Music
"Aberystwyth" is a hymn tune composed by Joseph Parry, written in 1876 and first published in 1879 in Edward Stephen's Ail Lyfr Tonau ac Emynau (Welsh for Second Book of Tunes and Hymns). [1] [2] Parry was at the time the first professor and head of the new department of music at the recently founded University College Wales, Aberystwyth, now called Aberystwyth University.
The tune "Aberystwyth" has been the most popular setting for Charles Wesley's hymn "Jesus, Lover of My Soul". [3]
Some claim the melody of South Africa's former anthem, Nkosi Sikelel' iAfrika, is derived from this hymn, [4] while others have called the connection far fetched. [5]
An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work and still more particularly to a specific form of liturgical music. In this sense, its use began ca. 1550 in English-speaking churches; it uses English language words, in contrast to the originally Roman Catholic 'motet' which sets a Latin text.
"And did those feet in ancient time" is a poem by William Blake from the preface to his epic Milton: A Poem in Two Books, one of a collection of writings known as the Prophetic Books. The date of 1804 on the title page is probably when the plates were begun, but the poem was printed c. 1808. Today it is best known as the hymn "Jerusalem", with music written by Sir Hubert Parry in 1916. The famous orchestration was written by Sir Edward Elgar. It is not to be confused with another poem, much longer and larger in scope and also by Blake, called Jerusalem The Emanation of the Giant Albion.
The National Anthem of South Africa was adopted in 1997 and is a hybrid song combining new English lyrics with extracts of the 19th century hymn "Nkosi Sikelel' iAfrika" and the Afrikaans song "Die Stem van Suid-Afrika", which was used as the South African national anthem during the apartheid era. The committee responsible for this new composition included Anna Bender, Elize Botha, Richard Cock, Dolf Havemann (Secretary), Mzilikazi Khumalo (Chairman), Masizi Kunene, John Lenake, Fatima Meer, Khabi Mngoma, Wally Serote, Johan de Villiers, and Jeanne Zaidel-Rudolph.
"Mungu ibariki Afrika" is the national anthem of Tanzania. It is a Swahili language version of Enoch Sontonga's popular hymn "Nkosi Sikelel' iAfrika".
"God Save the Tsar!" was the national anthem of the Russian Empire. The song was chosen from a competition held in 1833 and was first performed on 18 December 1833. It was composed by violinist Alexei Lvov, with lyrics written by the court poet Vasily Zhukovsky. It was the anthem until the Russian Revolution of 1917, after which "Worker's Marseillaise" was adopted as the new national anthem until the overthrow of the Russian Provisional Government.
"Stand and Sing of Zambia, Proud and Free" is the national anthem of Zambia. The tune is taken from the hymn "Nkosi Sikelel' iAfrika", which was composed by Xhosa composer Enoch Sontonga, in 1897. The lyrics were composed after Zambian independence to specifically reflect Zambia, as opposed to Sontonga's lyrics, which refer to Africa as a whole.
"Ishe Komborera Africa", also called "Ishe Komborera Zimbabwe", was the Zimbabwean national anthem from 1980 to 1994. It was the country's first national anthem after gaining independence in 1980. It is a translation of 19th-century South African schoolteacher Enoch Sontonga's popular African hymn "Nkosi Sikelel' iAfrika" into Zimbabwe's native Shona and Ndebele languages.
"Rise, O Voices of Rhodesia" was the national anthem of Rhodesia and Zimbabwe Rhodesia between 1974 and 1979. The tune was that of "Ode to Joy", the Fourth Movement from Ludwig van Beethoven's Ninth Symphony, which had been adopted as the official European continental anthem by the Council of Europe in 1972. The music used in Rhodesia was an original sixteen-bar arrangement by Captain Ken MacDonald, the bandmaster of the Rhodesian African Rifles. A national competition was organised by the government to find an appropriate set of lyrics to match the chosen tune, and won by Mary Bloom of Gwelo.
Die Stem van Suid-Afrika, also known as "The Call of South Africa" or simply "Die Stem", is a former national anthem of South Africa. There are two versions of the song, one in English and the other in Afrikaans, which were in use early on in the Union of South Africa alongside God Save the Queen and as the sole anthem after South Africa became a republic. It was the sole national anthem from 1957 to 1994, and shared co-national anthem status with "God Save the King/Queen" from 1938 to 1957. After the end of apartheid in the early 1990s, it was retained as a co-national anthem along with "Nkosi Sikelel' iAfrika" from 1994 to 1997, when a new hybrid song incorporating elements of both songs was adopted as the country's new national anthem, which is still in use.
"Nkosi Sikelel' iAfrika" is a Christian hymn originally composed in 1897 by Enoch Sontonga, a Xhosa clergyman at a Methodist mission school near Johannesburg.
"Namibia, Land of the Brave" is the national anthem of Namibia, adopted in December 1991. It was written by Axali Doëseb, who was the director of a traditional music group from the Kalahari desert. Doëseb was chosen to write it after winning a contest held after Namibia became independent in 1990.
Joseph Parry was a Welsh composer and musician. Born in Merthyr Tydfil, Wales, he is best known as the composer of "Myfanwy" and the hymn tune "Aberystwyth", on which the African song "Nkosi Sikelel' iAfrika" is said to be based. Parry was also the first Welshman to compose an opera; his composition, Blodwen, was the first opera in the Welsh language.
Enoch Mankayi Sontonga was a South African composer, who is best known for writing the Xhosa hymn "Nkosi Sikelel' iAfrika", which, in abbreviated version, has been sung as the first half of the national anthem of South Africa since 1994. Previously, it had been the official anthem of the African National Congress since 1925. It was also adopted by South Africa's newly formed northern neighbour, Zimbabwe and translated into Shona, "Ishe Komborera Afrika" from 1980 until 1994.
David Evans was a Welsh musician, academic and composer.
Dream Keeper is an album by bassist Charlie Haden that was recorded in 1990 and released by Blue Note Records. The album was nominated for a Grammy Award for Best Large Jazz Ensemble Performance and was voted "Jazz album of the year" in Down Beat magazine's 1991 critics' poll. Haden, Carla Bley and Ray Anderson also placed first in that year's Acoustic Bass, Composer and Trombone poll categories, respectively.
"Weeping" is an anti-apartheid protest song written by Dan Heymann in the mid-1980s, and first recorded by Heymann and the South African group Bright Blue in 1987. The song was a pointed response to the 1985 State of Emergency declared by President P.W. Botha, which resulted in "large-scale killings of unarmed and peaceful demonstrators against racial discrimination and segregation in South Africa." Defiantly, the song incorporated part of the melody to Nkosi Sikelel' iAfrika, the anthem of the anti-apartheid African National Congress. "Nkosi Sikelel' iAfrika" was banned at the time, and inclusion of even the melody violated the law. Today, "Nkosi Sikelel' iAfrika" is part of the national anthem of South Africa. The formerly illegal lyrics—"Nkosi sikelela, thina lusapho lwayo"—are now often sung when "Weeping" is recorded or performed.
Samuel Edward Krune Mqhayi was a Xhosa dramatist, essayist, critic, novelist, historian, biographer, translator and poet whose works are regarded as instrumental in standardising the grammar of isiXhosa and preserving the language in the 20th century.
Since unification in 1910, South Africa has used a range of national symbols to identify the country: coats of arms, official seals, flags, national anthems, and floral, bird, animal, and other emblems.
Nkosi is a Nguni word for “king”, “chief“ and ”lord”.
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