Ailanthus/Altissima: Bilateral Dimensions of 2 Root Songs | |
---|---|
Live album by | |
Released | 2010 |
Recorded | November 6 and 9, 2008 |
Venue | The Village Vanguard, New York City |
Genre | Free jazz |
Label | Triple Point Records TPR 037 |
Ailanthus/Altissima: Bilateral Dimensions of 2 Root Songs is a live album by pianist Cecil Taylor and drummer Tony Oxley. It was recorded at the Village Vanguard in New York City on November 6 and 9, 2008, and was released in limited quantities as a double LP set by Triple Point Records in 2010. [1]
The album commemorated Taylor's 80th birthday and Oxley's 70th, as well as the 20th anniversary of the pair's first musical encounter in 1988 in Berlin, and includes a booklet featuring Taylor's poetry and reproductions of Oxley's paintings. The recordings were selected by the musicians from ten hours of material. [2] [3]
Review scores | |
---|---|
Source | Rating |
DownBeat | [4] |
Tom Hull – on the Web | B+ [5] |
The Absolute Sound | [6] |
In a review for DownBeat , Peter Margasak wrote: "Despite their ages... the performances here reveal undiminished powers, and while the pianist generally eschews his most volcanic machinations, there's nothing remotely relaxed about these performances... Although the intensity ebbs and flows, the duo never engages in simple acceleration and deceleration; instead, Taylor is forever looking on the horizon, pushing the music into consistently new terrain, and while his language and phrasing may be familiar here, his drive and invention sounds as fresh and vital as anything he's done in decades. A late-career gem." [4]
John Corbett commented: "their dialogue is particularly direct and intimate, the percussionist often anticipating the pianist's next move or vice versa. Indeed, there's a yin-yang quality about the duo. Ailanthus/Altissima is subtitled 'bilateral dimensions of 2 root songs,' and if you follow the music carefully, you can hear how the song basis of Taylor's music is, indeed, at the root, spreading out in this case in (at least) two directions. As ferocious as his music is, you can often find sections to hum along with, little thematic segments that stick in the brain. There is plenty of aggressive free music here, but also these pensive moments of quiet and extreme tension, a Taylor specialty." [7]
Writing for Burning Ambulance, Phil Freeman stated: "there really is a surprising amount of genuine interplay on these two slabs. A lot of it is Oxley responding to Taylor's melodic and structural provocations—hammering the kit as the pianist hammers the keys, throwing evocative little phrases in when the older man... gets quiet—but there are many moments when Taylor, too, seems to be really listening to his partner." He concluded by writing that the duo made "intensely involving music, and this is a superb example." [8]
In a review for The Absolute Sound , Duck Baker remarked: "Taylor virtually assaults the keyboard to produce a volcanic flow of cascading, criss-crossing lines, which leave the listener all but exhausted. But in recent years he has shown much more willingness to interject space and even a rhapsodic lyricism into his improvisations. This tendency allows Oxley to really prove his worth, and he reacts and responds to, and anticipates the pianist in what is more collaboration than accompaniment." [6]
Cecil Percival Taylor was an American pianist and poet.
Evan Shaw Parker is a British tenor and soprano saxophone player who plays free improvisation.
William Robert Dixon was an American composer and educator. Dixon was one of the seminal figures in free jazz and late twentieth-century contemporary music. His was also a prominent activist for artist's rights and African American music tradition. He played the trumpet, flugelhorn, and piano, often using electronic delay and reverb.
Tony Oxley is an English free improvising drummer and one of the founders of Incus Records.
Ailanthus altissima, commonly known as tree of heaven, ailanthus, varnish tree, copal tree, stinking sumac, Chinese sumac, paradise tree, or in Chinese as chouchun, is a deciduous tree in the family Simaroubaceae. It is native to northeast and central China, and Taiwan. Unlike other members of the genus Ailanthus, it is found in temperate climates rather than the tropics.
Harri Sjöström is a saxophonist who specializes in the soprano saxophone.
One Too Many Salty Swift and Not Goodbye is a live album by Cecil Taylor recorded in Stuttgart, Germany, on June 14, 1978 and released on the Hat Hut label. The album features performances by Taylor with Raphe Malik, Jimmy Lyons, Ramsey Ameen, Sirone and Ronald Shannon Jackson. The album was originally released as a triple LP featuring the Cecil Taylor Unit performances then rereleased as a double CD with duets by Lyons & Malik and Ameen & Sirone and a solo by Shannon Jackson added and the titles changed to the performers for each track.
Leaf Palm Hand is a live album featuring a performance by pianist Cecil Taylor and drummer Tony Oxley recorded in Berlin on July 17, 1988 as part of month long series of concerts by Taylor and released on the FMP label.
Looking Solo is a live album featuring a solo performance by Cecil Taylor recorded in Berlin on November 1, 1989, and released on the FMP label.
Celebrated Blazons is a live album featuring performances by Cecil Taylor with William Parker and Tony Oxley recorded at the Akademie der Künste in Berlin on June 29, 1990, and released on the FMP label.
Papyrus Volume I is an album by American jazz trumpeter Bill Dixon recorded in 1998 and released on the Italian Soul Note label.
2 Ts for a Lovely T is a 10-CD limited-edition live album by American pianist Cecil Taylor. It was recorded during August 27 - September 1, 1990 at Ronnie Scott's Jazz Club in London, and was released in 2002 on the Codanza label. The album features the group known as the "Feel Trio," with Taylor on piano, William Parker on bass, and Tony Oxley on drums.
Incarnation is a live album by American pianist Cecil Taylor. It was recorded on November 4, 1999 during the "Total Music Meeting" at the "Podewil" in Berlin, and was released in 2004 by FMP. On the album, Taylor is joined by guitarist Franky Douglas, cellist Tristan Honsinger, and drummer Andrew Cyrille.
Taylor/Dixon/Oxley is a live album by pianist Cecil Taylor, trumpeter Bill Dixon, and drummer Tony Oxley. It was recorded on May 19, 2002 during the Festival International de Musique Actuelle de Victoriaville in Victoriaville, Quebec, and was released in 2002 by Les Disques Victo.
Corona is a live album by Cecil Taylor recorded during the "Total Music Meeting" at the "Podewil", the headquarters of the Kulturprojekte Berlin non-profit organisation, on November 1, 1996, one day before the recording of the Taylor album Almeda, and two days before the recording of The Light of Corona. It was released in 2018 in digital format by the FMP label as part of their Archive Edition, and was reissued in 2021 in CD format by Corbett vs. Dempsey.
Push Pull is a three-LP live album by Jimmy Lyons. It was recorded on May 6, 1978, at the Collective for Living Cinema in New York City, and was released by Hat Hut Records in 1979. The album was reissued as a double-CD package in 2016 by Corbett vs. Dempsey. On the album, Lyons is joined by bassoonist Karen Borca, cellist Munner Bernard Fennell, bassist Hayes Burnett, and drummer Roger Blank.
The Last Dance is a live album by bassist Dominic Duval and pianist Cecil Taylor recorded during the San Francisco Jazz Festival on October 30, 2003. It was released in 2009 by Cadence Jazz Records in two volumes.
Being Astral and All Registers – Power of Two is a live album by pianist Cecil Taylor and drummer Tony Oxley. It was recorded at the Ulrichsberg Festival in Ulrichsberg, Austria in May 2002, and was released in 2020 by Discus Records.
Birdland, Neuburg 2011 is a live album by pianist Cecil Taylor and drummer Tony Oxley. It was recorded at the Birdland Jazz Club in Neuburg an der Donau, Germany in November 2011, and was released in 2020 by Fundacja Słuchaj! Records.
Conversations with Tony Oxley is a live album by pianist Cecil Taylor and drummer Tony Oxley. It was recorded at the Chamber Music Hall of the Berliner Philharmonie in Berlin, Germany in February 2008, and was released in 2018 by Jazzwerkstatt.