See also
- "Disaster" - the fifth season episode of Star Trek: The Next Generation where, as mentioned, Lt. Commander Worf is forced to deliver the O'Briens' first baby, Molly, in the Enterprise 's Ten-Forward lounge.
| "Accession" | |
|---|---|
| Star Trek: Deep Space Nine episode | |
| Episode no. | Season 4 Episode 17 |
| Directed by | Les Landau |
| Written by | Jane Espenson |
| Featured music | Dennis McCarthy |
| Cinematography by | Jonathan West |
| Production code | 489 |
| Original air date | February 26, 1996 |
| Guest appearances | |
| |
"Accession" is the 89th episode of the syndicated American science fiction television series Star Trek: Deep Space Nine , the 17th episode of the fourth season.
Set in the 24th century, the series follows the adventures on Deep Space Nine, a space station located near a stable wormhole between the Alpha and Gamma quadrants of the Milky Way Galaxy. The wormhole is the home of powerful non-corporeal beings, known as the "Prophets", who are worshiped by the natives of the nearby planet Bajor as gods; the Bajorans consider Benjamin Sisko (Avery Brooks), the human commanding officer of the space station, to be the Prophets' chosen "Emissary". In this episode, Sisko is given a much-appreciated opportunity to relinquish the title of Emissary, but soon comes to regret it.
A subplot in this episode involves Keiko O'Brien's return to the station after a research expedition to Bajor and her husband Miles re-adapting to life with her after her extended absence.
An archaic Bajoran spaceship emerges from the wormhole. Its passenger, Akorem Laan, is a revered Bajoran poet who disappeared 200 years ago. Akorem claims to have been chosen by the Prophets as their Emissary—a role thought to belong to Captain Sisko. Sisko, who never felt comfortable being the Bajorans' messiah figure, immediately cedes the title to Akorem without question.
Akorem believes the Prophets brought him back to restore Bajor's traditional caste system, which was abandoned during the 50-year Cardassian occupation of Bajor. Porta, a Bajoran priest who supports Akorem, tells Major Kira that she must resign her military commission and become an artist, which was her family's traditional profession under the caste system. Sisko warns Akorem that caste-based discrimination is banned by the Federation and thus would disqualify Bajor from Federation membership, but Akorem is adamant.
Sisko has a dream where Kai Opaka, a former spiritual leader of Bajor, tells him that he has lost sight of who he is. Doctor Bashir believes that Sisko has experienced an "orb shadow", a type of hallucination that Bajorans believe are reminders from the Prophets to people who ignore the Prophets' will.
Porta murders a fellow priest whose caste is considered spiritually unclean. Sisko realizes that Akorem's influence will be bad for Bajor's future and challenges him for the role of Emissary. They decide that the only way to settle the matter is to go to the wormhole and ask the Prophets themselves what they want. The Prophets tell them that Sisko is in fact their Emissary and that he is "of Bajor", and that they brought Akorem to the present for Sisko's benefit. Akorem is sent back to his own era with no memory of what happened to him in the future.
Sisko is once again recognized as the Emissary by the Bajorans. This time, he accepts the role happily, now that he appreciates the positive influence he has on the Bajoran people. Major Kira notices that Akorem's epic poem The Call of the Prophets—which had, up to that point, been incomplete—now exists in its entirety, suggesting that Akorem was able to complete his masterwork after returning to the past.
In a side plot, Keiko O'Brien and her daughter Molly return from a research trip to Bajor; Miles is glad to have his family back on the station, but he misses the free time he had to spend with his friend Bashir.
Akorem's spacecraft is represented by computer-generated imagery produced by Industrial Light & Magic. [1] They also did a similar spacecraft in the episode "Explorers". [1]
In 2018, SyFy recommended this episode for its abbreviated watch guide for the character Kira Nerys. [2] They praised this episode for not only having a "beautiful scene" but also establishing how much Kira values her job on the space station, and her relationships there. [2]
In 2020, Io9 said this was one of the "must watch" episodes from the series. [3]
The Bajorans are a fictional species in the science-fiction Star Trek franchise. They are a humanoid extraterrestrial species native to the planet Bajor, who have a long-standing enmity with the Cardassians, owing to decades of subjugation under a military dictatorship which saw many of their species enslaved or forced into exile away from their homeworld. They were first introduced in the 1991 episode "Ensign Ro" of Star Trek: The Next Generation, and subsequently were a pivotal element of Star Trek: Deep Space Nine and also appeared in Star Trek: Voyager and Star Trek: Picard.
Benjamin Lafayette Sisko is a fictional character in the Star Trek franchise portrayed by Avery Brooks. He was the main character of the television series Star Trek: Deep Space Nine (DS9), which was originally broadcast between 1993 and 1999. The character has also appeared in various books, comics, and video games within the Star Trek franchise.
Kira Nerys is a fictional character in the American science fiction television series Star Trek: Deep Space Nine (1993–1999). She was played by actress Nana Visitor. The character is from the fictional planet Bajor, a world which has recently emerged from a brutal foreign occupation. She was a member of the resistance, and the decades-long conflict has left her tough and uncompromising, but she is sustained by her strong faith in traditional Bajoran religion. She has been assigned to Deep Space Nine, a space station jointly operated by the United Federation of Planets and the new provisional Bajoran government, where she serves as second in command as well as the ranking representative of her people.
"Emissary" is the series premiere of the American science fiction television series Star Trek: Deep Space Nine. It was aired as a single two-hour episode on its initial broadcast, but was divided into two one-hour episodes when it aired in reruns.
"In the Hands of the Prophets" is the twentieth and final episode of the first season of the American science fiction television series Star Trek: Deep Space Nine. Written by Robert Hewitt Wolfe and directed by David Livingston, the episode originally aired in broadcast syndication during the week of June 21, 1993.
"The Homecoming" is the 21st episode of the American science fiction television series Star Trek: Deep Space Nine. It is the first of the franchise-first three-part episode story arc, and the first episode of the second season.
"The Circle" is the 22nd episode of the American science fiction television series Star Trek: Deep Space Nine. It is the second in a three-part story arc, and also the second episode of the second season.
"Battle Lines" is the 13th episode of the first season of the American science fiction television series Star Trek: Deep Space Nine.
"Progress" is the 15th episode of the American science fiction television series Star Trek: Deep Space Nine.
"Call to Arms" is the 26th and final episode of the fifth season of the science fiction television series Star Trek: Deep Space Nine, the 124th episode overall. This episode marks the start of the show's celebrated Dominion war story arc.
"'Til Death Do Us Part" is the 168th episode of the television series Star Trek: Deep Space Nine. This episode first aired the week of April 12, 1999 on syndicated television.
"When it Rains..." is the 171st episode of the television series Star Trek: Deep Space Nine, the fifth of the final nine-episode arc of the series. This episode was directed by Michael Dorn and written by Rene Echevarria. It was first aired in broadcast syndication on May 3, 1999.
"Image in the Sand" is the 151st episode of the television series Star Trek: Deep Space Nine, the opening episode for the series' seventh and final season. It was first aired the week of September 28, 1998.
"Destiny" is the 61st episode of the science fiction television series Star Trek: Deep Space Nine, the 15th episode of the third season.
"Shadows and Symbols" is the second episode of the seventh season of Star Trek: Deep Space Nine, the 152nd overall, premiering the week of October 5, 1998. The episode's premiere received Nielsen ratings of 4.2 points corresponding to over 4.1 million viewers. This episode was written by Ira Steven Behr and Hans Beimler, and directed by Allan Kroeker.
"The Reckoning" is the 145th episode of the television series Star Trek: Deep Space Nine, the 21st episode of the sixth season.
"Rapture" is the tenth episode of the fifth season, and the 108th episode overall, of the science fiction television series Star Trek: Deep Space Nine. Its premiere was watched by 5.8 million people.
"Ties of Blood and Water" is an episode of the syndicated American science fiction television series Star Trek: Deep Space Nine, the nineteenth episode of the fifth season.
Deep Space Nine is a fictional space station, the eponymous primary setting of the American science fiction television series Star Trek: Deep Space Nine which aired from 1993 to 1999. It serves as a base for the exploration of the Gamma Quadrant via the Bajoran wormhole and is a hub of trade and travel for the sector's denizens. It is run by a joint crew of Starfleet and Bajoran officers and it is the home port of a number of Starfleet runabouts, as well as the starship USS Defiant.
