43 | |
5. | "Supernaturally" | 4:37 | |
6. | "Spell" | Cave, Ellis, Casey, Sclavunos | 4:25 |
7. | "Carry Me" | 3:37 | |
8. | "O Children" | 6:51 | |
Total length: | 39:25 |
All personnel credits adapted from Abattoir Blues / The Lyre of Orpheus's liner notes. [25]
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Chart (2004) | Peak position |
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Australian Albums (ARIA) [26] | 5 |
Austrian Albums (Ö3 Austria) [27] | 2 |
Belgian Albums Chart (Vl) [28] | 4 |
Belgian Albums Chart (Wa) [29] | 14 |
Danish Albums (Hitlisten) [30] | 2 |
Dutch Albums (Album Top 100) [31] | 7 |
Finnish Albums (Suomen virallinen lista) [32] | 6 |
French Albums (SNEP) [33] | 19 |
German Albums Chart [34] | 7 |
Greek Albums Chart [35] | 1 |
Irish Albums Chart [36] | 4 |
Italian FIMI Albums Chart [37] | 3 |
New Zealand Albums (RMNZ) [38] | 11 |
Norwegian Albums (VG-lista) [39] | 1 |
Portuguese AFP Albums Chart [40] | 4 |
Swedish Albums (Sverigetopplistan) [41] | 3 |
Swiss Albums (Schweizer Hitparade) [42] | 12 |
UK Albums Chart [43] | 11 |
US Billboard 200 [44] | 126 |
US Billboard Heatseekers Albums [44] | 2 |
US Billboard Independent Albums [44] | 10 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [45] | Gold | 35,000^ |
Greece (IFPI Greece) [35] | Gold | 10,000^ |
United Kingdom (BPI) [46] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Nick Cave and the Bad Seeds are an Australian rock band formed in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist-vocalist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey, guitarist George Vjestica, keyboardist/percussionist Larry Mullins, also known as Toby Dammit, and drummers Thomas Wydler (Switzerland) and Jim Sclavunos. Described as "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward", they have released seventeen studio albums and completed numerous international tours.
James Sclavunos is an American drummer, multi-instrumentalist musician, record producer, and writer. He is best known as a drummer, having been a member of two seminal no wave groups in the late 1970s. He is also noted for stints in Sonic Youth and the Cramps, and has been a member of Nick Cave and the Bad Seeds since 1994. Sclavunos has led his own group the Vanity Set since 2000.
Murder Ballads is the ninth studio album by Nick Cave and the Bad Seeds, released in 1996 on Mute Records. As its title suggests, the album consists of new and traditional murder ballads, a genre of songs that relays the details of crimes of passion.
Nocturama is the twelfth studio album by Nick Cave and the Bad Seeds, released on February 3, 2003 on Mute and ANTI-. Produced by Nick Launay, the album is the last to feature founding member Blixa Bargeld who departed from the band shortly after the album's release.
Let Love In is the eighth studio album by Nick Cave and the Bad Seeds, released on 18 April 1994 on Mute Records.
The Boatman's Call is the tenth studio album by Nick Cave and the Bad Seeds, released in 1997. The album is entirely piano-based, alternately somber and romantic in mood, making it a marked departure from the bulk of the band's post-punk catalogue up to that point. The Boatman's Call remains one of the most critically acclaimed releases of Nick Cave's career.
Martyn Paul Casey is an English-born Australian rock bass guitarist. He has been a member of the Triffids, Nick Cave and the Bad Seeds and Grinderman. Casey plays either his Fender Precision Bass or Fender Jazz Bass.
Grinderman was an Australian-American rock band that formed in London, England, in 2006. The band included Nick Cave, Warren Ellis, Martyn P. Casey and Jim Sclavunos.
Grinderman is the eponymous debut studio album by alternative rock band Grinderman, a side project of members of Nick Cave and the Bad Seeds, released on 5 March 2007 on Mute Records in Europe and ANTI- in the United States. Aiming to recreate the more raw, primal sound of all former related projects such as The Birthday Party, Grinderman's lyrical and musical content diverged significantly from Nick Cave's concurrent work with The Bad Seeds, whose last studio album, Abattoir Blues/The Lyre of Orpheus (2004), was primarily blues, gospel and alternative-orientated in stark contrast to the raw sound of the early Bad Seeds albums. Incidentally, the musical direction of Grinderman influenced The Bad Seeds' next studio album, Dig, Lazarus, Dig!!! (2008).
The Abattoir Blues Tour is the second live album by Nick Cave and the Bad Seeds, released on 29 January 2007. The deluxe release includes two audio CDs and two DVDs.
Dig, Lazarus, Dig!!! is the fourteenth studio album by Australian rock band Nick Cave and the Bad Seeds. The album was recorded in June and July 2007 at The State of the Ark Studios in Richmond, London and mixed by Nick Launay at British Grove Studios in Chiswick, and was released on 3 March 2008.
Grinderman 2 is the second and final studio album by alternative rock band Grinderman, a side project of Nick Cave and the Bad Seeds, released on 13 September 2010 on Mute Records in the United Kingdom and ANTI- in the United States.
Push the Sky Away is the fifteenth studio album by the Australian band Nick Cave and the Bad Seeds, released on 18 February 2013 on the band's own label Bad Seed Ltd. Recorded at La Fabrique in southern France, with producer Nick Launay, it is the band's first album not to feature founding member Mick Harvey, who departed from the band in January 2009. The release also marked the return of founding member Barry Adamson, making his first album appearance since Your Funeral... My Trial (1986), and was the last to feature keyboardist and pianist Conway Savage, prior to his death in 2018.
Live from KCRW is the fourth live album by the Australian rock band Nick Cave and the Bad Seeds. It was released on 29 November 2013 on Bad Seed Ltd. The album features a live radio session recorded for KCRW on 18 April 2013 at Apogee Studio in Los Angeles, California, United States. The session, which featured a stripped-down line-up performing songs from the band's back catalogue and their most recent release, Push the Sky Away (2013), was recorded by Bob Clearmountain.
Skeleton Tree is the sixteenth studio album by Australian rock band Nick Cave and the Bad Seeds. It was released on 9 September 2016 on Bad Seed Ltd. A follow-up to the band's critically acclaimed album Push the Sky Away (2013), Skeleton Tree was recorded over 18 months at Retreat Recording Studios in Brighton, La Frette Studios in La Frette-sur-Seine and Air Studios in London. It was produced by Nick Cave, Warren Ellis and Nick Launay. During the sessions, Cave's 15-year-old son, Arthur, died from an accidental fall. Most of the album had been written at the time of Cave's son's death, but several lyrics were amended by Cave during subsequent recording sessions and feature themes of death, loss, and personal grief.
Distant Sky: Live in Copenhagen is an extended play by the Australian rock band Nick Cave and the Bad Seeds. It was released on 28 September 2018 on Bad Seed Ltd. Containing four tracks from a performance at the Royal Arena in Copenhagen, Denmark in October 2017, the EP was preceded by a concert film of the same name directed by David Barnard. Critical response to Distant Sky: Live in Copenhagen was unanimously positive and the EP charted worldwide, reaching number one on the United Kingdom's Vinyl Albums chart.
Ghosteen is the seventeenth studio album by the Australian rock band Nick Cave and the Bad Seeds. It was released on 4 October 2019 on Ghosteen Ltd and on 8 November 2019 on Bad Seed Ltd, both the band's own imprints. Ghosteen is a double album—the band's first since Abattoir Blues / The Lyre of Orpheus (2004)—and the final part of a trilogy of albums that includes Push the Sky Away (2013) and Skeleton Tree (2016).
Carnage is a 2021 studio album by Australian musicians Nick Cave and Warren Ellis. Longtime collaborators in Nick Cave and the Bad Seeds and Grinderman, Carnage is their first full-length studio album as a duo, apart from their extensive work in film music. It was recorded during the COVID-19 lockdown and released digitally on 25 February 2021 via Goliath Records, with a CD and vinyl release on 28 May 2021, but was pushed back to 18 June 2021.
B-Sides & Rarities Part II is a compilation by Nick Cave and the Bad Seeds, released on 22 October 2021. It is the sequel to the band's 2005 compilation B-Sides & Rarities and features 13 years of the band's B-sides and previously unreleased tracks spanning the years 2006-2019.
Masters, Mark. "Nick Cave: Interview.". Pitchfork. 29 September 2008.
Orloff, Brian. "Nick Cave Sings The Blues" Rolling Stone. 22 October 2004.