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George Vital "Papa Jack" Laine was an American musician and a pioneering band leader in New Orleans in the years from the Spanish–American War to World War I. He was often credited for training many musicians who would later become successful in jazz music.
Barnett, Kyle (2020). Record cultures: the transformation of the U.S. recording industry. Ann Arbor, [Michigan]: University of Michigan Press. p. 42. ISBN 978-0-472-12431-2.
Leon Joseph Roppolo was an American early jazz clarinetist, best known for his playing with the New Orleans Rhythm Kings. He also played saxophone and guitar.
George Clarence Brunies, a.k.a.Georg Brunis, was an American jazz trombonist, who was part of the dixieland revival. He was known as "The King of the Tailgate Trombone".
Jymie Merritt was an American jazz double-bassist, Ampeg Baby Bass and bass guitar pioneer, band leader and composer. Merritt was a member of Art Blakey's Jazz Messengers group from 1957 until 1962. The same year he left Blakey's band, Merritt formed his own group, The Forerunners, which he led sporadically until his death in 2020. Merritt also worked as a sideman for blues and jazz musicians such as Bull Moose Jackson, B. B. King, Chet Baker, Max Roach, Dizzy Gillespie, and Lee Morgan.
Mel Stitzel was a German-born pianist best known for his work with the New Orleans Rhythm Kings, a leading jazz band of the early 1920s. The leading members of the group including cornetist Paul Mares, trombonist George Brunies and clarinet player Leon Roppolo were school friends from New Orleans who recruited others such as Stitzel and drummer Gene Krupa to join their band. Stitzel also played with The Bucktown Five in the early 1920s.
Irving Fazola was an American jazz clarinetist.
The Preservation Hall Jazz Band is a New Orleans jazz band founded in New Orleans by tuba player Allan Jaffe in the early 1960s. The band derives its name from Preservation Hall in the French Quarter. In 2005, the Hall's doors were closed for a period of time due to Hurricane Katrina, but the band continued to tour.
Friar's Inn was a nightclub and speakeasy in Chicago, Illinois, a famed jazz music venue in the 1920s.
Arthur Frank Hazel, better known as Monk Hazel, was a jazz drummer and cornetist.
Dudley Mecum (1896–1978) was an American pianist, vocalist and songwriter., He was based in Chicago and had a musical group, Dudley Mecum's Wolverines. In the 1920s, he also performed with a number of other ensembles such as Merritt Brunies and his Friar's Inn Orchestra. Mecum wrote the lyrics for the song "Angry" which was composed by Merritt Brunies, Henry Brunies, and Jules Cassard in 1925. By 1929 Mecum had become a full-time songwriter. His other published pieces included "How's Your Folks and My Folks", recorded by the pianist and vocalist Art Gillham while testing new electric microphone technology, "I've Got the Blues for Tennessee", co-written by Mecum with Cal DeVoll and Wallace Bradley.
Antonio Sparbaro, known professionally as Tony Sbarbaro or Tony Spargo was an American jazz drummer associated with New Orleans jazz. He was the Original Dixieland Jazz Band drummer for over 50 years.
Merritt Brunies, was an American jazz trombonist and cornetist.
Leon "Leo" Adde was an American jazz drummer.
Louis Freddie Kohlman was an American jazz drummer, vocalist, and bandleader who was a native of New Orleans. He studied under the famed drummer Louis Cottrell, Sr., and Manuel Manetta.
Sidney Arnandan or Arnondrin or Arnondin, better known as Sidney Arodin was an American jazz clarinetist and songwriter, best known for co-writing the pop standard "Lazy River" with Hoagy Carmichael.
Voltaire "Volly" De Faut was an American jazz reed player.
The New Orleans Owls were an early jazz band from New Orleans that descended from The Invincibles String band and recorded 23 sides for Columbia from 1925 to 1927 on 78 rpm phonograph record. They are reportedly the first group to record by the electric system operating from a mobile recording van. They played principally for the dancers in the ballroom of the Roosevelt Hotel in New Orleans. The replaced Abbie Brunies' Halfway House Orchestra at the Halfway House dancehall in the late 1920s.
"Tin Roof Blues" is a jazz composition by the New Orleans Rhythm Kings first recorded in 1923. It was written by band members Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo. The tune has become a jazz standard and is one of the most recorded and often played New Orleans jazz compositions.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
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