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Lithography is a method of printing originally based on the immiscibility of oil and water. The printing is from a stone or a metal plate with a smooth surface. It was invented in 1796 by German author and actor Alois Senefelder as a cheap method of publishing theatrical works. Lithography can be used to print text or artwork onto paper or other suitable material.
Printmaking is the process of creating artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, rather than just being a photographic reproduction of a painting. Except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy". Often impressions vary considerably, whether intentionally or not. The images on most prints are created for that purpose, perhaps with a preparatory study such as a drawing. A print that copies another work of art, especially a painting, is known as a "reproductive print".
Engraving is the practice of incising a design on to a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article.
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain. The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas.
Linocut is a printmaking technique, a variant of woodcut in which a sheet of linoleum is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal of the parts to show printed. The linoleum sheet is inked with a roller, and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press.
Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a sheet of paper by pressing the two together, usually using a printing-press. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil based or water based. With oil based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones.
Stencilling produces an image or pattern by applying pigment to a surface over an intermediate object with designed gaps in it which create the pattern or image by only allowing the pigment to reach some parts of the surface. The stencil is both the resulting image or pattern and the intermediate object; the context in which stencil is used makes clear which meaning is intended. In practice, the (object) stencil is usually a thin sheet of material, such as paper, plastic, wood or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut-out holes in the material.
Xerox art is an art form that began in the 1960s. Prints are created by putting objects on the glass, or platen, of a copying machine and by pressing "start" to produce an image. If the object is not flat, or the cover does not totally cover the object, or the object is moved, the resulting image is distorted in some way. The curvature of the object, the amount of light that reaches the image surface, and the distance of the cover from the glass, all affect the final image. Often, with proper manipulation, rather ghostly images can be made. Basic techniques include: Direct Imaging, the copying of items placed on the platen ; Still Life Collage, a variation of direct imaging with items placed on the platen in a collage format focused on what is in the foreground/background; Overprinting, the technique of constructing layers of information, one over the previous, by printing onto the same sheet of paper more than once; Copy Overlay, a technique of working with or interfering in the color separation mechanism of a color copier; Colorizing, vary color density and hue by adjusting the exposure and color balance controls; Degeneration is a copy of a copy degrading the image as successive copies are made; Copy Motion, the creation of effects by moving an item or image on the platen during the scanning process. Each machine also creates different effects.
Xerography or electrophotography is a dry photocopying technique. Its fundamental principle was invented by American physicist Chester Carlson and based on Hungarian physicist Pál Selényi's publications. Chester Carlson applied for and was awarded U.S. Patent 2,297,691 on October 6, 1942. The technique was originally called electrophotography. It was later renamed xerography—from the Greek roots ξηρός xeros, "dry" and -γραφία -graphia, "writing"—to emphasize that, unlike reproduction techniques then in use such as cyanotype, this process used no liquid chemicals.
Letterpress printing is a technique of relief printing using a printing press, a process by which many copies are produced by repeated direct impression of an inked, raised surface against sheets or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type which creates an impression on the paper.
Color printing or colour printing is the reproduction of an image or text in color. Any natural scene or color photograph can be optically and physiologically dissected into three primary colors, red, green and blue, roughly equal amounts of which give rise to the perception of white, and different proportions of which give rise to the visual sensations of all other colors. The additive combination of any two primary colors in roughly equal proportion gives rise to the perception of a secondary color. For example, red and green yields yellow, red and blue yields magenta, and green and blue yield cyan. Only yellow is counter-intuitive. Yellow, cyan and magenta are merely the "basic" secondary colors: unequal mixtures of the primaries give rise to perception of many other colors all of which may be considered "tertiary."
Monoprinting is a form of printmaking that has lines or images that can only be made once, unlike most printmaking, which allows for multiple originals. There are many techniques of mono-printing. Examples of standard printmaking techniques which can be used to make monoprints include lithography, woodcut, and etching.
Woodblock printing in Japan is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Widely adopted in Japan during the Edo period (1603–1868) and similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks—as opposed to western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.
Peter and Donna Thomas are American papermakers, book artists, and authors. They are co-authors of three commercially published books and produced over 100 limited edition books.
Vitreography is a fine art printmaking technique that uses a 3⁄8-inch-thick (9.5 mm) float glass matrix instead of the traditional matrices of metal, wood or stone. A print created using the technique is called a vitreograph. Unlike a monotype, in which ink is painted onto a smooth glass plate and transferred to paper to produce a unique work, the vitreograph technique involves fixing the imagery in, or on, the glass plate. This allows the production of an edition of prints.
Tradigital art is art that combines both traditional and computer-based techniques to create an image.
The illustration of manuscript books was well established in ancient times, and the tradition of the illuminated manuscript thrived in the West until the invention of printing. Other parts of the world had comparable traditions, such as the Persian miniature. Modern book illustration comes from the 15th-century woodcut illustrations that were fairly rapidly included in early printed books, and later block books. Other techniques such as engraving, etching, lithography and various kinds of colour printing were to expand the possibilities and were exploited by such masters as Daumier, Doré or Gavarni.
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts, and architecture. Many artistic disciplines such as performing arts, conceptual art, textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art.
Ib Spang Olsen was a Danish writer and illustrator best known to generations of Danes for cartoons and illustrations, many of which appeared in children's publications. Those include a series of nursery rhyme books written by Halfdan Rasmussen, including "Halfdans ABC". He also wrote his own children's books, such as the whimsical tale of the seasons, The Marsh Crone's Brew. Olsen drew for newspapers, magazines, books, posters, television, and comics. For his lasting contribution as a children's illustrator Olsen received the international Hans Christian Andersen Medal in 1972.
Warren Lehrer is an American author and artist/designer known mostly for his highly visual books and multimedia projects. Lehrer came to prominence in the 1980s and 90s for his attempts at capturing the shape of thought and speech on the printed page in his books and performance scores characterized by polyvalent narratives and expressionistic typography. His most recent book, A Life in Books: The Rise and Fall of Bleu Mobley, is an "illuminated novel" that contains 101 books within it. In November 2019, Lehrer received the Lifetime Achievement Ladislav Sutner Prize in Czech Republic. for “his pioneering work in Visual Literature and Design.” Named after the Czech-American design pioneer, the annual award “recognizes individual artists from around the world of outstanding performance in the field of fine arts, especially applied arts and design.
References
- Al Bernstein on Artnet
- Al Bernstein official website
- Al Bernstein: Traktate, Werkstattbücher, Techniken und Materialien der Maler: A Complete Guide to Artists Materials and Techniques from Ancient- to Our Times ( ISBN 3-00-010785-1)
- Al Bernstein Catalogue of Works 1990; also Al Bernstein: »Codified Values«, 1996
