The Sound of Music is a musical with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and a book by Howard Lindsay and Russel Crouse. It is based on the 1949 memoir of Maria von Trapp, The Story of the Trapp Family Singers. Set in Austria on the eve of the Anschluss in 1938, the musical tells the story of Maria, who takes a job as governess to a large family while she decides whether to become a nun. She falls in love with the children, and eventually their widowed father, Captain von Trapp. He is ordered to accept a commission in the German navy, but he opposes the Nazis. He and Maria decide on a plan to flee Austria with the children. Many songs from the musical have become standards, including "Do-Re-Mi", "My Favorite Things", "Edelweiss", "Climb Ev'ry Mountain", and the title song "The Sound of Music".
Max Reinhardt was an Austrian-born theatre and film director, intendant, and theatrical producer. With his radically innovative and avante garde stage productions, Reinhardt is regarded as one of the most prominent stage directors of the early 20th century.
Noises Off is a 1982 farce by the English playwright Michael Frayn.
The Salzburg Festival is a prominent festival of music and drama established in 1920. It is held each summer, for five weeks starting in late July, in Salzburg, Austria, the birthplace of Wolfgang Amadeus Mozart. Mozart's operas are a focus of the festival; one highlight is the annual performance of Hofmannsthal's play Jedermann (Everyman).
Michael Frayn, FRSL is an English playwright and novelist. He is best known as the author of the farce Noises Off and the dramas Copenhagen and Democracy.
No Man's Land is a play by Harold Pinter written in 1974 and first produced and published in 1975. Its original production was at the Old Vic theatre in London by the National Theatre on 23 April 1975, and it later transferred to Wyndham's Theatre, July 1975 – January 1976, the Lyttelton Theatre April–May 1976, and New York's Longacre Theatre from October–December 1976. It returned to the Lyttelton from January – February 1977. It is a two-act play.
Roger William Allam is a British actor, who has performed on stage, in film, on television and radio.
Copenhagen is a play by Michael Frayn, based on an event that occurred in Copenhagen in 1941, a meeting between the physicists Niels Bohr and Werner Heisenberg, who had been Bohr's student. It premiered in London in 1998, at the National Theatre, running for more than 300 performances, starring David Burke, Sara Kestelman, and Matthew Marsh.
Democracy is a play by Michael Frayn which premiered in London at the Royal National Theatre on September 9, 2003. Directed by Michael Blakemore, and starring Roger Allam as Willy Brandt and Conleth Hill as Günter Guillaume, it won the Evening Standard and Critics' Circle awards for Best Play.
Richard Hope is a British actor who gained recognition from Brideshead Revisited as the doltish junior officer, Hooper, under Jeremy Irons charge. He is best known for playing Harris Pascoe in the UK TV drama Poldark. His theatre career includes portraying Pierre Bezukhov in War and Peace at the Royal National Theatre and having starred in another Tolstoy adaptation by Helen Edmundson, playing Levin in Anna Karenina. In 2015, he played Hector in The History Boys. In 2018–2019, he starred in the West End production The Woman in Black as Arthur Kipps.
The afterlife refers to a belief in life after death.
Wild Honey is a 1984 adaptation by British playwright Michael Frayn of an earlier play by Anton Chekhov. The original work, a sprawling five-hour drama from Chekhov's earliest years as a writer, has no title, but is usually known in English as Platonov, after its principal character "Mikhail Platonov", a disillusioned provincial schoolmaster.
Michael Howell Blakemore AO OBE was an Australian actor, writer and theatre director who also made a handful of films. A former Associate Director of the National Theatre, in 2000 he became the only individual to win Tony Awards for Best Director of a Play and Musical in the same year for Copenhagen and Kiss Me, Kate.
Janie Dee is a British actress. She won the Olivier Award for Best Actress, Evening Standard Award and Critics' Circle Theatre Award for Best Actress in a Play, and in New York the Obie and Theatre World Award for Best Newcomer, for her performance as Jacie Triplethree in Alan Ayckbourn's Comic Potential.
Benefactors is a 1984 play by Michael Frayn. It is set in the 1960s and concerns an idealistic architect David and his wife Jane and their relationship with the cynical Colin and his wife Sheila. David is attempting to build some new homes to replace the slum housing of Basuto Road and is gradually forced by circumstances into building skyscrapers despite his initial aversion to these. This is set against the backdrop of 1960s new housing projects. Sheila becomes his secretary but it is unclear if she is helping him or the other way around. As the title of the play suggests it is about helping people and explores some of the difficulties inherent in this or in being helped.
Jedermann. Das Spiel vom Sterben des reichen Mannes is a play by the Austrian playwright Hugo von Hofmannsthal. It is based on several medieval mystery plays, including the late 15th-century English morality play Everyman. It was first performed on 1 December 1911 in Berlin, directed by Max Reinhardt at the Circus Schumann. Since 1920, it has been performed regularly at the Salzburg Festival.
Christopher Thomas Morahan CBE was a British stage and television director and production executive.
Michael Rudman was an American theatre director.
Paul Jesson is an English stage, television and film actor and an Associate Artist of the Royal Shakespeare Company.
After the Dance is a play by Terence Rattigan which premièred at the St James's Theatre, London, on 21 June 1939. It was not one of Rattigan's more successful plays, closing after only sixty performances, a failure that led to its exclusion from his first volume of Collected Plays. Critics have tended to attribute this relative contemporary failure to the play's darkness which may have reminded audiences of the approaching European war.
