Blum Affair is a 1948 German drama film directed by Erich Engel and starring Hans Christian Blech, Ernst Waldow and Karin Evans. It is based on a real 1926 case in Magdeburg in which a German Jewish industrialist is tried for murder. The film was produced in the future East Germany and produced by DEFA. It was shot at the Babelsberg Studios and Althoff Studios in the Soviet zone. The film's sets were designed by the art director Emil Hasler.
Melody of a Great City is a 1943 musical drama film directed by Wolfgang Liebeneiner and starring Hilde Krahl, Werner Hinz and Karl John. A young woman moves to Berlin to work as a press photographer.
When Love Sets the Fashion is a 1932 German comedy film directed by Franz Wenzler and starring Renate Müller, Hubert von Meyerinck and Georg Alexander. It was shot at the Babelsberg Studios of UFA in Potsdam. The film's sets were designed by the art director Julius von Borsody.
Our Miss Doctor is a 1940 German comedy film directed by Erich Engel and starring Jenny Jugo, Albert Matterstock and Heinz Salfner. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Karl Haacker and Karl Weber.
Robert Koch is a 1939 Nazi propaganda film directed by Hans Steinhoff and starring Emil Jannings, Werner Krauss and Viktoria von Ballasko. The film was a biopic of the German pioneering microbiologist Robert Koch (1843–1910). It was shot at the Johannisthal Studios in Berlin and premiered at the city's Ufa-Palast am Zoo. The film was made by the Tobis Film company, and was also distributed in the United States by the largest German studio UFA.
Togger is a 1937 German drama film directed by Jürgen von Alten and starring Paul Hartmann, Renate Müller, Heinz Salfner. It was Müller's final film before her mysterious death the same year. The making of the film was portrayed in the 1960 film Sweetheart of the Gods.
Back Then is a 1943 German drama film directed by Rolf Hansen and starring Zarah Leander, Hans Stüwe, and Rossano Brazzi. The film's sets were designed by Walter Haag. It was made at the Babelsberg Studio, by Universum Film AG, Germany's largest film company. It was Leander's final film of the Nazi era, as she returned to Sweden shortly afterwards. This was a blow for the German film industry, as she was the most popular and highest-paid star. Leander's next film was not for another seven years, when she made a comeback in Gabriela (1950).
Sergeant Borck is a 1955 West German drama film directed by Gerhard Lamprecht and starring Gerhard Riedmann, Annemarie Düringer and Ingrid Andree. It is a remake of the 1935 film Sergeant Schwenke. It was shot at the Spandau Studios in West Berlin and on location in Hamburg. The film's sets were designed by the art directors Willi A. Herrmann and Heinrich Weidemann.
Doctor Crippen Lives is a 1958 West German crime film directed by Erich Engels and starring Elisabeth Müller, Peter van Eyck and Fritz Tillmann. It was made at the Wandsbek Studios of Real Film in Hamburg. The film's sets were designed by the art director Dieter Bartels.
The Chaplain of San Lorenzo is a 1953 West German drama film directed by Gustav Ucicky and starring Willy Birgel, Dieter Borsche and Gertrud Kückelmann. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art directors Robert Herlth and Gottfried Will.
The Old Forester House is a 1956 West German comedy drama film directed by Harald Philipp and starring Paul Klinger, Anita Gutwell and Trude Hesterberg. It was part of the post-war cycle of heimatfilm.
Who Drove the Grey Ford? is a 1950 West German crime film directed by Otto Wernicke and starring Wernicke, Ursula Herking and Hilde Sessak. Many scenes of the film were shot on location.
The Appeal to Conscience is a 1949 German mystery film directed by Karl Anton and starring Karl Ludwig Diehl, Werner Hinz and Gustav Diessl. It was originally shot in 1944, but remained uncompleted until it was finished by DEFA in the post-war era. It remained unreleased until it was given a 1949 premiere in Austria. Subsequently it was distributed in East Germany in 1950 and West Germany in 1951.
Night of the Twelve is a 1949 German crime film directed by Hans Schweikart and starring Rudolf Fernau, Ferdinand Marian and Mady Rahl.
Men Are That Way is a 1939 German drama film directed by Arthur Maria Rabenalt and starring Hertha Feiler, Hans Söhnker and Hans Olden. The film's sets were designed by the art director Willi Herrmann. It was remade by Rabenalt in Austria as Arena of Fear (1959).
Dangerous Crossing or Rail Triangle is a 1937 German crime film directed by Robert A. Stemmle and starring Gustav Fröhlich, Heli Finkenzeller, and Paul Hoffmann. It is set amongst railway workers and takes its name from Gleisdreieck on the Berlin U-Bahn. It was partly shot at the Babelsberg Studios in Potsdam. The film's sets were designed by the art directors Carl Böhm and Erich Czerwonski. It was shot on location around Berlin. It premiered at the city's Ufa-Palast am Zoo.
Commissioner Eyck is a 1940 German crime film directed by Milo Harbich and starring Anneliese Uhlig, Paul Klinger and Herbert Wilk. It was shot at Tempelhof Studios in Berlin. Location shooting took place in Bavaria.
Woman Without a Past is a 1939 German drama film directed by Nunzio Malasomma and starring Sybille Schmitz, Albrecht Schoenhals, and Maria von Tasnady. It was shot at the Grunewald and Johannisthal Studios in Berlin. The film's sets were designed by the art director Hans Ledersteger.
Police Report is a 1939 German crime thriller film directed by Rudolf van der Noss and starring Lola Müthel, Hans Zesch-Ballot and Erich Fiedler. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Heinrich Beisenherz and Alfred Bütow. It was produced and distributed by Terra Film.
