Alaska | |
---|---|
Directed by | George Archainbaud |
Screenplay by | George Wallace Sayre Harrison Orkow Malcolm Stuart Boylan |
Produced by | Lindsley Parsons |
Starring | Kent Taylor Margaret Lindsay John Carradine |
Distributed by | Monogram Pictures |
Release date |
|
Running time | 76 minutes |
Country | United States |
Language | English |
Alaska is a 1944 American crime adventure film directed by George Archainbaud. It stars Kent Taylor, Margaret Lindsay, and John Carradine. [1] The film has the alternative titles of JAck London's Alaska and Flush of Gold [2]
Gary Corbett kills a pair of claim jumpers who did likewise to his father. He is charged with murder, but cannot be taken to Juneau to stand trial until the weather permits. Marshal John Masters keeps him in town until the prisoner can be moved.
Roxie Reagan, who sings at Tom LaRue's saloon, falls in love with Corbett, but she is trapped in a loveless marriage to John Reagan, an alcoholic has-been actor. LaRue also is in love with Roxie, and he and a local judge are suspected by Corbett of being in cahoots with the claim jumpers.
LaRue tries to frame Corbett for another murder, then sets the jail on fire. John Reagan courageously comes to Corbett's rescue, losing his own life in the process. The marshal deals with LaRue, but suddenly reveals that he is the one who has been backing the murderous claim jumpers all along. Corbett manages to get the better of Masters, then sets sail for San Francisco with his bride-to-be, Roxie.
TV Guide found the movie to be a low budget throwaway in which the cast of actors was wasted. [3]
While set in Alaska, the movie was filmed in Monogram Ranch, California. [4]
Chicago is a 2002 American musical black comedy crime film based on the 1975 stage musical, which in turn originated in the 1926 play. It explores the themes of celebrity, scandal, and corruption in Chicago during the Jazz Age. The film stars an ensemble cast led by Renée Zellweger, Catherine Zeta-Jones, and Richard Gere. Chicago centers on Roxie Hart (Zellweger) and Velma Kelly (Zeta-Jones), two murderers who find themselves in jail together awaiting trial in 1920s Chicago. Roxie, a housewife, and Velma, a vaudevillian, fight for the fame that will keep them from the gallows. The film marks the feature directorial debut of Rob Marshall, who also choreographed the film, and was adapted by screenwriter Bill Condon, with music by John Kander and lyrics by Fred Ebb.
John Carradine was an American actor, considered one of the greatest character actors in American cinema. He was a member of Cecil B. DeMille's stock company and later John Ford's company, known for his roles in horror films, Westerns, and Shakespearean theater, most notably portraying Count Dracula in House of Frankenstein (1944), House of Dracula (1945), Billy the Kid Versus Dracula (1966), and Nocturna: Granddaughter of Dracula (1979). Among his other notable roles was “Preacher Casy” in John Ford’s The Grapes of Wrath. In later decades of his career, he starred mostly in low-budget B-movies. In total, he holds 351 film and television credits, making him one of the most prolific English-speaking film and television actors of all time.
Robert Reed Carradine is an American actor. A member of the Carradine family, he made his first appearances on television Western series such as Bonanza and his brother David's TV series, Kung Fu. Carradine's first film role was in the 1972 film The Cowboys, which starred John Wayne and Roscoe Lee Browne. Carradine also portrayed fraternity president Lewis Skolnick in the Revenge of the Nerds series of comedy films.
The United States District Court for the District of Alaska is a federal court that appeals to the Ninth Circuit.
Kent Taylor was an American actor of film and television. Taylor appeared in more than 110 films, the bulk of them B-movies in the 1930s and 1940s, although he also had roles in more prestigious studio releases, including Merrily We Go to Hell (1932), I'm No Angel (1933), Cradle Song (1933), Death Takes a Holiday (1934), Payment on Demand (1951), and Track the Man Down (1955). He had the lead role in Half Past Midnight in 1948, among a few others.
The Spoilers is a 1942 American Western film directed by Ray Enright and starring Marlene Dietrich, Randolph Scott and John Wayne.
The Spoilers is a 1955 American Western film directed by Jesse Hibbs and starring Anne Baxter, Jeff Chandler and Rory Calhoun. Set in Nome, Alaska during the 1898 Gold Rush, it culminates in a spectacular saloon fistfight between Glennister (Chandler) and McNamara (Calhoun).
Roxie Hart is a 1942 American comedy film directed by William A. Wellman, and starring Ginger Rogers, Adolphe Menjou and George Montgomery. A film adaptation of a 1926 play Chicago by Maurine Dallas Watkins, a journalist who found inspiration in two real-life Chicago trials she had covered for the press. The play had been adapted once prior, in a 1927 silent film. In 1975, a hit stage musical premiered, and was once more adapted as the Oscar-winning 2002 musical film.
Clancy of the Mounted (1933) is an American pre-Code Universal movie serial based on the poem "Clancy of the Mounted Police" by Robert W. Service, directed by Ray Taylor. Tom Tyler played Sgt. Clancy, and William L. Thorne played the villainous claim jumper, Black McDougal.
Tom Horn is a 1980 American Western film directed by William Wiard and starring Steve McQueen as the legendary lawman, outlaw and gunfighter Tom Horn. It was based on Horn's own writings.
Frontier Outlaws is a 1944 American Western film directed by Sam Newfield shot at the Corriganville Movie Ranch. It was the second film in Producers Releasing Corporation's Billy the Kid film series where Crabbe changed his name to "Billy Carson".
Frontier Revenge is a 1948 American Western film written and directed by Ray Taylor and starring Lash LaRue and Al "Fuzzy" St. John. The film is a remake of Ray Taylor's Panamint's Bad Man (1938). Filmed at the Corriganville Movie Ranch, the film is neither set on a frontier nor is any revenge depicted. Extensive footage from this film was reused along with the return of Duce Rago in The Black Lash (1952).
The Cat Creature is a 1973 American made-for-television horror film produced by Douglas S. Cramer and directed by Curtis Harrington from a teleplay by Robert Bloch and starring Meredith Baxter, David Hedison and Gale Sondergaard. The film serves as a tribute to the low-budget Val Lewton horror films of the 1940s and also features an appearance by Kent Smith, who starred in Lewton's original classic Cat People (1942) and its sequel The Curse of the Cat People (1944). It originally premiered as the ABC Movie of the Week on December 11, 1973.
King of the Bullwhip is a 1950 American Western film produced and directed by Ron Ormond starring Lash LaRue and Al "Fuzzy" St. John. It was the eighth of LaRue's films for Ormond's Western Adventures Productions Inc. The film was the second to be released by Howco, Ron Ormond's new film company composed of Ormond and drive-in movie owners Joy N. Houck and J. Francis White, and Ormond's first film as director. The screenplay is co-written by Jack Lewis and Associate Producer Ira S. Webb. Jack Holt and Tom Neal return from the previous film but in different roles. The film was shot at the Iverson Movie Ranch.
The Vanishing Outpost is a 1951 American Western film produced and directed by Ron Ormond starring Lash LaRue and Al "Fuzzy" St. John. It was the tenth of LaRue's films for Ormond's Western Adventures Productions Inc. The film was the fourth to be released by Howco, Ron Ormond's new film company composed of Ormond and drive-in movie owners Joy N. Houck and J. Francis White, and Ormond's second film as director. The screenplay is credited to Ormond's wife June Carr and Maurice Tombragel. The film is composed mostly of footage from the previous Ormond LaRue Westerns Son of Billy the Kid (1949), Mark of the Lash (1948), Outlaw Country (1949) and Son of a Bad Man (1949). No outpost, vanishing or otherwise is seen in the film. The story appeared in Fawcett Comics' Motion Picture Comics #111 (1952).
The Black Lash is a 1952 American western film produced and directed by Ron Ormond and starring Lash LaRue and Al "Fuzzy" St. John. It was the eleventh of LaRue's films for Ormond's Western Adventures Productions Inc. The film was the fifth to be released by Howco, Ron Ormond's new film company composed of Ormond and drive-in movie owners Joy N. Houck and J. Francis White, and Ormond's second film as director. The screenplay is credited to Ormond's wife June Carr and his infant son Timothy. The film is composed mostly of footage from previous Ormond LaRue Westerns with the majority of scenes taken from Frontier Revenge (1948) with Ray Bennett repeating his role as the released Duce Rago, making the film a sequel to that film.
Hands Across the Rockies is a 1941 American western film directed by Lambert Hillyer and starring Wild Bill Elliott, Dub Taylor and Kenneth MacDonald. It is the sixth in Columbia Pictures' series of 12 "Wild Bill Hickok" films, followed by King of Dodge City.
Ghost Town Renegades is a 1947 American Western film directed by Ray Taylor and written by Patricia Harper. The film stars Lash LaRue, Al St. John, Jennifer Holt, Jack Ingram, Terry Frost and Steve Clark. The film was released on July 26, 1947, by Eagle-Lion Films.
A Desperate Chance for Ellery Queen is a 1942 American mystery film directed by James P. Hogan and written by Eric Taylor. It is based on the 1940 play A Good Samaritan by Ellery Queen. The film stars William Gargan, Margaret Lindsay, Charley Grapewin, John Litel, Lilian Bond and James Burke. The film was released on May 7, 1942, by Columbia Pictures.
Ellery Queen, Master Detective is a 1940 American mystery film directed by Kurt Neumann and written by Eric Taylor. The film stars Ralph Bellamy, Margaret Lindsay, Charley Grapewin, James Burke, Michael Whalen and Marsha Hunt. The film was released on November 30, 1940, by Columbia Pictures.