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David Mallet was a Scottish poet and dramatist.
James Thomson was a British poet and playwright, known for his poems The Seasons and The Castle of Indolence, and for the lyrics of "Rule, Britannia!".
The Natural Son is a comedy play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre in London in December 1784. The play is notable for the return of the popular character Major O'Flaherty from Cumberland's 1771 play The West Indian.
The Battle of Hastings is a 1778 play by the English writer Richard Cumberland. It is a tragedy set around the Battle of Hastings in 1066. It was staged at the Drury Lane Theatre in October 1778 by Richard Brinsley Sheridan. Sheridan later mocked Cumberland's sensitivity to criticism by modelling the character Sir Fretful Plagiary, in his 1779 play The Critic, after him.
The Imperial Captives is a 1720 tragedy by the British writer John Mottley.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson. The work was dedicated to the Duke of Newcastle who as Lord Chamberlain oversaw the theatres.
The Revenge is a 1721 tragedy by the British writer Edward Young. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
Elmerick, or Justice Triumphant is a 1740 tragedy by the British writer George Lillo. It was performed posthumously following his death the year before. It portrays the rivalry between the medieval Hungarian brothers Emeric, King of Hungary and Andrew II.
Sophonisba is a 1730 tragedy by the British writer James Thomson. It is based on the story of the Carthaginian noblewoman Sophonisba who committed suicide rather than be paraded in a Roman triumph at the end of the Second Punic War. The story has been made into a number of plays including Nathaniel Lee's restoration tragedy Sophonisba and Voltaire's later Sophonisbe.
Art and Nature is a 1738 comedy play by the British writer James Miller. The play received a rough reception from what Miller described a "faction" in the Drury Lane audience, and its run was not extended beyond a single night. He described its subsequent publication as an attempt to vindicate himself.
The Coffee House is a 1738 comedy play by the British writer James Miller, written as an afterpiece. After being performed at Drury Lane, it was published later that year with some alterations to the play's original text.
The Mother-in-Law is a 1734 comedy play by the British writer James Miller. Also known by the longer title The Mother-in-Law, or the Doctor the Disease it debuted at the Haymarket Theatre in London.
William Milward (1702-1742) was a British stage actor.
Eurydice is a 1731 tragedy by the Scottish writer David Mallet. It is one of a number of plays and operas to be based on the story of Eurydice from Greek Mythology.
Mustapha is a 1739 tragedy by the British writer David Mallet. It is based on Mustafa, the son of Ottoman ruler Suleiman the Magnificent.
Edward and Eleonora is a 1739 tragedy by the British writer James Thomson. Originally due to be performed at Covent Garden in 1739, the play was banned by the censor, the Lord Chamberlain Charles FitzRoy, Duke of Grafton, under the recent Licensing Act. This happened late into rehearsals in March 1739. The original cast was intended to feature Dennis Delane as Edward, Christiana Horton as Eleanor, James Rosco as Gloucester and Lacy Ryan as the Sultan.
The Fatal Secret is a 1733 tragedy by the British writer Lewis Theobald.
Tancred and Sigismunda is a 1745 tragedy by the British writer James Thomson. It is inspired by one of the story's from Giovanni Boccaccio's The Decameron.
The Foundling is a 1748 comedy by the British writer Edward Moore.
The Non-Juror is a 1717 comedy play by the British writer Colley Cibber. It is inspired by Molière's 1664 work Tartuffe.
References
- ↑ Nicoll p.360
