Abide with Me, 'Tis Eventide

Last updated
"Abide with Me, 'Tis Eventide"
Hymn
Collotype of a portrait of Millard, by Gurney and Son, New York.jpg
Harrison Millard
Textby Martin Lowrie Hofford
Meter8.6.8.6.D
Melody"Welcome Guest" by Harrison Millard
Composed1870 (1870)

"Abide with Me, 'Tis Eventide" is a 19th-century American Christian hymn written by Martin Lowrie Hofford (lyrics) and Harrison Millard in 1870 (music). The lyrics and music to the hymn were heavily influenced by the American Civil War. [1]

Contents

Influence

The hymn appears as number 46 in the Seventh-day Adventist Hymnal and number 165 of the hymnbook of The Church of Jesus Christ of Latter-day Saints.

It has also been published in the 1978 Hymns of Praise edited by Reuel Lemmons; the 1971 Songs of the Church and the 1990 Songs of the Church 21st Century Edition both edited by Alton H. Howard; both the 1978 and 1983 Church Gospel Songs and Hymns edited by V. E. Howard; the 1992 Praise for the Lord edited by John P. Wiegand; the 2007 Sacred Songs of the Church edited by William D. Jeffcoat and the 2009 Favorite Songs of the Church edited by Robert J. Taylor Jr. [2]

Related Research Articles

<span class="mw-page-title-main">Hymn</span> Religious song for the purpose of adoration or prayer

A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment.

<span class="mw-page-title-main">My Country, 'Tis of Thee</span> American patriotic song

"My Country, 'Tis of Thee", also known as simply "America", is an American patriotic song, the lyrics of which were written by Samuel Francis Smith. The song served as one of the de facto national anthems of the United States before the adoption of "The Star-Spangled Banner" as the official U.S. national anthem in 1931. The melody used is adopted from the national anthem of the United Kingdom, "God Save the King".

<i>John Browns Body</i> United States marching song

"John Brown's Body" is a United States marching song about the abolitionist John Brown. The song was popular in the Union during the American Civil War. The song arose out of the folk hymn tradition of the American camp meeting movement of the late 18th and early 19th century. According to an 1889 account, the original John Brown lyrics were a collective effort by a group of Union soldiers who were referring both to the famous John Brown and also, humorously, to a Sergeant John Brown of their own battalion. Various other authors have published additional verses or claimed credit for originating the John Brown lyrics and tune.

<span class="mw-page-title-main">Battle Hymn of the Republic</span> 1862 American song by Julia Ward Howe

The "Battle Hymn of the Republic", also known as "Mine Eyes Have Seen the Glory" or "Glory, Glory Hallelujah" outside of the United States, is an American patriotic song written by abolitionist writer Julia Ward Howe during the American Civil War.

<span class="mw-page-title-main">We Shall Overcome</span> Protest song of the civil rights movement

"We Shall Overcome" is a gospel song which became a protest song and a key anthem of the American civil rights movement. Although the song is commonly thought to have descended from "I'll Overcome Some Day," a hymn by Charles Albert Tindley that was first published in 1901.

<span class="mw-page-title-main">Contemporary worship music</span> Modern genre of music sung in many churches

Contemporary worship music (CWM), also known as praise and worship music, is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It has become a common genre of music sung in many churches, particularly in charismatic or non-denominational Protestant churches with some Roman Catholic congregations incorporating it into their mass as well.

<span class="mw-page-title-main">On Ilkla Moor Baht 'at</span> Folk song from Yorkshire, England

"On Ilkla Moor Baht 'at" is a folk song from Yorkshire, England. It is sung in the Yorkshire dialect, and is considered the unofficial anthem of Yorkshire. According to Andrew Gant, the words were composed by members of Halifax Church Choir "some 50 years after Clark wrote his melody", on an outing to Ilkley Moor near Ilkley, West Yorkshire. It is classified as numbers 2143 and 19808 in the Roud Folk Song Index.

<span class="mw-page-title-main">Fanny Crosby</span> American mission worker, poet, lyricist, and composer

Frances Jane van Alstyne, more commonly known as Fanny J. Crosby, was an American mission worker, poet, lyricist, and composer. She was a prolific hymnist, writing more than 8,000 hymns and gospel songs, with more than 100 million copies printed. She is also known for her teaching and her rescue mission work. By the end of the 19th century, she was a household name.

<span class="mw-page-title-main">John Rutter</span> English composer, conductor and arranger

John Milford Rutter is an English composer, conductor, editor, arranger, and record producer, mainly of choral music.

<span class="mw-page-title-main">Henry Francis Lyte</span> Scottish priest and poet (1793–1847)

Henry Francis Lyte was a Scottish Anglican divine, hymnodist, and poet.

<span class="mw-page-title-main">Abide with Me</span> 1847 hymn by Henry Francis Lyte

"Abide with Me" is a Christian hymn by Scottish Anglican cleric Henry Francis Lyte. A prayer for God to stay with the speaker throughout life and in death, it was written by Lyte in 1847 as he was dying from tuberculosis. It is most often sung to the tune "Eventide" by the English organist William Henry Monk.

"How Can I Keep From Singing?" is an American folksong originating as a Christian hymn. The author of the lyrics was known only as 'Pauline T', and the original tune was composed by American Baptist minister Robert Lowry. The song is frequently, though erroneously, cited as a traditional Quaker or Shaker hymn. The original composition has now entered into the public domain, and appears in several hymnals and song collections, both in its original form and with a revised text that omits most of the explicitly Christian content and adds a verse about solidarity in the face of oppression. Though it was not originally a Quaker hymn, Quakers adopted it as their own in the twentieth century and use it widely today.

<span class="mw-page-title-main">American patriotic music</span> Music reflecting the history and culture of the United States

American patriotic music is a part of the culture and history of the United States since its foundation in the 18th Century. It has served to encourage feelings of honor both for the country's forefathers and for national unity. They include hymns, military themes, national songs, and musical numbers from stage and screen, as well as others adapted from many poems. Much of American patriotic music owes its origins to six main wars — the American Revolution, the American Indian Wars, the War of 1812, the Mexican–American War, the American Civil War, and the Spanish–American War. During the period prior to American independence, much of the country's patriotic music was aligned with the political ambitions of the British in the new land. And so, several songs are tied with the country's British origin.

<span class="mw-page-title-main">Ian Bradley</span> British academic, author and broadcaster

Ian Campbell Bradley is a British academic, author and broadcaster.

<span class="mw-page-title-main">Come, Come, Ye Saints</span>

"Come, Come, Ye Saints" is one of the best-known Latter-day Saint hymns. The lyrics were written in 1846 by Mormon poet William Clayton. The hymn has been called the anthem of the nineteenth-century Mormon pioneers and "the landmark Mormon anthem."

<span class="mw-page-title-main">'Tis So Sweet to Trust in Jesus</span>

"'Tis So Sweet to Trust in Jesus" is a Christian hymn with music by William J. Kirkpatrick and lyrics by Louisa M. R. Stead. The lyrics were written in 1882. They appeared in Stead's Songs of Triumph.

<span class="mw-page-title-main">Music of the American Civil War</span>

During the American Civil War, music played a prominent role on both sides of the conflict, Union and Confederate. On the battlefield, different instruments including bugles, drums, and fifes were played to issue marching orders or sometimes simply to boost the morale of one's fellow soldiers. Singing was also employed not only as a recreational activity but as a release from the inevitable tensions that come with fighting in a war. In camp, music was a diversion away from the bloodshed, helping the soldiers deal with homesickness and boredom. Soldiers of both sides often engaged in recreation with musical instruments, and when the opposing armies were near each other, sometimes the bands from both sides of the conflict played against each other on the night before a battle.

<span class="mw-page-title-main">Harrison Millard</span> American composer (1830–1895)

Harrison Millard was an American composer who wrote the music to the Christian hymn "Abide with Me, 'Tis Eventide"—the words of which are by Presbyterian evangelist Martin Lowrie Hofford (1825–1888).

The "Great Four" are four hymns widely popular in Anglican and other Protestant churches during the 19th century.

<span class="mw-page-title-main">In Christ Alone</span> Christian song written by Keith Getty and Stuart Townend

"In Christ Alone" is a popular modern Christian song written by Keith Getty and Stuart Townend, both songwriters of Christian hymns and contemporary worship music in the United Kingdom. The song, with a strong Irish melody, is the first hymn they penned together. The music was by Getty and the original lyrics by Townend. It was composed in 2001.

References